With Black Swan, Darren Aronofsky has now directed the requisite number of films (five) that he can be mentioned peripherally among the likes of his most major influences—David Lynch, Stanley Kubrick, Roman Polanski and (I could swear) the Beelzebub himself. Here is a look how I’d rank the Aronofsky canon, and why you might want to check out these darkly existential films.
1) Requiem For A Dream (2000) – Ellen Burstyn is phenomenal (she was nominated for an Oscar in this role as Sara Goldfarb) in this film that centers on addiction and spiraling delusion of four linked characters played by Burstyn, Jared Leto, Jennifer Connelly and Marlon Wayans. I’ve said it before: though it’s labeled a drama it’s actually one of the better horror films released in the last decade, and I remember Aronofsky himself saying it was a roller coaster ride that crashes into a brick wall — like that was most moviegoers' idea of fun! Burstyn’s palsied declaration, “I’m going to be on television,” with the refrigerator coming after her is indelible stuff. Each character ends up in the fetal position.




Depression. Our Great War's a spiritual war... our Great Depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off," says Fight Club's Tyler Durden -- played to perfection by Brad Pitt -- who is the dark alter ego of the nameless narrator/protagonist played brilliantly by Edward Norton. Equally powerful is the actress Helena Bonham Carter in the supporting rolel of Marla Singer. Meat Loaf and Jared Leto also play secondary characters in the film.
with the show. I really felt like it was like watching my own life in so many ways... except I don't have an
annoying little sister, just an aggravating older brother.
There's a recent interview with Claire Danes (Angela) and she has this weird air about her. She seems
unnaturally poised or something, and her perfectly coiffed layered blond hair stands in stark contrast to her fire engine red stick straight hair back when she played Angela. She seems miles away from Angela, and I guess she should since that was 13 or so years ago. In a way though, I still feel often like that kid I was in high school, and Claire, despite admitting to sharing many characteristics with the fictional Angela, seems not only to have moved waaaaay beyond her 15 year old self, but also seems determined in her speaking on the DVDs to prove it to be so. Maybe a lot of people come up to her in the street and still expect her to BE Angela. That really would get old. I'm glad she's agreed to be on the new DVDs at all. It was an interesting experience to see her now, speaking about what transpired so long ago.
