NOIR CITY 14: The Art of Darkness, 1/22 - 1/31

Posted by The Bay Area Crew, January 5, 2016 03:41pm | Post a Comment

Noir City 14

The Film Noir Foundation's world-famous yearly film festival NOIR CITY returns to San Francisco's majestic Peeping TomCastro Theatre for its 14th edition January 22-31. This year's theme is "The Art of Darkness," delivering 25 noir-stained films exploring the pressures, pitfalls, paranoia, and pain of being an artist in an indifferent and cruel world. This time the tortured protagonists aren't felons or fall guys, they're writers, painters, dancers, photographers, and musicians. I think we can all relate.

The festival features a fascinating line-up of films, including noir must-sees like Nicholas Ray's In A Lonely Place (1950, with Humphrey Bogart and Gloria Grahame), Fritz Lang's Scarlet Street (1945, Edward G. Robinson, Dan Duryea, Joan Bennett), and Alfred Hitchcock's Rear Window (1954, James Stewart) to several welcomed surprises like Michael Powell's Peeping Tom (1960, Carl Boehm), Michelangelo Antonioni's Blow-Up (1966, David Hemmings), and Howard Franklin's The Public Eye (1992, Joe Pesci).

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Noir City Xmas Returns to San Francisco's Castro Theatre, Dec. 16

Posted by The Bay Area Crew, December 6, 2015 06:37pm | Post a Comment

Noir City Xmas

Noir City once again offers the dark gift of film noir for the holidays. Our friends at the Film Noir Foundation present Noir City Xmas, their 6th annual holiday double feature, on Wednesday, December 16 at San Francisco's historic Castro Theatre. This year's dark holiday greetings come in the form of a double dose of Noir Noel: Max Ophuls' The Reckless Moment (1949) at 7:30 and Henry Hathaway's Kiss of Death (1947) at 9:30. Both films will screen in 35mm. Tickets for this exceptional event are only $12 for the double bill (that's less than the cost of a single holiday eggnog at any bar in town).

The Reckless Moment
The Reckless Moment
Kiss of Death
Kiss of Death

In addition to a seasonally themed double bill of vintage noir films, host Eddie Muller will be revealing the complete schedule (and scorching new poster!) for the eagerly anticipated NOIR CITY 14. They will also sell NOIR CITY 14 Passports (full series passes) at the theatre along with some brand new official Film Noir Foundation merchandise, so you can catch up on holiday gift shopping.

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An Interview with Karie Bible for Women's History Month

Posted by Eric Brightwell, March 9, 2015 08:48pm | Post a Comment
In the past most of my posts for Women’s History Month have focused on historical figures. This year I decided to instead focus on living breathing women who’re contributing to the vibrant cultural landscape of Los Angeles. This week’s subject is Karie Bible, an independent contractor who maintains Film Radar, volunteers for the American Cinematheque in conjunction with the Film Noir Foundation for the Noir City Festival, sometimes volunteers for the Los Angeles Conservancy’s Last Remaining Seats series, and since 2002 has been the house tour guide for Hollywood Forever Cemetery. Check out her website Hollywood Forever Cinema Walking Tour for upcoming tour dates and more details. 

Film Radar


Film wasn’t invented in Los Angeles but no city in the world is more closely associated with the movies and yet film is rarely afforded the respect which it deserves. When I moved to Los Angeles, I discovered the largest collection of picture palaces in the world, the Broadway Theater District, but that all of their huge screens had long ago gone dark. There was no plaque at the site of Edison’s old Kinetoscope parlour in front of which oldest known footage of Los Angeles was filmed. There is no plaque at the former location of Chun Fon's Sing Kee Laundry, where the first dramatic film shot entirely in California was made in 1908. The storage facility behind my local Jack in the Box had been Mack Sennet's Edendale film studio only to spend its second act enabling hoarders as a public storage warehouse. Grand historic theaters, when not churches, were subdivided into closet sized rooms with screens smaller than some peoples televisions. 

Noir City 13: 'Til Death Do Us Part

Posted by The Bay Area Crew, December 22, 2014 05:41pm | Post a Comment
Noir City

The 13th edition of the Film Noir Foundation's yearly film festival Noir City returns to the Castro Theatre in San Francisco, January 16–25, 2015. This year's schedule is overflowing with 25 extraordinary titles depicting the darker side of marriage. See characters who crave a perfect and permanent union, those who'll stop at nothing to preserve it, and those who will do anything to escape it.

The program runs the gamut from revered cinema masterpieces such as Luchino Visconti's les diaboliquesOssessione and H. G. Clouzot's Les Diaboliques to daffy delights such as Doris Day's absurdly entertaining Julie and Douglas Sirk's sensational (and silly) Sleep, My Love. The shadows are shed briefly to present the most perfect marriage: William Powell and Myrna Loy as Nick and Nora Charles in a holiday double bill of The Thin Man and After the Thin Man. Several subsets of films will be presented, honoring the work of creative talents such as Joan Fontaine, Robert Ryan, Barbara Stanwyck, Douglas Sirk, and 1950's husband and wife filmmakers Virginia and Andrew Stone.

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Noir City Xmas at SF's Castro Theatre

Posted by The Bay Area Crew, November 30, 2014 05:13pm | Post a Comment

Our friends at the Film Noir Foundation present Noir City Xmas, their 5th annual holiday double feature, on Wednesday, December 17th at San Francisco's majestic Castro Theatre. Eddie Muller, your host for the evening and founder/president of the Film Noir Foundation, will reveal the schedule and the hot new poster for the eagerly anticipated NOIR CITY 13 festival, which runs January 16-25, 2015!

The holiday-themed features for the evening will be:

O. Henry's Full House (1952, 117 minutes) This anthology of short stories by America's master of the O. Henry's Full House, Marilyn Monroeironic twist is as entertaining as it is star-studded, featuring juicy roles for Richard Widmark, Anne Baxter, Farley Granger, Marilyn Monroe, Charles Laughton, Jean Peters, and many more. 20th Century-Fox employed several of its most renowned directors — Henry Hathaway, Henry King, Howard Hawks, Henry Koster, and Jean Negulesco — to bring to life such famous O. Henry tales as "The Last Leaf," "The Clarion Call," and the Christmas classic "The Gift of the Magi." Each segment is introduced by John Steinbeck!

The Curse of the Cat People (1944, 70 minutes) This sequel to 1942's The Cat People is a stunner Curse of the Cat Peopleon many levels. Far from being a horror story, it's a poignant and deeply felt meditation of the pain and loneliness of childhood, and perhaps the most sublime and personal film in the career of legendary producer Val Lewton. Eight-year-old Ann Carter gives a mesmerizing performance as imaginative little Amy, with Simone Simon (the original Cat Woman) reappearing as her imaginary friend. A spellbinding classic, co-directed by Robert Wise.

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