Amoeblog

Show-Me Hollywood -- Missourians in Hollywood on Missouri Day

Posted by Eric Brightwell, October 16, 2013 12:00pm | Post a Comment
Happy Missouri Day! I was not born in Missouri but I count myself fortunate to have grown up there, moving to the Show-Me State from Kentucky when I was four and staying until I was sixteen. Of course, I ended up moving west (St. Louis is the Gateway to the West after all) to the great state of California, following in the footsteps of many before me. For this blog entry, I'd like to honor Missouri natives who worked in Hollywood film.

Pendersleigh & Sons Cartography's Map of Missouri
Pendersleigh & Sons Cartography's Map of Missouri

Also, there's some sporting event involving a cricket-derivative going on right now between Los Angeles and St. Louis -- arguably the greatest cities in their respective states (well, arguable in St. Louis's case). So forgo your animal-style friesCool Ranch tacosFrench Dipskogi tacos, and Mission burritos for one day and prepare a feast of BBQCherry Mashesgooey butter cakeOzark PuddingSt. Louis-style pizzaSt. Paul sandwiches, and toasted ravioli as we honor the Missouri-Hollywood connection.

Masked Vengeance: Super (2011)

Posted by Charles Reece, April 17, 2011 08:22pm | Post a Comment
super poster boltie

In Dan Clowes' Death-Ray, the titular hero doesn't discover a greater sense of responsibility with his newfound powers (à la Peter Parker), only a fascistic resolve in settling petty grievances. James Gunn uses a similar approach in critiquing the superhero costume in Super. His heroes, The Crimson Bolt and Boltie, aren't super-powered, just a couple of individuals who wear masks and deliver vigilante justice -- in a word, sociopaths. Just like Batman, the mask is used to disguise a personal revenge motive: a drug dealer has wooed away The Bolt's wife not through some mind-control apparatus, but because the dealer is better looking and his life more enticing than the hero's secret identity as a fry cook. The film takes every right turn, mixing pathos and humor, demented fantasy and realistic violence, convention and critique into one of the best dark comedies about the depressing nature of fanboy fetishism we're likely to get. Much better than Suckerpunch.