Amoeblog

The roots of jazz - ragtime

Posted by Eric Brightwell, August 24, 2009 04:48pm | Post a Comment
Although for most people the strains of "The Entertainer" and other rags now primarily evoke quaint, scratchy images of silent films projected at the wrong speed, when ragtime first appeared around the 1870s, it was the soundtrack of Missouri's whorehouses, parlors and gambling clubs.

st. louis 1870
St. Louis in the 1870s

Ragtime was also one of the first truly and distinctly American musical forms. After cakewalk, ragtime was one of the first global music crazes. That Ragtime's cradle was the river towns of the Missouri Valley shouldn't be a surprise. Missouri, located at the center of the country, has long been and remains a crossroads of cultural exchanges. No state borders more than Missouri and noted ragtime musicians came from all the neighbors and spread to them (except Nebraska and Iowa, states whose people are known to be deaf to the joys of melody and dance). The character of ragtime -- drawing from folk, European and American marches, minstrelsy, spirituals and other forms -- connects Europe, Africa and North America, town and country, classical and popular, black and white.

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Sounds of the Show-Me State -- Happy Missouri Day

Posted by Eric Brightwell, October 15, 2008 12:13pm | Post a Comment
Pendersleigh & Sons Cartography's Map of Missouri

Pendersleigh & Sons Cartography's Map of Missouri


Missouri's nickname, the "Show Me State," first appears in print in the words of congressman, William Vandiver, who declared in 1889, “I come from a state that raises corn and cotton and cockleburs and Democrats. Frothy eloquence neither convinces nor satisfies me. I am from Missouri. You have got to show me.” Maybe it should be called the "Play-Me State" because it's produced so much great music. OK -- that doesn't make a lot of sense but I needed some sort of intro and transition.

*****

The state song is "Missouri Waltz."  It was first published in 1914. 

Hush-a-bye, ma baby, slumbertime is comin' soon;
Rest yo' head upon my breast while Mommy hums a tune;
The sandman is callin' where shadows are fallin',
While the soft breezes sigh as in days long gone by.

Way down in Missouri where I heard this melody,
When I was a little child upon my Mommy's knee;
The old folks were hummin'; their banjos were strummin';
So sweet and low.

Happy Missouri Day! - Yup, It's aready been a yurr since the last'n

Posted by Eric Brightwell, October 15, 2008 12:42am | Post a Comment
MISSOURI DAY

The 3rd Wednesday of the October, this year the 15th.

Map of Missouri
Pendersleigh & Sons' Official Map of Missouri


In my experience, when you'ins tell people you’re from Missouri, most people reply self-satisfiedly with "don't you mean Missouruh?" or, alternately, "where is Missouri? I don’t think I’ve ever been there."

Whether Missouri is Lower Midwestern or Upper Southern (or the Border South or, the Upland South, or less commonly today, the Yeoman South) is a somewhat common debate amongst Missourians... at least on the internet.

In my experience, Missouri's Midwestern neighbors, centered along the Great Lakes, (haters) tend to disparage Mighty Mo as a hick state whurr test scores are low, the accent is ugly and you'ins can buy fireworks, liquor and ammo... all in the same place.

Missouri's neighbors in the Deep South (also haters) usually don't consider it to be Southern because Missouri didn't side with the South in the Civil War (well, that's complicated-- thurr were 30,000 gray and 109,000 blue) and because South Coasters love to equate the entire South with just the Deep South aka the Lower South aka the Plantation South.

As far as Southern credentials go, Mark Twain, Langston Hughes, Thomas Hart Benton all seem fairly Southern, do they not? On the other hand, natives like T.S. Elliot, William Burroughs and Maya Angelou don’t so much, huh? Cultural cringe I reckon, plays a part in this confusion, as do geographical overlap and historical shifts.

St. Louis Union

Posted by Eric Brightwell, July 10, 2008 09:24pm | Post a Comment
St. Louis Union were a Manchester six piece fronted by impeccably-coifed singer, Tony Cassidy. Shortly after forming they won a Melody Maker beat contest in 1965 which scored them a deal with Decca. They were billed as "THE Group on the Northern Soul Scene." Their sound was centered around Alex Kirby's tenor saxophone and Keith Millar's electric guitar backed by some serious organ by Dave Tomlinson, John Nichols on bass and Dave Webb on the skins.

Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."

Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.


Truman having a laugh at St. Louis Union Station

In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.

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New to DVD - The Lookout - spoiler warning - in which the glaringly obvious glares... obviously

Posted by Eric Brightwell, August 21, 2007 04:15pm | Post a Comment










The Lookout
was written and directed by Scott Frank. It took ten years to get made and is a labor of love... and a big piece of crap. Two thumbs down from Ngoc and me.

It's set in Kansas City. Why? Scott Frank says, "I spent time there, but mostly what I loved was that there was an urban environment right next to a rural environment and they're very close together. He can live downtown but work two hours away in the middle of nowhere and I really liked that." That is true, if you drive two hours outside Kansas City you're in the sticks, or another city. So, the setting is very important obviously. Kansas City is like a character in the film, you might say. Of course, his observation applies to nearly every city in the country between the east and west coasts. Obviously Frank had a window seat on a cross country flight or maybe a just layover at Kansas City International. And the in-flight entertainment, I'm guessing, was Memento.
 
"I really didn't know why, but I just loved where it was. I loved that the mob was no longer there, that it was sort of a dying mob city and more of a "sons and sons of" place now. I just thought it was kind of interesting. I ended up doing a lot of research." Apparently meaning he watched lots of old movies with Kansas City in the title because Kansas City has a very high crime rate and most gangs there don't look much like the Lookout's.


Note to Frank: If you'd googled "Kansas City" and "mafia," you'd have learned this:

Despite being in prison in 1995, Anthony “Tony Ripes” Civella was seen as the new crime boss. In 1992 he had been convicted of a scheme to divert pharmaceutical drugs from traditional sellers on to the gray market. He was convicted and sentenced to 4 years. Since 1996 he has been free and very active. The remaining Las Vegas interests fall under power of Kansas City LCN Family member Peter Ribaste. His underboss is William Cammisano, Jr. In 1997 all three were placed in Las Vegas’s Black Book and are barred from casinos in that area. Today the Kansas City LCN [la Cosa Nostra] Family is reported to have 20-30 “made” members and is a very tight knit group controlling many street-level rackets.

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