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Milo Greene Set to Play Amoeba With Live Webcast As Debut Record Lands

Posted by Billy Gil, July 15, 2012 04:00pm | Post a Comment
Milo GreeneMilo Greene is British. He’s well-dressed — three-piece suit and the like. He’s incredibly confident and charming, he’s well-spoken, he’s an intellectual, but also a man’s man. He’s exactly six feet tall to the millimeter, and if he were a dad, he’d be the No. 1 dad.
 
Milo Greene the man also isn’t real — they are a band, not a dude. He’s a fictional character band member Robbie Arnett invented when forming the band with Andrew Heringer. When contacting venues, Milo Greene would send the requests, and Arnett and Heringer saw their fortunes rise accordingly, getting better shows.
 
Now a five-piece who’ve taken the moniker Milo Greene as their own, in a bit of Belle & Sebastian-style alluring bewilderment, is set to release its debut, self-titled record July 17. The band plays Amoeba Hollywood the same day, at 7 p.m. with a live webcast.
 
milo greene milo greeneThe L.A.-based band’s debut record, Milo Greene, offers the same sort of intimate harmonies and natural harmonies of a Fleet Foxes or, further back, Fleetwood Mac just as Stevie and Lindsay joined the band. Written in part in a cabin in the Sierra Nevada Mountains, and recorded with co-producer Ryan Hadlock (Ra Ra Riot, Blonde Redhead, The Gossip, The Lumineers) at Bear Creek Studio, a converted early 1900s barn in the country outside of Seattle, it’s a beautifully crafted set of songs that makes the most the band’s five-person set-up. They offer lush harmonies on songs like “Don’t You Give Up On Me,” which sounds like a gorgeous gospel intervention. Lone girl Greener Marlana Sheetz in particular stands out on songs like “Perfectly Aligned,” in which Sheetz’s testimonial vocals are wrapped in just the right amount of gauzy reverb while the boys (who include Graham Fink and Curtis Marrero, in addition to Arnett and Heringer) back her up with swaying folk-rock, along with electric swells of sound and strident harmonies when necessary. The whole thing’s, you know, perfectly aligned.
 
I sat down to talk with Fink about what it’s like to be in a folk band in L.A. in 2012, and what records and songs are doing it for him these days (Hint: Lots of ’90s R&B).
 
Me: Truthfully it was a bit hard to find out more about you guys, and along with the whole “Milo Greene” concept, it seems to me sort of an early Belle & Sebastian situation where you want the music to stand for itself and not for any member of the collective to stand out. Is that fair to say?
 
Fink: Absolutely. This is a very collective group, and the music has always stood at the forefront. We liked the idea of just releasing some live videos early, so people could see the five of us in a room, making music. No lead singer, no gloss, music first and foremost. That being said, I'm really trying to get famous so I can be gifted courtside Clippers tickets.

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Hold Back the Night: Amoeba San Franciso's annual all Carolina Beach Music live DJ set!

Posted by Kelly S. Osato, July 9, 2012 12:10am | Post a Comment
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Here we are, three weeks into summer and come this July 11th we've got only one thing on our minds: free Slurpee day at 7-Eleven, right? Well, get ready to double down on your summer-fun pleasure index for this Wednesday July 11 marks the return of the annual Carolina Beach Music live DJ spectacular at Amoeba Music in San Francisco from 6-9pm. DJ Flip-Flop Mode and myself will be breaking off hit after hit of classic sunny oldies, boardwalk soul b-sides, and rhythm & blues shuffles what you can Shag to (no, not that kind of shag you cheeky monkey). 

What is Carolina Beach Music?
 

Like other regional Oldies/Soul sub-genres, think Lowrider Oldies or Northern Soul, Carolina Beach Music (or just plain Beach Music if you're in Carolina, nothin' could be finer) developed from various musical styles of the 40's, 50's, and 60's that became closely associated with a fancy, footwork-heavy style of dance known as the shag, or the Carolina shag (which, fun fact, is also the official state dance of both North and South Carolina).carolina beach music show poster vintage the drifters tempests catalinas

Prior to the Civil Rights Act of 1964, white youth in the Jim Crow South could not easily access the compelling music of primarily black R&B artists in their home towns and, in some communities, this remained in effect even after racial integration was implemented in the region. But the kids, as kids are always wont to do, found ways of flocking to the bars and band shells of the Carolina beaches where the shag was the fad and R&B ruled the jukeboxes and R&B artists sometimes performed live (see: Bo Diddley's Live Beach Party Album, recorded live in concert in July 1963 at the Beach Club in Myrtle Beach, South Carolina). Those college students and vacationing teenagers of Beach Music's early years went on to ween their young'uns and their young'uns young'uns on the The Tams, The Embers, The Drifters, The Tymes, The Platters, Ernie K-Doe, Bob & Earl, General Johnson & The Chairmen of the Board, and Major Lance just to name a few.

