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Music History Monday: September 17

Posted by Jeff Harris, September 17, 2012 02:15pm | Post a Comment
To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: September 17, 1967 - The Who appear on The Smothers Brothers Comedy Hour on the CBS television network, performing "I Can See For Miles" and "My Generation" (taped on September 15th). It is the band's first US television appearance following their star-making performance at the Monterey International Pop Festival in June. Prior to the taping, drummer Keith Moon will pack one of his bass drums with an explosive charge to set off at the end of "My Generation." He fails to tell anyone that he has used several times the normal amount of explosives. When Moon detonates the charge, there will be a massive explosion that engulfs the stage in smoke, causing one of his drum cymbals to shatter, cutting him on his arm and leg when he is hit by the flying shrapnel. Guitarist Pete Townshend is closest to the blast when it goes off, singeing his hair and causing him significant hearing loss. Actress Bette Davis, one of the other guests on the show that night will pass out from shock backstage into actor Mickey Rooney's arms (also appearing on the show), after seeing how Keith Moon is injured in the blast.


On this day in music history: September 17, 1967 - The Doors make their first and only on The Ed Sullivan Show performing their recent #1 hit "Light My Fire." Executives from CBS' Standards & Practices (i.e. network censors) will ask the band to change the line "girl we couldn't get much higher" to "girl we couldn't get much better," feeling the original line might be offense to some parts of the viewing audience. Lead singer Jim Morrison will agree to sing the altered line but when the band performs the song on the live broadcast, Morrison will sing the line as it was originally written, even emphasising it the second time he sings it. This will infuriate Sullivan and the network who had planned to have The Doors make another six appearances on the show, are immediately cancelled. When a show producer tells them they'll never appear on the show again, Morrison reportedly tells him, "Hey man. We just did the Sullivan Show.

The '80s List: Part 7

Posted by Amoebite, August 26, 2011 11:04am | Post a Comment
Cabaret VoltaireOne day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.

From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.

The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.

- Henry Polk

P.S. We'll be posting new additions to the '80s list project from Amoeba staff members on Mondays, Wednesdays, and Fridays. See all entries in our '80s list series.

P.P.S. The '80s List Book is available for sale at Amoeba Hollywood.


Kara Lane
The Smiths – The Smiths (1984)
Echo & The BunnymenPorcupine (1983)
The English Beat I Just Can’t Stop It (1980)
SpecialsSpecials (1980)
Love & RocketsExpress (1986)
PixiesCome On Pilgrim (1987)
Cocteau TwinsBlue Bell Knoll (1988)
The Cure – Boys Don’t Cry (1980)
XTC – Skylarking (1986)
X – Los Angeles (1980)

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The Foo Fighters Hate Glee

Posted by Billyjam, March 18, 2011 10:24am | Post a Comment

Unlike the much clicked on & commented upon Charles Reece penned post Diamanda Galás Hates The Foo Fighters, this Amoeblog has nothing to do with Diamanda Galás but it does have something to do with her nemesis Dave Grohl. As reported last evening by the Hollywood Reporter, the Foo Fighters' frontman and his bandmates share the view held by such other rockers as the Kings of Leon and Slash in that he does not want his band's music used on the popular TV show Glee, and is willing to get into a licensing battle if needed to ensure that the Foos' music never ends up as a Glee musical number. 

"It’s every band’s right, you shouldn’t have to do fucking Glee,” Grohl told the Hollywood Reporter in Austin at SXSW this week following the premiere screening of the band's new documentary Foo Fighters: Back and Forth. “And then the guy who created Glee [Ryan Murphy] is so offended that we’re not, like, begging to be on his fucking show… Fuck that guy for thinking anybody and everybody should want to do Glee," Grohl told the Reporter, echoing a similar sentiment by Guns N Roses' former guitarist Slash from two months ago.

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Weapons II

Posted by Mr. Chadwick, April 25, 2009 12:20am | Post a Comment
american nightmare background music record label
the insults record labelyouth against revolucion de los de abajo record labeljohn berry the ipcress file record label
radio vago black and white photo enterprise record labelacao direta record label
shockabilly record labelmy life with the thrill kill kult confessions of a knife record labelmetalshop record label
parasite sword record label
guns 'n' roses uzi suicide record label
the last pogo bomb record labeladult why bother? record label


A Little Patience: New folk-rock by Nagisa Ni Te and Karl Blau out now!

Posted by Kelly S. Osato, October 1, 2008 03:06pm | Post a Comment
Earlier this week while I was walking home from a night out with friends I was surprised by a stranger who randomly yelled out to me across an intersection, “How do you do this all the time?” I assumed by the question and the incredulous affectation that colored his shoAxel Rose and his Skateboardut that this fellow had to be the sort of out-of-towner used to strolling casually along level sidewalks, not straining to climb them. Living in San Francisco’s Chinatown for eleven years has provided me with plenty of street-side entertainment in the form of visitors struggling to get from point A to point B and these hapless pedestrians have become common fodder for egregious porchfront commentary among my friends and I, especially the drunk ones falling uphill. I offered the winded tourist no reply, but I began to sing to myself a song that hadn’t invaded my head space for some time, “all we need is just a little patience...

 

What W. Axel Rose and his Guns N’ Roses showed the world with their slowest, most patient song, "Patience," was a sensitive vulnerability, unrestrained by the tired power ballad format, that balanced out all the hollyweird, small-man anger their sleazier hits that flaunted to the top of the charts. "Patience" made it to number four in the US and I know for a fact that it continues to enjoy slurred and spirited karaoke renditions the world over, though, as a choice cut, it bodes ill for the novice due to its length and monotony (Kimberly Starling of The Karaoke Informer says it's one of the top 5 songs that tends to bomb: "It just eludes the average ear and when you get off key on this one it sounds to the ear like a turd in a punch bowl looks to the eye.") However, with "Patience" in mindYosuga by Nagisa Ni Te, I am reminded of two recent, overlooked releases that guild a gentle acoustic sound that is characteristically rock while also spiritually folk: Nagisa Ni Te’s Yosuga and Karl Blau’s Nature's Got A Way.