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New "What's In My Bag?" Episode with Nergal of Behemoth

Posted by Amoebite, January 16, 2017 07:34pm | Post a Comment

Nergal of Behemoth What's In My Bag? Amoeba Music

Nergal, singer and guitarist for Polish black metal band Behemoth, was recently at Amoeba Hollywood and shared with us the stories behind his two box set picks, as well as why he thinks it's important to buy records. "I just think it's right to buy stuff, to support it," he says. "I'm happy when people buy my records."

Behemoth was founded in 1991 by Nergal (né Adam Darski), drummer Baal, and guitarist Desecrator. They released their debut LP, Sventevith (Storming Near the Baltic) in 1995. The band's profile grew with the release of their second LP, Grom, and its follow-up, Pandemonic Incantations. They made their live debut in the United States in 2003; shortly after this tour, Danzig invited Behemoth to join the Blackest of the Black tour. The group's latest release is 2014's The Satanist.

A mainstay in the death and black metal worlds, Nergal is set to release the debut LP from his nascent folk project, Me and that Man, March 24, 2017 on Cooking Vinyl. His memoir is titled Confessions of a Heretic: The Sacred and the Profane: Behemoth and Beyond. Nergal is a coach on the reality talent show The Voice of Poland. He has collaborated with Nile, Mastiphal, Ex Deo, and many other black and death metal bands.

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Our Picks for the Week's Must-Have Vinyl Reissues

Posted by Amoebite, October 6, 2016 05:12pm | Post a Comment

Vinyl Reissues

It's a good week to revisit some old favorites, with a slew of new vinyl reissues hitting the shelves at Amoeba on October 7th. From SoCal pop-punk to Britpop icons, here are our top picks for the reissues you'll want to add to your record collection.

Good Vibrations

The Beach Boys

A couple classics from the preeminent purveyors of '60s era sunshine pop are getting all spiffed up as special edition reissues. In honor of the track's 50th anniversary Good Vibrations is coming out as a 12" EP on sunburst vinyl and Surfer Girl gets a stereo issue on audiophile quality 200 gram vinyl.

Blink-182 Vinyl Box Set

Blink-182

50 Essential Albums Released in 2014

Posted by Aaron Detroit, December 5, 2014 09:20am | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. I've worked in Hollywood for ten years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. Here is my extensive list of new essential listening, released in 2014. There is a wide range of genres and artists represented here because musical passion should not be static.





1. Swans - To Be Kind (Young God)
To Be Kind, Swans’ 3rd LP since their 2010 reformation (and 13th overall,) is an unlikely triumph after 2012’s seemingly unmatchable masterpiece, The Seer. Any trepidation one might have about the sprawling triple-LP’s intimidating track lengths should evaporate under it’s hypnotizing ebb-and-flow of mental blues, super-honed grooves, manic clatter and hushed passages; all of which are eventually crushed by monolithic waves of majesty. Nothing short of classic.



 2. Carla Bozulich - Boy (Constellation)
Boy is Carla Bozulich’s (of Ethyl Meatplow, Geraldine Fibbers and Evangelista-renown) 3rd solo affair, but in a lot of ways it feels like her first. Bozulich pours her famed, devastating whiskey-voice into a cocktail of funeral country, death blues and industrial noise that sticks to your guts. Carla herself refers to this LP as her “pop record,” and if that's a true description, we could sure use a whole lot more “pop” albums like Boy. Don’t overlook this one.

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Weekly Wednesday Steal: Screaming Trees' 'Last Words'

Posted by Amoebite, November 19, 2014 09:01am | Post a Comment

screeming trees last words lpThis week's Weekly Wedensday Steal is Screaming Trees' final LP Last Words: The Final Recordings, regularly $19.98 and on sale for $10 on vinyl.

Fronted by gruff-vocaled Mark Lanegan, Washington's Screaming Trees were among the forefront of the grunge movement, scoring the alternative rock hit "Nearly Lost You." Last Words consists of recordings the band did in 1998 and 1999 right before the band broke up. The album wasn't offically released until 2011 and now constitutes the last Screaming Trees album. Meanwhile, Lanegan has had a successful post-Trees career as a solo artist, recently releasing the fine Phantom Radio LP, and as a collaborator with the likes of Queens of the Stone Age.

A bit about our Weekly Steal: A new item is featured on Amoeba.com every Wednesday for $10, while supplies last. It's limited to one per customer, and the deal is only available on the website. As always, there’s free shipping on all music and movies you buy on Amoeba.com throughout the United States.

Hear the album's "Last Words"below:

 

Album Picks: Vampire Weekend, Small Black, Eluvium, Mark Lanegan & Duke Garwood, Classixx, Wild Nothing

Posted by Billy Gil, May 14, 2013 10:28am | Post a Comment

Vampire Weekend - Modern Vampires Of The City

vampire weekend modern vampires of the cityCD $12.98

LP $18.98

Limited Edition LP $19.98

Download $9.98

Every time the world turns against Vampire Weekend, they have a way of turning around and shattering expectations. From the get-go, the band was dogged with Strokes comparisons and scoffs of Ivy League grads pilfering African music while singing about rich people. But none of those things could stop people from enjoying their immensely enjoyable first album, their underrated second one and now their third pop opus, Modern Vampires of the City. It’s low-key like Contra, but Modern Vampires’ hooks are silkier and more ingratiating. “Step” waltzes with a gorgeous collegiate melody, featuring some of the finest singing to date by Ezra Koenig, who’s finally mastered that Paul Simon trill. He also extends his voice beyond its comfort zone, taking on Buddy Holly-style hiccupping and extending his range up and down (aided by digital skewing) while the band rocks a solid shuffle on the cleverly titled “Diane Young.” It’s one of their best singles yet. Koenig’s lyrics, too, retain their wittiness and specificity, though they are open enough to make your own implications — “though we live on the U.S. dollar, you and me we got our own sense of time,” he sings memorably in “Hannah Hunt,” which ends with a beautiful, well-earned climax in which Koenig tears his lungs out belting. The band mostly stays supportive, only going full-tilt on a few songs, like the galloping “Worship You,” which allows Koenig to spit verse at lightning speed, or pulling out grand pop moments in “Unbelievers” and the uber-strange “Ya Hey,” which pairs its intricate melodies with hyper-warped vocal tricks. Modern Vampires doesn’t go for obvious, occasionally obscuring itself in too much oddity and not ripping loose often enough. But few bands at this level are still taking these many chances, and pulling it off more often than not. Vampire Weekend’s freewheeling Modern Vampires of the City firmly perches the band back in the top echelon of bands making music today.

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