A must see!!!
A must see!!!
From here we embark upon a new adventure in film.
I've spent countless, happy hours fantasizing the paradisiacal ideal while imbibing perilous quantities of rum disguised as exotic cocktails courtesy of my favorite local tiki temple --- an activity that always serves to spur my desire to explore the visions of other folks who, like me, possess a natural inclination for romanticizing the genre Exotica in all it's mythic and delightfully bogus configurations. Specifically, a designated fantasy realm as glamorized almost as much as it is spoofed by the so-called civilized world, or tropical ersatz: the non-native, pseudo experience of Oceania and other enticing ports of call.
Until now I've kept these mental meanderings mostly to myself, only occasionally sharing my ruminations with whomever occupies a bar stool nearby and all the while becalmed beneath the warming fog of grog. From this day forward, however, I seek to nourish my untiring preoccupation with genre by delving into a more conceptual, considerate means of satisfying these vivid tropical itches I keep having. The time has come to put some sober thought into this journey beyond the music in favor of a more lively, animated intoxication I like to call Cinema Exotica (not to be confused with that mid-nineties Canadian film about a Toronto strip club).
But where do we begin? Perhaps with a question: if Exotica, the musical genre, provides the adventure-seeking listener an array of quasi-tropical aural impressions with which to induce a mini mental holiday, then how would these cerebral spells manifest if they could be fully realized? That is to say scripted, financed, and committed to film for the ages. Mulling this query has inspired a sort of personal silver-screen safari: my quest to find films that I feel qualify for classification into a logical Cinema Exotica film genre -- a genre that doesn't really exist as far as I can surmise. I mean, research suggests that the words have more to do with adult entertainment than anything else (google it any way you can and see what I mean).
Monday, April 30, 2012 is the first annual International Jazz Day and to celebrate we're screening a documentary about Herbie Hancock, who, in addition to being a legendary, talented musician, is also the UNESCO Goodwill Ambassador for International Jazz Day. Join us for a FREE screening of Herbie Hancock: Possibilities at Space15Twenty in Hollywood on 4/30 at 8pm. We'll have a video message from Herbie Hancock to kick it off!
Watch part of our conversation with Herbie Hancock recently at Amoeba Hollywood. He spoke with us about the first International Jazz Day and the legacy of Jazz throughout the world.
Herbie Hancock: Possibilities
Ordinary music soars to extraordinary heights as gifted keyboardist Herbie Hancock joins forces with a variety of well-known music superstars to offer a completely original listening experience. As Hancock collaborates with such artists as Paul Simon, Annie Lennox, Sting, and Brian Eno, the cameras are permitted into the studios and behind-the-scenes to show just what happens when some of the greatest music minds of a generation converge.
Monday, April 30 at 8pm
1520 N. Cahuenga Blvd.
Los Angeles, CA 90028
Part of our Monday Movies series - a neighborhood collaboration between Amoeba and Space15Twenty and a great way to celebrate Monday night in Hollywood…and it's FREE!
The Innkeepers, the latest film from The House of the Devil director, is about employees from a soon-to-be-closed inn who set out to prove that the inn is actually haunted. The film was inspired by West's real life experience staying at The Yankee Pedlar Inn in Connecticut (the same one featured in The Innkeepers) where he and the crew stayed during the shooting on The House of the Devil. In fact, the cast and crew of The Innkeepers - staying and shooting at The Yankee Pedlar Inn - had unusual dreams and paranormal sensations during their time at the Inn, just as the cast and crew of The House of the Devil had a few years earlier. Spooky...
The film opens on Friday, February 3 and is screening in Los Angeles at the Downtown Independent through Thursday February 9. Ti West will be at the Monday 2/6 7pm screening for a Q&A about the film. Go check it out and see our What's In My Bag? video on the big screen!
"Why couldn't I have been the year with Obamacare?"
Oh, 2011! Can it be it’s only been a year since I knew ye? This was a year of firsts: The first time I had a kitten who liked to lick new, clean plastic with an almost fetishistic zeal; the first year I lived in Los Angeles without working the floor at my beloved Amoeba Music Hollywood (I miss you, desperate holiday shoppers!); the first year I grew more than one grey hair at the same time (I blame you, traffic on Fairfax!)
It was also the year I suddenly, and without any obvious explanation, decided I loved and wanted to see any and all films of the horror genre. This came as a surprise to me. My boyfriend accuses me often of only liking films where nothing ever happens – preferably with a lone clock ticking in the corner of an otherwise quiet room. It annoys me when he claims this, mostly because I cannot defend myself.
The horror section in Amoeba Music’s DVD section provided me with many hours of happy judging-a-book-by-its-cover moments. Some gems I was hypnotized by were…