Amoeblog

Daz I Kue's "Funky President" Remix Celebrates Obama's Victory

Posted by Mike Battaglia, November 19, 2008 10:54pm | Post a Comment

My good buddy Daz I Kue of London's pioneering Broken Beat crew Bugz In The Attic recently sent me this fantastic remix of James Brown's "Funky President" that he's done under his Bloodfire alias -- one he's applied to cheeky less-than-official reworks of other jams like Syl Johnson's "Is It Because I'm Black" and Syreeta's Stevie-penned "To Know You Is To Love You," both of which are fantastic and worth the tracking down, if you can find either out-of-print 12".

Recently married and residing in Atlanta, Daz channeled his emotions over the recent presidential election into this fantastic bit of dancefloor badness which juxtaposes the untouchable original with "Yes We Can" chants, putting the whole thing into glorious, evocative focus.

Many thanks to Daz for giving us permission to post the track here. No MP3 either, this is a full-spectrum AIFF CD-quality soundfile, suitable for club play. Play it loud!

Bloodfire V Funky President (Yes We Can Rehash) (sendshare link to 71mb AIFF)
and here's a 16MB MP3 in case you're balking at the file size!

JAMEBLOG TOP TEN: WEEK OF 08:18:08

Posted by Billyjam, August 18, 2008 06:47pm | Post a Comment

Jameoblog Top Ten: 08:18:08

1) Wale - "The Kramer" (10 Deep/elitaste.com)
2) Fatlip - "What Up Fatlip? (Breakbot RMX)" (Delicious Vinyl)
3) NaS "Sly Fox" (Def Jam)
4) KRS-One "Pick It Up" (KOCH)
5) Jean Grae + 9th Wonder - "2-32's"  (Blacksmith)
6) Alltruisms - "Jalopy" (Gravel Records)
7) James Brown - "There Was A Time (Kenny Dope Remix)" (Verve)
8) Paris - "Get Fired Up" (Guerrilla Funk)
9) Girl Talk - "Don't Stop" (Illegal Art)
10) A.G. Cubano feat. The Jacka, San Quinn, & Matt Blaque - "I'm Winnin"  (City RIch/Blackhouse Ent)

On Wale's instantly engaging song "The Kramer," off his recent Nick Catchdubs mixed-Seinfeld themed The Mixtape About Nothing album-length digital download, he jumps head in and addresses the current hip-hop driven cultural use and abuse of the N word and, to a lesser degree, the B word. The Washington DC emcee, whose name is pronounced "Wah-Lay," uses Michael Richards' (aka Kramer on Seinfeld) infamous N word tirade, which he samples at the beginning of the track, as the jumping off point to address society's current use of the N word and its contradicting implications when used by blacks or whites-- specifically the dilemma of white diehard rap fans continually hearing the N word in their favorite music.

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Men In White

Posted by Mr. Chadwick, August 4, 2008 10:35am | Post a Comment
Well, here they come...The men in the white suits...and sweaters and horses bodies and whatever the hell Menudo is wearing. Kinda looks like a karate uniform mixed with PJ's. Maybe that's what they had to wear for the band slumber parties...

Lionel Richie Dancing on the CeilingBrothers Johnson WinnersEonGerald Albright Bermuda Nights
Grateful Dead Gone To HeavenDickies Great DictationsPepe Villa and El Mariachi Mexico Honeymoon in MexicoRoger Daltrey Ride a Rock Horse
Latimore MoreJames Brown the Original Disco ManMenudo A Todo RockNick Heyward All Over the Weekend
Seals and Croft Takin' It EasyShawn Phillips SpacedTeddy Pendergrass It's Time For Love TPJames Brown the Original Disco Man
William Bell On A RollJermaine Jackson William Bell On A RollAl Green Trust In God

DECEMBER 25th: JAMES BROWN DAY

Posted by Billyjam, December 25, 2007 06:15am | Post a Comment

Today, December 25th, means different things to different people. To many, including myself, it will now forever be the anniversary of the passing of one of music's greatest artist's ever: James Brown, aka The Godfather of Soul, aka The Hardest Working Man in Show Business.  Exactly one year ago today, Dec 25 2006, James Brown died at age 73 from congestive heart failure resulting from complications of pneumonia.  And that shocking news, which spread fast and kept getting retold over that whole holiday week last year, put a damper on the festivities for many of us.

So this December 25th I say spill a lil on the curb for James Brown in his honor or drink a toast to the man's memory. And be sure to listen to some of the incredible legacy he left behind. What is amazing about the music of James Brown, and of course the stellar JB band (as witnessed in concert footage below from '71), is that it never ages or loses its edge or uplifting vibrancy. And I for one can literally listen to James Brown all day long and never get tired of it.

R.I.P. James Brown. We will never forget you!

BOBBY BYRD (R.I.P.)

Posted by Billyjam, September 15, 2007 09:33am | Post a Comment

Singer, pianist and songwriter Bobby Byrd, who is credited with discovering James Brown in the 1950's and consequently was one of the Godfather of Soul's main collaborators for twenty years, died September 12th of lung cancer at his home in Georgia. He was 73 years of age.

Byrd, who many may know from shouting that famous refrain "Get on Up" on the James Brown hit "Get Up (I Feel Like Being A) Sex Machine," also co-wrote that song. He is additionally credited with co-writing several other James Brown hits that included "Talkin Loud and Sayin' Nothin," "Get Up, Get into It and Get Involved," and "Licking Stick." And at James Brown's funeral late last year he sang "Sex Machine" and "I Know You Got Soul." In fact, it was an ugly dispute over the the authorship credits of this latter song (1971 hit single) that led to the parting of ways between the two artists.

How Byrd originally met Brown in the early 1950's is a pretty interesting story in and of itself. Reportedly Byrd's religious and ever-charitable family helped secure Brown's early release from a juvenile detention facility in Georgia. This was after Byrd, as part of an outside visiting baseball team, met Brown behind the detention walls. The two young men first bonded over baseball and then later music. After Juvenile Hall Bobby Byrd's family providied a home for the young James Brown. While there James joined Bobby's gospel group, the Gospel Starlighters, which soon after became more of a secular/RnB group and  called themselves the Famous Flames. By this stage Brown's superior talents were obvious and he became the group leader and later a huge star. However Bobby Byrd stuck with him as part of that group and later the JBs for a total of twenty years, including such performances as the famous Live at the Apollo recording.

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