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God Bless Los Lobos

Posted by Joe Goldmark, January 9, 2012 02:18pm | Post a Comment
To check out extensive LP label and price guides, head to the Vinyl Beat website!

What if there was a band that could play great rock & roll, cool R&B, plus hot Mexican and ChicanoLos Lobos grooves?  On top of that, what if this band could also synthesize those influences into their own wonderful songs without losing any of the flavor or intensity of the various original genres?

Luckily for us, Los Lobos can do all this and more. Their body of recorded work is staggering in its breadth, beauty, and rhythmic groove. They are truly a national treasure and define the term “Americana band.”

David Hidalgo on lead guitar, vocals, and assorted other instruments gives the band a lot of its diversity and musical muscle. Steve Berlin on sax and keyboards is the newcomer in the band, having joined in 1983! Cesar Rosas is also an excellent lead guitar man and a soulful singer. Louie Perez writes much of the material, used to be the drummer, and now plays rhythm and sings. Last but certainly not least, Conrad Lozano always plays strong solid bass lines.

Other bands have successfully combined styles and, in some cases, created a whole new genre. However, I don’t think there’s ever been such an eclectic band as Los Lobos. As you can hear below, they cover a lot of bases.

"Chuco’s Cumbia"


The Vinyl Frontier #2 - Collecting Tex-Mex & Chicano Vinyl

Posted by Joe Goldmark, August 17, 2011 06:41pm | Post a Comment

tear drop talk to me sunny and the sunliners vinyl lp    buena suerte follow the leader little joe and the latinaires vinyl lp   falcon tortilla factory antonio martinez guerrero vinyl lp

To check out extensive LP label and price guides, head to the Vinyl Beat website!

Tex-Mex, the melding of rock and roll with Chicano music, started in San Antonio and L.A. in the late 1950s. It quickly spread to all Mexican-American communities throughout the Southwest. It wasn’t called Tex-Mex in L.A., but there was a similar aesthetic in all the Chicano communities and I’ll lump them together for the purposes of this article.

Some of the more famous bands in Texas were The Sir Douglas Quintet,Sunny & the Sunliners,Sam the Sham & the Pharaohs, Little Joe & the Latinaires, Freddie Fender, Rocky Gil, and The Royal Jesters. In L.A., it started with Ritchie Valens and Chris Montez, and the mid-‘60s saw the rise of Thee Midnighters, The Premiers, Cannibal & the Headhunters, and a host of lesser known bands.

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Los Lobos at Amoeba Hollywood 8/25 Reviewed by Gomez Comes Alive

Posted by Gomez Comes Alive!, August 29, 2010 11:21pm | Post a Comment
los lobos amoeba
I admit, even though I love Los Lobos now, it took me some time to get into them. When I wrote a blog about their album Los Angelenos - The Eastside Renaissance, I admitted that as a 15 year old, their music “was the kind of music that could be easily digested by the readers of Rolling Stone as being adventurous.” There was no way I could understand Los Lobos as a kid. They were adults. They were men who were married and had children. They had been part of the East Los music community for years by the time their records on Slash were released. Los Lobos isn’t one of those bands you grow up with. It’s a band you appreciate when you are older.

Sure enough, as I got older, I not only began to appreciate them, but I feel that now I fully understand them. Their lyrics had the same artistry as other Chicano visionaries such as writer Rudolfo Anaya or painter Patssi Valdez, coupled with their ability to make art that was both personal and universal. Hearing the song “La Pistola Y El Corazon” is like having a shot of tequila when heartbroken. "One Time One Night" makes me think of all the people I have lolos lobos amoebast. I saw my childhood in “Kiko And The Lavender Moon.” I saw my own past fly before my eyes in “Oh Yeah.”

This past week's event was Los Lobos’ third in-store appearance in nine years at Amoeba Hollywood. They started with “Burn It Down,” a song from their excellent new album, Tin Can Trust. The song has lots of Alt-Country flavoring with a blistering David Hidalgo guitar solo that was part Richard Thompson, part Thurston Moore. They followed it up with “Don’t Worry Baby” from Will The Wolf Survive? That song is an instant jump-up number that can get any crowd going. But it was the new songs, such as the title track, "Tin Can Trust," and the standout “Jupiter And The Moon,” a song with shades of Traffic’s “Low Spark of the High-Heeled Boys” that shined the most. Those two songs easily fit with the other Lobos classics they played that night, such as “Will The Wolf Survive” and “Shakin' Shakin' Shakes.” They played two of Cesar Rosas' signature Cumbias, “Yo Canto” from the new album and “Cumbia De La Raza” from the album This Time. Both had many people dancing in the aisles to their East L.A. Cumbia rhythm.

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Los Lobos Pics from the Amoeba Hollywood Instore

Posted by Amoebite, August 26, 2010 05:09pm | Post a Comment
Los Lobos rocked Amoeba Hollywood yesterday and we've got the pics to prove it! Check them all out here and also check out the review the LA Times posted if you missed the show!

los lobos

Favorite Sesame Street Collaborations

Posted by Gomez Comes Alive!, June 28, 2009 01:12am | Post a Comment
Johnny Cash W/ Oscar The Grouch- "Nasty Dan"


Celia Cruz- "Songo Song"


Stevie Wonder w/ Grover



Ray Charles w/ Bert & Ernie - "I Got A Song"


Los Lobos w/ Elmo - "Elmo & The Lavender Moon"

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