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12 Irish Movies to Celebrate St. Patrick's Day

Posted by Billy Gil, March 14, 2016 04:55pm | Post a Comment

irish movie list best irish movies

You don’t have to be Irish to celebrate St. Patrick’s Day or appreciate great Irish films. Here’s a list of 12 releases we love, in no particular order. (At Amoeba Hollywood, find our St. Patrick’s day movies and music in a special section near the stairs.)

Once (2007)

once dvdThis Irish musical/romantic drama stars stars Glen Hansard and Marketa Irglova as struggling musicians in Dublin who bond musically and fall in love. The film became so beloved that it was adapted in a Tony Award-winning play. If you’re in L.A., you can win tickets here to the show’s closing night at the Pantages Theatre March 20.

 

The Secret of Roan Inish (1994)

the secret of roan inish dvdThis fantastical drama from John Sayles tells of a young girl sent to live with her grandparents in a small Irish village near the island of Roan Inish, where selkies — seals that can become human — are rumored to reside. This combination of heart and Irish folklore makes the film a family-friendly winner.

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Noise Pop's Film Series, 2/18 - 2/23

Posted by The Bay Area Crew, February 14, 2016 04:54pm | Post a Comment

Noise Pop, the Bay Area’s premiere indie music and arts festival, has an amazing line-up of music-related films this year, February 18 -- February 23. Amoeba Music is proud to co-present four fantastic documentaries on February 20th: We're Still Here: Johnny Cash's Bitter Tears Revisited, Orion: The Man Who Would Be King, Syl Johnson: Any Way The Wind Blows, and a screening of Morphine: Journey of Dreams followed by a live set by Vapors of Morphine (former members of Morphine)!

Johnny Cash's Bitter Tears RevisitedWe're Still Here: Johnny Cash's Bitter Tears Revisited
2/20, 2pm @ ATA  (992 Valencia Street, SF)

In 1964, Johnny Cash – who up to that point was known solely as a country singer – recorded Bitter Tears: Ballads of the American Indian, a concept album of folk songs about the treatment of Native Americans. It was not a great commercial success, primarily because radio stations and disc jockeys were unwilling to play such socially engaged protest songs. Angry and disappointed, Cash called Billboard Magazine to account in an open letter. “Where are your guts?” he wrote, and drew a parallel between the treatment of Native Americans and blacks – the Civil Rights Movement was at its height in 1964. In response to criticism that he had very rapidly transformed into a folk singer, he explained, “As times change, I change.”

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Jill Tracy Performs Original Score for Nosferatu at SF's Presidio Officers' Club, 2/18

Posted by The Bay Area Crew, February 7, 2016 05:51pm | Post a Comment

Jill Tracy's Nosferatu

San Francisco-based singer, pianist, storyteller, and one-time featured Amoeba Music Homegrown Artist Jill Tracy at Amoeba San Francisco, 2010Jill Tracy brings her mesmerizing score for F.W. Murnau's silent German Expressionist classic Nosferatu, A Symphony of Horrors back to San Francisco with a live performance at the Presidio Officers' Club on February 18th. As part of the venue's Presidio Dialogues series, Jill Tracy will perform the score live with The Malcontent Orchestra during the screening of the haunting 1922 vampire masterpiece, preceded by a short musical set.

Murnau’s Nosferatu was the first screen adaptation of Bram Stoker's 1897 novel Dracula, but it was unfortunately also unauthorized. The Stoker estate sued for copyright infringement and won, thus ordering for the incineration of all existing prints. Luckily for film history and fans of vampires everywhere, a few copies had already been distributed worldwide.

There is no other composer and performer better suited to musically evoke the eerie sensuality of Nosferatu than Jill Tracy. This event is one night only, FREE, and seats are limited, so make your reservations now HERE!

Oscars Do-Over: How We'd Change the Awards

Posted by Brad Schelden, January 22, 2016 04:18pm | Post a Comment

creed movie

Sylvester Stallone and Michael B. Jordan in Creed

Brad: Some of us take the Oscars very seriously. Probably more serious than they should be taken. But The Academy Awards really do mean something.

brokeback mountain blu-rayThey validate actors and actresses and make them feel special. But they also reward the films and roles that we as fans find important. It really does mean something to see somebody who looks like you win an award. Or to have somebody play a role that looks like you.

It was important for Brokeback Mountain to get a best picture nomination in 2005. It really did mean something as a gay man to see a movie like that get nominated. I am certainly not a gay cowboy. But I will take what I can get.

Billy: Are you sure you’re not a gay cowboy? But yes, I agree. Of course Crash ended up winning over Brokeback Mountain, and that movie was just so-so, but we digress.

Brad: I still remember when John Singleton got nominated for Best Director and Best Screenplay in 1991 for Boyz n the Hood. I remember thinking back then that times were changing! This was 25 years ago, and times have still not changed much. They have changed a bit. But in the last couple of years, we seem to be going backwards.

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Curtis Harrington's Night Tide Screens at SF's Balboa Theatre

Posted by The Bay Area Crew, January 10, 2016 06:16pm | Post a Comment

Night Tide

By Brett Stillo

The early 1960s were a great time for nightmares. This was an era of surreal psycho-thrillers filmed in Night Tideeerie contrasts of black and white. One Step Beyond, Boris Karloff’s Thriller, and the one and only Twilight Zone flickered on TV screens while neighborhood movie theaters and drive-ins were haunted by low-budget creep-outs like Carnival of Souls, The Mask, Confessions of an Opium Eater, and Curtis Harrington’s eerie Night Tide.

Night Tide, which will play at San Francisco’s Balboa Theatre on Wednesday, January 13th, is less of a horror movie and more like a weird dream. Harrington, a colleague of Kenneth Anger who directed several '50s avant-garde short films, orchestrates a gothic beatnik fable set amid the crumbling ruins of a dreamland known as Venice, California. The shadows of Film Noir drape over this desolate landscape. You can almost picture the film's "hero" Dennis Hopper turning a corner and running into a haggard Tom Neal from Detour. The destinies of these two downbeat characters may be different, but they seem to be on similar paths.

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