The principle of free speech requires that we do not use police force to forbid the Communists the expression of their ideas -- which means that we do not pass laws forbidding them to speak. But the principle of free speech does not require that we furnish the Communists with the means to preach their ideas, and does not imply that we owe them jobs and support to advocate our own destruction at our own expense.
This installment of the Los Angeles Neighborhood Blog concerns Wilshire Park. Vote here to vote in the Neighborhoods of Los Angeles Blog Poll (NLABP) and/or here for the Los Angeles County Community Blog Poll (LACCBP). To vote for Orange County neighborhoods, vote here.
Pendersleigh & Sons' Official Maps of Midtown and Wilshire Park
Wilshire Park is a small, Midtown neighborhood whose borders are Olympic Blvd on the south, Crenshaw Blvd on the west, Wilshire Blvd on the north and Wilton Place on the east. Its desirable, central location and quaint charm has lead to various parties attempting to claim it for their benefit. Some residential realtors have extended the traditional use of the term “Westside” to the neighborhood, hoping to attach that area’s mostly white and affluent connotations to the neighborhood. Commercial interests have occasionally led to it being described as part of neighboring Koreatown, presumably with an eye on extending the bustling commercial center into the quiet neighborhood.
Wilshire Blvd suddenly gets quiet in Wilshire Park
An attractive row of typical Wilshire Park homes
Hello, Earthlings! I have returned after being ill for the past week. I’m still not at 100%, but can at least sit at my computer without succumbing to vertigo and mistaking my iTunes for an episode of Battlestar Gallactica.
It’s all the fault of the 2009 Emmy Awards. Yes it is! I’ll explain…
The boyfriend and I were (again) invited to attend the HBO Emmy Award after-party. As he considered which of his designer suits to don, I sifted through the post-punk, vintage mess that is my wardrobe, desperately trying to Frankenstein something passable to wear, grateful that most people at industry parties are too self-absorbed to notice me at all.
Once we got there we took our place in line in the underground garage that served as a holding tank for men and women dressed to the nines. (Front entrance was limited to red-carpet types.) Cramped into lines of two and everyone decked-out fancy, it looked as though we were about to be slaughtered in the most glamorous concentration camp ever.
We made it in.
Now, there’s a reason why I love going to the HBO after-party. Normally, I would eschew going to industry parties in favor of getting my fingernails torn out or having bedtimes stories read to me by Carol Channing. The HBO party is an exception to this rule because it is kind of awesome.
Aside from a brief fetish for Latin Lovers in the silent era, roles for Hispanics and Latinos in American silent film were few, far between and generally quite minor. In the sound era, images of Hispanics and Latinos in Hollywood began to increase in number, although Latino characters were at first usually portrayed by non-Latinos in brownface whilst real Latinos were frequently used as all-purpose ethnic types.
Ramon Novarro and Lupe Velez (as Navaho) in Laughing Boy Leo Carrillo and Duncan Renaldo
1930s- In the first decade of sound, there weren't many roles for Hispanics or Latinos aside from in popular, long-running series like Zorro, The Cisco Kid and The Mexican Spitfire series, the latter a vehicle for Lupe Velez. Pedro Armendáriz mostly starred in Mexican films; when cast in American ones, he invariably had to exaggerate his accent sufficiently. Throughout the '30s and the following decade, Arizona-born Chris Pin-Martin appeared in almost eighty films, invariably as a heavily-accented, broken English-speaking Mexican in small roles and as sidekicks, like Pancho in the Cisco Kid movies and as Gordito in the Zorro series. The Zorro franchise, begun in the 20s, continued to be popular throughout the era. The Cisco Kid series dated back to the teens. In them, unlike with Zorro, Hispanic actors like Leo Carrillo, Duncan Ronaldo and Cesar Romero were usually cast in the lead. Hispanic actress Rita Hayworth (born Margarita Cansino) was initially billed as Rita Cansino in a series of unrelated B-movies. In them, she usually played a variation on the fiery Mexican maiden in need of an honorable Anglo's protection and love.
I realize that I, all too often, leave you feeling jealous and unfulfilled after reading my blogs. You learn about my glamorous, jet-set, Hollywood lifestyle and come away asking yourself:
“Why can’t my life be more like Job’s?”
“How come the Gyllenhaals always attend his Scrabble night, but never mine?”
“What’s that claw-like black thing headed towards my face?”
IT’S A MONKEY’S PAW AND IT’S CURSED SO DUCK!!!
Phew! Well, now that I’ve saved your life from an eternal damnation of sorts, maybe now you’ll be a little forgiving that I once again have a story of rad proportions to share with you.
One of my fellow Amoebites* – we’ll call him Erik Estrada from the TV show Chips in order to protect his identity – is currently a pupil at the world-famous Magic Castle, located in the heart of Hollywood.
For those of you who’ve never heard of the Magic Castle, here’s a brief history lesson. (If you already know this material, feel free to skip ahead to the part where Courtney Love threatens to slit my throat open with a ventriloquist dummy.)