Home is where the hearth is. Downtown Nevada City, California.
The boyfriend and I have recently returned from frolicsome fun in my hometown of Nevada City, California. This year my most shiny of celebrations was neither Christmas nor New Years, but my sister Jacquie’s 50th birthday (for which I provided the cake, subsequently learning that Christmas day is a lousy time to buy baked goods).
Some highlights of the trip were…
Teaching my mother how to prepare absinthe. Who doesn’t love this quintessential Christmas pastime*? Equipped with a curvaceous reservoir glass and ornate, slotted spoon I enthusiastically gave a demonstration on how to prepare absinthe in both the traditional French method and the more dramatic (and efficient) Bohemian method. Both methods were merely informative, not practical, as my Mammy and me prefer our green fairy sans sucre.
My Mom, enjoying her beverage
Armed with our booze and one clove cigarette each, we sat in her English garden and contentedly sinned with some of Satan’s most pleasingly perfumed indulgences. Once we felt sweetly weak-in-the-knees it was time to make some pie. (Drinking and driving is a bad idea, but drinking and pie making is a sign of advanced evolution in a species. Word.)
Beyond the live music lineup, Noise Pop 2011 boasts a great line up of film screenings and related events this year!
First will be the world premiere of This is Noise Pop on Feb 23, a documentary about indie rock via bands' Noise Pop appearances, followed by a Q&A with the director, editor and Noise Pop glitterati.
Also screening is a documentary about the ever-popular Jose Gonzalez called The Extraordinary Ordinary Life of Jose Gonzalez on Feb 23 and Look at What the Light Did Now, a film about Feist on Feb 24. Little Wings, the original author of the song "Look at What the Light Did Now," will perform after that film.
The much-anticipatedFamily Jams, a film by Kevin Barker about the 2004 tour of (formerly) San Francisco's own Devendra Banhart, Joanna Newsom and Vetiver will also screen on Febuary 24.
This is the kind of record that you listen to repeatedly, one side at a time. I think I must have replayed side one at least five times before moving on to play side two again and again --- it's just a mesmerizing and solid piece of work, enchanting and haunted by an astounding breadth of world music influences (no doubt culled from field recordings, transmissions and the like Sun City Girls has gifted to the public via their Sublime Frequencies label, which pretty much makes them, alongside Mississippi Records, the Smithsonian Folkways of our generation). This release is held even more dear by the fact that it is the last Sun City Girls record due to the death of drummer and vocalist Charles Gocher Jr. in 2007. It's also a limited release, so get it while you can. In fact, it's the "get it while you can" of 2010.
Sun City Girls - "Blue West" from Funeral Mariachi