Amoeblog

Reissues Out This Week From R.E.M., Tori Amos, Soundgarden & More

Posted by Amoebite, November 18, 2016 03:46pm | Post a Comment

Vinyl Reissues out November 18

Some amazing reissues hit our shelves this week! These beloved albums are back and better than ever, with improved sound, fancy packaging, and lots of special treats for fans. Whether your turntable is crying out for more grunge rock, electronic music, or classic indie, we've got you covered. Read on for some of our favorite new releases for the week of November 18, 2016.

Tori Amos

Tori Amos - Boys for Pele

The twentieth anniversary reissue of Amos' third LP is out now on deluxe edition 2-CD and 2-LP 180 gram vinyl. This version features remastered audio, plus B-sides and previously unreleased tracks.

Broken Social Scene

Broken Social Scene - Feel Good Lost

20 Albums to Look for in Spring

Posted by Billy Gil, March 8, 2016 11:47am | Post a Comment

20 albums to look for in spring

 

Hey! It’s almost spring. That means a ton of great albums are on the way. Check out this list of 20 that we’re looking forward to.

The Joy FormidableHitch
Out March 25

joy formidable hitch lpThe alt-rock trio’s third album was recorded in the band’s native Wales. Check out the fun video for “The Last Thing on my Mind” below, which flips the tables on the female objectification. (It’s kinda NSFW.)










Bob MouldPatch the Sky
Out March 25

bob mould patch the sky lpThe former lead singer of Husker Du and Sugar’s latest album is a “triumph of opposing forces and properties” from “the master of balancing personal darkness with melodic brightness,” according to a press release. Watch the video for the introspective “Voices in My Head” below.

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20 Great Vinyl Reissues From 2014

Posted by Billy Gil, December 31, 2014 03:44pm | Post a Comment

Best Vinyl REISSUES 2014

Our Best Of 2014 extravaganza ain’t quite over yet. Here’s a list of 20 excellent records that were reissued on vinyl this year. (Out of stock? Add the item to your wishlist and we’ll notify you when we have it in.)

Erykah Badu - Mama’s Gun

erykah badu mama's gun lpErykah Badu’s second album is a neo-soul touchstone that represents her transition from her earlier work to her wilder 2000’s output. Features the hit “Bag Lady.”

 

 

 

 

 

 

 

The BeatlesThe White Album

the beatles white album lpThe mother of all rock bands/albums. The Beatles’ albums (all of which are pretty much essential) were reissued on vinyl this year. You gotta own this one on mono vinyl, the way it’s meant to be heard.

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The 20 Best Shoegaze Albums

Posted by Billy Gil, March 7, 2014 06:21pm | Post a Comment

Islowdivenspired by the reunion of shoegaze greats Slowdive, Amoeblogger Brad Schelden and I have compiled our list of favorite shoegaze albums.

For any who don’t know, shoegaze is a style of music rooted in the noise pop of The Jesus & Mary Chain and dream pop of Cocteau Twins from the early ’80s. In the late ’80s and early ’90s, bands took elements put forth by those bands—loud, distorted guitars, heavily reverbed vocals and emphasis on atmosphere over discernable lyrics—and came up with a new sound, first truly realized by My Bloody Valentine on their classic 1988 album, Isn’t Anything. Shoegaze (or shoegazing) was a term NME and Melody Maker in the U.K. used to describe the visual representation of the sound from bands who rose in My Bloody Valentine’s wake, depicting bands’ apparent lack of movement onstage and propensity to stare down at their numerous effects pedals. The genre hit its heyday in the early ’90s but persists today, with bands like My Bloody Valentine and Swervedriver reuniting and artists like M83 and Diiv using elements of their sound (so-called nu-gaze, but I’ll avoid that terrible term). So with that lengthy explanation, here we go.

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Albums Out April 9: The Knife, Kurt Vile and More

Posted by Billy Gil, April 9, 2013 10:54am | Post a Comment

Album Picks:

The Knife - Shaking The Habitual

The Knife Shaking the HabitualCD $12.98

Deluxe CD $19.98

LP $27.98

As always, The Knife mean to disturb and provoke you, and Shaking the Habitual is their most adventurous statement to date. They begin the two-disc set with one of the more pop-oriented pieces — of course, The Knife’s defintion of pop involves alien distortion on Karin Dreijer Andersson’s vocals, which are growly and swoop in and out of conventional melodicism to begin with. On “A Tooth for an Eye,” it’s fairly typical, if highly accomplished, fare for The Knife, as Andersson’s warped vocals match her and Olaf Dreijer’s tribal beatwork and synths that bellow and squelch like steam machinery. This in no way prepares you for the set’s second song, the nine-minute “Full of Fire,” whose machine-gun beats are the accessible part of a demonic pop song in which synths bleep atonally like tea kettles and swirl like locusts, while Andersson’s vocals sound like they’ve been run over by tires full of syringes. Even with its mammoth run-time and demanding sound, it never falters in fascinating and keeping a fanged vice grip on the listener. You feel your hair stand on end and you start to sweat with each new turn. “A Cherry on Top” starts with five minutes of wraithlike synths before Andersson comes in with a digitally deepened voice in a sort of gender, culture, genre-bending near 10 minutes that’s both bewildering and bold. Of course The Knife’s freaky sounds can be grating or seemingly unusual for the sake of it sometimes — I opened a hotel website with a man singing in Hawaiian during the flute-laden “Without You My Life Would Be Boring” and didn’t notice for a full minute — and pieces like the nearly silent, nearly 20-minute “Old Dreams Waiting to Be Realized” are more interesting in concept and as a breather than they are in actual sound. But Shaking the Habitual harkens back to a time when albums were meant to be an experience, something puzzled over, abandoned and returned to and studied, not streamed while searching for hotels. It’s anti-pop, but claims that it is “unlistenable” are unfounded. Even at nearly 10 minutes and with truly messed up sounds housed within in, “Raging Lung” is a pop song, with movements and parts that hit you and break through the din — when Andersson keeps coming in with her “that’s when it hurts” line ranks among the best pop moments on the album. “Networking” drops vocals almost entirely in favor of a Kraftwerkian cold synth rave-up, and it ends up one of the album’s catchiest songs in the process. “Stay Out Here” also features guest vocals from Light Asylum’s Shannon Funchess and artist Emily Roysdon that make the song a kind of horror house anthem as the singers’ vocals bounce off one another and come together in eerie harmony in a padded cell of wavelike synths and skittering beats. The Knife make many demands on you — of your time, of your patience and of your willingness to let go of preconceived notions of pop — on Shaking the Habitual. Trust them — you’ll emerge from the experience feeling as though you’ve gained a new understanding of what pop music can be. Few artists alive today can claim the same effect.

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