Mic Placement
Birth of the LP

60 years ago this week on June 21, 1948, at a press conference in the luxurious Waldorf Astoria Hotel (former home to such 20th century luminaries as Lucky Luciano, Bugsy Siegel, Nikola Tesla, the Duke and Duchess of Windsor, Cole Porter, and former President Herbert Hoover), Columbia Records unveiled their latest concept; the “LP.” This choice in dates was by no means a random selection. Columbia picked the summer solstice because it’s the longest day of the year and “LP” stands for "long playing."
The new “LP’s” played at a speed of 33⅓ rpm, and came in two sizes: 10in (25cm) and 12in (30cm) in diameter and were pressed out of polyvinyl chloride (PVC) or what we now simply call vinyl. This new material was more durable and much less brittle then the shellac used in the previous 78rpm format. (By the way, ‘shellac’ is a
substance obtained from the secretion of a Southeast Asian beetle). The LP’s audio quality was better and the playable length of time for each side increased dramatically. This new format was revolutionary.
Although they released approximately 50 records simultaneously to help push the fledgling LP market, the first popular music catalogue number for a ten-inch LP, CL 6001, was a reissue of the Frank Sinatra 78 rpm album set from 1946, The Voice of Frank Sinatra. (Initially the 12in format was reserved for higher-priced classical recordings and Broadway shows, though that would change just a few years down the road). Not only was The Voice Sinatra’s first studio album, but many music critics claim it holds the distinction of being the first concept album … no way dude!
Frank Sinatra

The Chairman of the Board, ol’ Blue Eyes, the Voice, King of the Rat Pack, King of the Bobby-Sockers, The Pope, The Leader, The Swooner-- there are a lot of nicknames for Frank Sinatra, perhaps the greatest pop star of the 20th century. And ten years ago today, Frankie went to the Big Casino in the sky.
Sinatra had quite a philosophy about life and a set of intricate rules that may seem a bit brash, but hey -- it's Sinatra baby! And like his style, he believed that a living big is in the details. Here are some of the great man’s creeds:
Top your martini with not one, but two olives, and give one to a friend. Yes, a very special friend-- even if you don’t know his/her name.
For flavors in your drink to blend sufficiently, let the ice sink to the bottom of your glass and never, ever drink a drink immediately after its poured-- relax, take your time, enjoy the moment.
Make sure your trousers break just above your shoes. Tip big and tip quietly-- fold the bills three times into small squares and pass them in a handshake. Nothing further is needed, no acknowledgment, no glance, no wink-- you’ve already said it all.
Don't wear a brown suit at night, dark gray is better, and better than gray, black. And if black tie is optional, you wear black tie. The only exception to this rule; never wear a tuxedo on Sunday.
“Have fun with everything” was one of his mottoes. Live every moment as it if were your last, and remember, too much thinking isn't necessarily a good thing. “You only live once,'' he liked to say, “and the way I live, once is enough.”
IN CELEBRATION OF THE DRUM: PART FOUR, BUDDY RICH

Above is video clip of a drum solo by legendary jazz drummer & band leader Buddy Rich recorded in 1970. As witnessed by this amazingly superfast drum solo it is no surprise that Rich, who died back in 1987 at age 69, is still revered the world over by drummers and fans of drumming for his swift skills. In fact back in his day he was commonly billed as "the world's greatest drummer." He is also one of the fastest most skilled drummers of all time and got honored by Drum magazine for the "fastest drum solo ever" specifically for the song "Machine" off his 1967 album "Big Swing Face"
















