
The former frontman of
Mink Deville passed away yesterday from recently found pancreatic cancer; he was 55. Making his initial splash with Mink Deville during the mid/late 70's in the early days of the
CBGB's scene. The band, like many of their contemporaries, got lumped in with the then-fashionable punk scene. For Mink Deville this was especially ridiculous, as their whole schtick was about as far from the
Dead Boys as you could get.
Their first LP, produced by
Jack Nitzsche and called
Cabretta, is an important piece of the late 70's NY puzzle. To me, it gives the listener a real street level glimpse of the time period that few other records from the era can match.
Kill City by
Iggy & James Williamson and
Lou Reed's infamous ranting on
Take No Prisoners cover similar bar sleaze territory, but
Cabretta tempers all that with soothing background singers, classic
pop songwriting and great percussion arrangements. Willie also brought to the mix a true believer's approach to mythmaking and storytelling that keeps songs such as "
Venu
s of Ave. D" from falling into camp territory. I've spent many a drunken evening listening to him spin his street tough yarns on both
Cabretta and its follow up,
Return To Magenta, but I never acquired a taste for his more polished 80's & 90's work.
"Spanish Stroll," featured on
Cabretta, was a top 20 UK hit and his song "
Miracles," featured in the
Rob Reiner film the
Princess Bride, was nominated for an
Academy Award. Willy even performed it at the awards ceremony. His live performances were legendary, pleading on his knees and pouring his soul into heartbreaking ballads.