Amoeblog

Hip-Hop History Amoeblog: 1986, The Year Run-D.M.C. Raised Hell And Helped Rap Crossover

Posted by Billyjam, March 3, 2015 03:03am | Post a Comment

When they arrived on the hip-hop scene in the early 1980's Run-D.M.C. distinguished themselves as the leaders of the new school of rap music. This claim by the Hollis, Queens, NY trio comprised of Joseph "Run" Simmons, Darryl "D.M.C." McDaniels, and Jason "Jam-Master Jay" Mizell was truly justified by the unique group who would be perhaps the most influential group of the genre with their hardcore rap sound. With 1984's self-titled debut on Profile Records and its follow-up; 1985's King of Rock, Run DMC were already hugely popular with fans of the then still burgeoning hip-hop music genre but it was 1986's Raising Hell  their third album that proved to be their breakthrough, crossover release. Raising Hell won them a whole wave of new fans - many of whom up until this point had dismissed rap as mere novelty and  passing fad in pop music. Run DMC's updated rock/rap version of Aerosmith's "Walk This Way" deserves  much of the credit for breaking Run DMC (and rap/hip-hop along with it) into the mainstream. The conversion of the average mid eighties hard rock fan, who up to this stage was still resistant to rap because they saw it as a derivative of the then stigmatized genre of disco, went to Steven Tyler and Joe Perry of Aerosmith who joined on them on both the record and in the influential music video of "Walk This Way." The result was an inspired updated rap rendition of an already great rock song.

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Hip-Hop History Tuesdays: Public Enemy's "It Takes A Nation of Millions To Hold Us Back"

Posted by Billyjam, February 24, 2015 02:01pm | Post a Comment
public enemy it takes a nation of millions to hold us backBack in April 1988 Public Enemy (PE) released the classic album It Takes A Nation of Millions to Hold Us Back on Def Jam Recordings. And prove that it's a classic is the fact that  27 full years later Nation still packs the same punch it did when it was initially unleashed on the world back in the late eighties. Widely considered the Strong Island (aka Long Island, New York) crew's greatest work ever, It Takes A Nation... was not only one of PE's finest moments, but hip-hop's as well. Released during the much lamented "golden" era of hip-hop, the album, which was the follow up to PE's 1987 debut Yo! Bum Rush the Show, defied the stereotypical "sophomore slump" that so many artists suffered from.

PE's debut was an excellent hip-hop album but this sequel simply blew it away since it was a jaw-droppingly amazing album (of any genre) in every way. Production-wise, it was so richly layered and hardcore that it just grabbed you and didn't let go. Chuck D's militant and thought-provoking, in-your-face revolutionary lyrical flow was so powerful it scared some people. But mostly it won over new fans who still thought of rap as some fad or disposable urban pop. Combined, all the elements of Nation made up an album that was unlike anything heard in hip-hop, or any music, up to that point. I remember that summer of '88 in the Bay Area hearing it blasting everywhere I went in every type of neighborhood. I had never experienced that before!

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Dirty Roots: Southern Hip-Hop Part I -- The 12" Era (1979-1983)

Posted by Eric Brightwell, February 16, 2015 07:21pm | Post a Comment

As far as my ears can tell, pretty near every rapper from Inglewood to Plumstead nowadays owes more than a little something to the rise of the Dirty South sound that pretty much took over hip-hop in the late 1990s. As anyone with more than a passing familiarity with the genre knows, however, southern hip-hop was for many years primarily a regional concern. In the 1970s the hip-hop scene was firmly centered in the Northeast. In the early 1980s it made its way to the West Coast but as far as mainstream audiences were concerned, skipped the third and fourth coasts. In the 1990s, many casual fans and scholars alike will tell you, there was a war between the East and West Coasts during some Southern upstarts crashed the party and, despite the efforts of the backpack Taliban, restored a sense of fun to a genre which had increasingly grown joyless and conservative. 

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New "What's In My Bag?" Episode With Insane Clown Posse

Posted by Amoebite, February 11, 2015 12:37pm | Post a Comment

Insane Clown Posse at Amoeba Hollywood

Horrorcore rap duo Insane Clown Posse have had a long, storied career, including public feuds with Eminema lawsuit against the FBI, and an album recalled by Disney the day after it was released. Hailing from Detroit, Michigan, ICP have built an empire around hip hop music and clown face paint. With a loyal fan base (referred to as Juggalos) in the hundreds of thoudands, Violent J and Shaggy 2 Dope have managed to earn platinum and gold albums with little to no help from major labels. Heavily criticized for their obscene content and their emphasis on shock value, writers from just about every major music outlet have taken shots at ICP.

ICP

Love them or hate them, one thing is for sure, Violent J and Shaggy 2 Dope mean business. They have founded a professional wrestling federation (Juggalo Championship Wrestling), an annual music festival (The Gathering of the Juggalos), a record label (Psychopathic Records) which reportedly rakes in upwards of $10 million in annual revenue, and The Lotus Pod recording studio. They have also executive produced several feature films. Not bad for a couple of clowns. They have two forthcoming albums, The Missing Link: Lost and The Missing Link: Found, the first of which will be released via Psychopathic Records this Spring.

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KPOO Live Broadcast From Amoeba SF, 2/21

Posted by The Bay Area Crew, February 5, 2015 12:46pm | Post a Comment

Kpoo

On Saturday, February 21st, the listener-sponsored, noncommercial, independent and local radio station KPOO will broadcast LIVE from the Amoeba SF stage from 2-6 pm! Join us in welcoming DJ X1 (Old School, Hip-Hop, R&B), McSchmormac (exploring the origins of recorded music with recordings from 1900 to 1950), and DJ Jose Ruiz (Latin Salsa). Come down and shake it with us! There will be dancing in the aisles. 

KPOO broadcasts 24 hours a day to San Francisco, Oakland, and the greater Bay Area. Founded by Poor People’s Radio, Inc., KPOO’s ongoing mission has been to open the airwaves to the disenfranchised and underserved. They broadcasts news, public meetings, election, live events, interviews, public service announcements, and music not heard on any other radio stations. KPOO Radio is run by a volunteer staff.

DJ X1 mcSchmormac DJ Jose Ruiz
DJ X1 McSchmormac DJ Jose Ruiz

 

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