Geoffrey O’Connor, frontman for Australian indie pop band Crayon Fields, released his debut record under his own name this week with Vanity Is Forever, a dark and sexy collection of new romantic pop reminiscent of Bryan Ferry and later-period Roxy Music. It’s gorgeous stuff, and tonight he’ll play it at Hollywood Forever Cemetery alongside Swedish songsmith Jens Lekman at 8 p.m. I took a minute to chat with O’Connor about his music upbringing and influences — surprise, it’s not all ’80s all the time!PST: Can you tell me a little bit about your musical background up until releasing Vanity Is Forever?
O’Connor: I’ve been writing and recording songs since high school, which is when I started playing with Crayon Fields — we are now working on album number three. I released a solo record in 2007 as Sly Hats, but then decided to drop the name for the one my mother gave me.
PST: What are some of the influences, musical or otherwise, that got you making the music that appears on this album?O’Connor: Classics like Fleetwood Mac, Lou Reed and Dory Previn are the first musical influences that come to mind. I work in a cinema and get to see a lot of free movies — often there will be a memorable scene or quote that will trigger a song idea, even in the ones I don’t like.
PST: I definitely hear a cinematic quality to your music. Have you or would you consider scoring a film?


This time last year on a Saturday morning in Sydney, Australia Laurie Anderson led a small but powerful four piece music ensemble in an outdoor concert by the Sydney Opera House for dogs and their owners. But the unique concert was less for humans and primarily music for the dogs (approximately a thousand in all in all sizes and breeds) in attendance since it was a “high-frequency concert” with sounds and frequencies that were geared for dogs' hearing ranges.






