Quite often the most popular carolina beach music 45 7" even inch vinyl single freda payne band of gold oldies soul r&b ripete records label record reissue pressing shagBeach Music jams were discovered on the flip-side of a chart-topper and some of the original acts made famous by the Beach Music phenomenon maintain a popular following today having scored crucial Beach Music hits, besides b-sides, on through the 70's and 80's. With several radio stations in the Carolinas dedicated to broadcasting Beach Music and Beach Music only nowadays, if you find yourself rockin' your digital audio files north or south of the Carolina border this summer let me not be the first to declare: not only are you doing it wrong but you're dealing the season a disservice. And if you're rocking a hi-fi at home, take it from me: many of the best Beach Music gems can be exhumed from the bargain bin in Amoeba Music's extensive collection of 45s and it's worth puttin' in the time mining them out. Here's a hint: pretty much anything on the Ripete label is legit Beach Music fare (even if they are all re-pressings, Ripete reissued a ton of hard to find Beach Music platters for the greater good).
 

In other words: Beach Music is a guaranteed party, people! So get to fixin' this Wednesday, July 11, by hittin' up your local S'leven, secure your Slurps and come on up to Amoeba Music SF from 6-9pm for Hold Back The Night 2012: a proper Beach Music get down spun by two genuine Carolina Girls, I suwannee!

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En Fuego: Iron Maiden's latest LIVE album/DVD drops today!

Posted by Kelly S. Osato, March 26, 2012 12:00pm | Post a Comment
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I know a lot of folks will be stopping by to pick up Madonna's new record MDNA today (which I recommend doing as it is packed front-to-back with sweaty Ray of Light meets Confessions on a Dancefloor energies), but - sorry Madge - M is for Maiden and that's good enough for me. Iron Maiden that is, and today's double live CD (or double LP) plus DVD concert release En Vivo! showcases a very indefatigable band from a very fan oriented perspective filmed live during the Final Frontier World Tour at Santiago, Chile's Esatdio Nacional. The extras, especially the 88-minute Behind the Beast documentary, are boss and the artwork rules inside and out. Celebrate En Vivo! day with "The Wicker Man" and Behind the Beast trailer below, click here for everything Iron Maiden available via Amoeba.com. Up the irons!!!





Omar Souleyman at the Mezzanine in SF this Tuesday June 7

Posted by Kelly S. Osato, June 2, 2011 02:19pm | Post a Comment
Syrian master of dabke and Iraqi choubi jams Omar Souleyman will be setting the sweaty boogie-party off this Tuesday in San Francisco at the Mezzanine! Come one, come all and join the one-third of the Amoeba Music SF staff that already hold tickets to this high-impact, calorie-shedding dance party --- hope they properly packed that keyboardist this time 'round: get your tickets here!
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check out this sweet vid below featuring "Leh Jani" --- the opening track from the Sublime Frequencies CD Omar Souleyman - Highway to Hassake: Folk and Pop Sounds of Syria:

Live - Time For A Little Trip Down Memory Lane

Posted by Miss Ess, January 21, 2008 01:03am | Post a Comment
When I was in high school, I was really into sincerity.  I mean, I'm still into sincerity now, don't get me wrong, but in high school I desperately clung to sincerity with the intense fervor of youth.  I think it was a natural reaction to navigating lockered halls at 15.

It made sense, then, that when popping a cd into my sound system, I pretty much only listened to sincere bands.  Bands that were serious about their music and their message. 

live the band ed kowalcyzk
These dudes are intense.

So it follows that I really liked the band Live.  Remember "Lightening Crashes" and "I Alone"?  Their big album was their second, Throwing Copper.  They bled sincerity and seriousness to me back when it meant the most to me, in those teenage years.

Times were simpler then.

live throwing copper band cover Basically, when I think back, my enjoyment of Live taught me about musical obsession, about the intricacies and excitement that come along with absorbing one's self in a particular band.  They weren't the first band I was acutely taken by, but they did hit me hard at the time, I have to say.  I knew and analyzed every track on that album.  I was intrigued by the energy and earnestness of the band.  I learned about the transcendent quality of music, sitting in my bedroom with the sound pumping.  At the time I thought Live were trying to uphold the values I held dear:  connection, truth, and all that kind of thing. (Soooooo high school! And sooooooo serious!)  I read every article I could find about them and sought out information about the authors and ideas they wrote about in their songs.  Everything they did seemed so fraught with meaning.

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