Amoeblog

New 12" Releases @ Amoeba Hollywood 4/5 - Inward Content, Tin Man, Skudge, Cosmin TRG, Smash TV, Four Tet & More

Posted by Oliver / Matt / Jordan, April 5, 2011 03:59pm | Post a Comment

Inward Content
Inward Content 2LP
Meanwhile

Meanwhile unveils Inward Content's highly-anticipated album project for 2011. Recorded specially for the label by a couple of highly-regarded Dutch producers, namely Niels Luinenburg (Delta Funktionen) and Samuel van Dijk (Mohlao) made together over the course of a two-year period. Following a string of dancefloor and critical smashes for the likes of Delsin and Ann Aimee, Niels Luinenberg has found a challenging, like-minded collaborator in Mohlao, who debuted for Meanwhile early in 2009 with his neon-lit Ambrose EP. In some ways, this double pack album could be seen as continuing the label's exploration of the "Leuwarden sound," furthering its fascination with the Netherlands crew. And while comparisons to the Conforce epic Machine Conspiracy set from 2010 are inevitable, Inward Content find themselves preoccupied with another area of techno research entirely: inner and outer space. The clue lies in the intriguing name and title: Inward Content -- somewhere in between the rich double meaning lies what is both concealed and self-evident. This is magnificent techno, no-nonsense, driving four-fours, immaculately swung rhythm. A sound informed by heritage. On "Halogen" you find yourself at home on a rain-streaked night-time drive or all day any day on the largest sound systems. The blatant ascetics of "Austere" are simply destined to detonate off concrete, bounce from brickwork. "Quantum Mechanics" transitions into "Continuum Mechanics," which takes us right around the Möbius strip with a softly-growling bass line rising in intensity, insistent, digging bass drum and ever so gradually, inside some mystical inner space, the hi-hats introduce themselves, a delight restrained for several minutes. As we progress from the haunted disembodied vocal on bass-weighted killer "Gravitational Collapse," all appears to dissolve back into itself into "Dust." All-day dance music at its best. All tracks by Niels Luinenburg and Samuel van Dijk. Mastered by Rashad at Dubplates & Mastering.

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New Electronic 12" Releases 10/28 @ Amoeba Hollywood - Morgan Geist, John Daly, Lukid, Omar S, Marcellus Pittmann, Four Tet & more

Posted by Oliver / Matt / Jordan, October 28, 2010 12:05pm | Post a Comment

Storm Queen
Look Right Through12”
Environ

Morgan Geistʼs new project STORM QUEEN marks a return to his roots with an analog approach towards modern house music with a disco pedigree. STORM QUEEN is made for DJs, but doesnʼt sacrifice atmosphere and songwriting. STORM QUEEN owes a debt to classic house music from New York, Chicago and Detroit, as well as disco and boogie.

Listen to "Look Right Through" here:





John Daly
BIG PIANO 12"
Drum Poet

Ireland's JOHN DALY brings this 4 track EP of house perfection. The title track brings back the feeling of 90s KERRI CHANDLER; "REACH" continues the deepness with a warm sound; "LONG DISTANCE" adds more of a tech texture & "ATLANTIC DRIVE" finishes the 12" with a serene mood.

Listen to "Big Piano" here:




LUKID
Chord 3LP
Werk

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New Electronic 12" Releases 8/05 @ Amoeba Hollywood - Four Tet & Mala, Dr. Dunks, Demdike Stare, Arto Mwambe, Gerd & More

Posted by Oliver / Matt / Jordan, August 5, 2010 12:59pm | Post a Comment




Four Tet & Mala
Nothing To See
Soul Jazz

First up is the glitchy, sparkling electronica of "NOTHING TO SEE" by FOUR TET, with a shuffling post-garage vibe to it. On the flip is "DON'T LET ME GO" by MALA, a thick stew of discordant beats and propulsive melodies. As the label says, "Future Bass!" Limited edition and available now!

