
This is how we.......... yaaawn.... sssstretch.... roll.
It was our final day in Las Vegas, and Corey and I were determined to sleep through as much of it as possible. Corey is more gifted in late mornings than I, so he was impressed and pleased when my peepers didn’t pop until after eleven o’clock, ante meridiem.
We ordered room service. I had the same, slimy oatmeal mentioned previously in my blog, but this time I had it in the luxury of our suite, so okay! Everything tastes better when you have live footage of a shark tank playing on wide-screen TV.

"I'm only working The Strip to put myself through college."
Our only real schedule obligation was to vacate the room long enough for the maids to magically transform it to its virginal state. While we wandered into the lobby, wondering where we’d walk, we fortunately stumbled into a serious conversation about some dynamics in our relationship. So we sat down at a patio table outside and proceeded to communicate, sincerely.
Not only did this help illuminate certain things for each other, but it totally kept us occupied long enough for housekeeping to complete, so, once we were satisfied we understood each other, we returned to the room to continue doing as little as possible. It was a success.
That night was The Advocate’s party at Ivan Kane's Forty Deuce, Mandalay Bay’s burlesque club, which, every Monday night (as it was) hosts “Stormy Mondays” – a male burlesque show.




Perhaps it is because it is a much smaller nation than the USA that the United Kingdom pop charts have historically been more prone to having unusual or esoteric records making their way onto and up the British pop charts. But that is not to say that surprise hits never occur here in the United States. They do, just not as often. But every once in a while a record that you just don't think of as a "pop" record somehow breaks through into the mainstream. A good example is the cool swinging, drum-based instrumental single "Topsy, Part 2" by jazz drummer Cozy Cole which was a surprise cross-over hit exactly fifty years ago in 1958 for the talented percussionist when it went to the number one spot on the Billboard Top 100 Charts.
here. That’s the Bible baby! 