Listen to "Nothing To See" here:






Dr. Dunks
Keep It Cheap
Keep It Cheap

Eric 'Dr. Dunks' Duncan (COMBI / Still Going / Rub 'n' Tug etc) launches his new Keep It Cheap imprint, the winner here being the Dolly Parton edit that Harvey’s been caning for a while now. Hot!






Conrad Schnitzler
Zug LP
Minimal

Conrad Schnitzler's Zug is one of the most important and one of the first electronic minimalist works that was published in the 1970s. Almost simultaneously with Kraftwerk's groundbreaking Autobahn, "Zug" appeared on the legendary The Red Cassette (1973). Wire wrote about Zug: "Kraftwerk might have used similar methods to create rhythm, but three decades on, it still sounds like the future." As an original member of Tangerine Dream (1969-1970) and a founding member of Kluster, Conrad Schnitzler is a creator of milestones in the history of electronic popular music. This release is rounded off with remixes by Con (1978) fan Stefan Betke aka Pole and Borngräber & Strüver. Pole and Kassian Troyer (Radian) have mastered the record, so the best quality is guaranteed.

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New 12" Electronic Releases at Amoeba Hollywood - 06/13/09

Posted by Oliver / Matt / Jordan, June 8, 2009 05:10pm | Post a Comment
 

New Electro/Techno 12"s Coming this Weekend:

Codebreaker

FOLLOW ME REMIX 12"
DDR002

The "criminally infectious" followup to "FIRE" is a mix of disco, electro, Italo funk and more and comes with remixes from THE JUAN MACLEAN, BOTTIN, and France's OUTRUNNERS. The original version from the fierce and funky 4 piece (who rocked it at SXSW) is also included.

Streetlife DJ's

VOLUME 2 (PIC DISC) 12"
SL004

Slick edits and remixes of "GET DOWN," "R U GONNA GO MY WAY," "MASSIVE BLACK HOLE," and "KISS." This exciting DJ duo can be described as SASHA meets COLDCUT meets SOULWAX. Basically, they rule. Great fusion of rock, electro, & crazy party music on a limited edition picture disc.

Herve BASEBALL BAT (FEAT MARINA) 12" CHEAP08X

Ruckus Roboticus HERE WE GO REMIX 12" GR003

Tal M. Klein DISCO VILLAINY 12" ALG028

Wild Cookie DRUGS EP 12" HOMEGROWN010

Pedro FEAR AND RESILIENCE RMX'S LP MELO025

James Yorkston's Year of the Leopard: a cheap and beautiful Folk-Rock stunner!

Posted by J. Mark Beaver, October 31, 2008 04:00pm | Post a Comment
james yorkston year of the leopard
Los Angeles is beautiful right now. The sky is almost completely blanketed with a thin layer of cloud, each cloud undercoated with gray as if it could start raining any moment. It won't, though. Not yet. We have a few weeks, maybe even a month before there's any significant rain, but still, this weather holds a promise that L.A. is moving out of its summer monotony of heat and dust. The wind is moving everything around, warm and round and humid, unlike the Santa Anas and their hot, lip-chapping blast. I'm ready. I want to have a good excuse to sit on the couch and watch a movie as the rain pours off the roof and through the huge oak in my front yard. I'm ready for a day that will welcome a centrepiece like James Yorkston's Year of the Leopard.

Yorkston plays a beautiful acoustic guitar and he writes a beautiful song. He kicked around Scotland and England for years in punk bands and the like, settling down to write the type of gorgeous tomes that Pete Paphides of The Times (London) called, “...songs that sound not so much written as carefully retrieved from your own subconscious, played with an intuition bordering on telepathy. " He's got a great, simultaneously warm and brittle voice that sometimes reminds of fellow Scot, David Gray. His songs are not too far afield from Gray's work, either, often underpinned by burbling electronics and synth washes that, surprisingly, never pull them out of the Brit-Folk context from which they emerge. Yorkston has toured with Beth Orton, David Gray, the Tindersticks, Turin Brakes, Lambchop after having come to many fans' attention through his opening slot on all 27 dates of John Martyn's 2001 tour.

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