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Show Recap: Joel Jerome at Amoeba Hollywood

Posted by Billy Gil, November 19, 2014 02:53pm | Post a Comment

joel jeromeJoel Jerome brought his seven-man band to Amoeba Hollywood Nov. 18 for a set of songs from his excellent new solo record, Psychedelic Thrifstore Folk, as well as his catalog of songs from his days fronting dios.

They started with the “Everybody Wants Somebody,” jangling forth on a Kinksy arrangement until it slowed down for an extended sunlit singalong chorus. The band layered jangling acoustics, steel guitar, horse-clopping percussion, chimes, saxophone into a perfectly orchestrated mass, showing Jerome’s ability to dress these songs in whatever he sees fit and still have them come through as well-written songs to the core. Jerome introduced singer/songwriter Miguel Mendez for the next song, the Mendez-written “You Got Me All Wrong,” off the first dios album, which was also included on one of The O.C. mixes back in the day. The band faithfully tore through “You Got Me All Wrong” and went into another Mendez song, Thrifstore’s dreamy “I’m Dumb After All,” with Mendez taking lead and Jerome singing backup and snaking country licks around lines like “I wanna die with the radio blasting.”

Thriftstore’s cool, Doors-tinged opener “Stay in Bed” came next, followed by “Tell Me Thing,” off the third dios album, We Are Dios. The song was the set’s show-stopper, its sexy opening riff grabbing you and setting the stage for Jerome’s spine-tingling lead vocal and killer psych-rock solo. They finished the set with a new song he said would be on an upcoming album he hoped would be out next year, a glam-blues stomper that left us excited for whatever the prolific Jerome is up to next.

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Joel Jerome Chats With the Amoeblog Before His Performance Nov. 18 at Amoeba Hollywood

Posted by Billy Gil, November 14, 2014 03:45pm | Post a Comment

joel jeromeJoel Jerome has been one of the best songwriters in L.A. for years under a number of guises—with his bands, dios, dios (malos) and Babies on Acid. Recently, he’s been going under his own name, under which he’s released the Beck covers album When Beck Was Cool and now a collection of his own songs called Psychedelic Thriftstore Folk. It’s perhaps the most direct and honed release he’s put out yet, consisting of songs new and old that have been whittled down to pop perfection in his home studio in Echo Park. I caught up with him a bit before his Amoeba Hollywood performance Nov. 18 at 6 p.m. Instead of teasing you with some “quirky” factoid about our interview, why don’t you just take two minutes and read it??

What made you change the name under which you record, from dios/dios malos to Babies on Acid and finally Joel Jerome?

Joel: I finally decided to have everything I do under one umbrella, one name, since I write, arrange, produce and record all my music. I decided to just have it under my name so I could have the freedom of having different players for different shows. I’m the one busting my ass for this, so I may as well take full responsibility and have it all go under my name.

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Notes From a Grumpy Old Man: The Real Zombie Apocalypse is Dull and Ordinary

Posted by Gomez Comes Alive!, September 23, 2013 08:38am | Post a Comment

Parents Of Punkers By Raymond PettiboneLos Angeles has sure changed.

Some have been welcomed changes and others are hard to get used to. I’m constantly reminded this when I deejay in spots in Echo Park, Hollywood or Highland Park. Those parts of town were once considered the scourges of the city. It was riddled with gangs, drugs, homelessness, crime, earthquake damage and rows of buildings for lease. Ten years later, it’s now it’s a playground for the dull and ordinary. The argument of hipsters no longer applies here, because there is nothing hip about the people that play here. At best, they are in college; at worst they are former frat boys who have come to roost now that the area is safe.

When I used to tour for a living, the best thing about coming home to Los Angeles was getting away from the countless generic college towns that most of the venues  were located. Much like the Wilson Pickett song “Funky Broadway” , where every town has a "Broadway and a Broadway women", the college town had the same restaurants, coffee houses, record stores, frat bar, alternative bar and everyone looks the same. Ethnicity as a whole was slim to none, as people of color were always relegated to the “other” parts of town. Being Chicano, I always felt I was in the wrong part of town when as well.. Places with diversity, such as Chicago and New York, were always welcomed stops on the road because I felt I could take a breather from the generic college town. I was never one to wonder why Los Angeles couldn’t be like Austin, Olympia or Chapel Hill. I liked Los Angeles the way it was. It was spread out, not connected by trains so you can play tourist in someone’s barrio. It was damaged and a place for the strong to thrive and the weak to avoid. It short, it was great.

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Digging the scene at "This Ain't a Scene" with a gangsta lean

Posted by Eric Brightwell, May 14, 2012 02:08pm | Post a Comment
This Ain't a Scene

This past Saturday, I went to the 1650 Gallery in Echo Park to check out the opening of This Ain’t a Scene: The Vibrant Music Community of East LA which was co-presented by Radio Free Silver Lake and compiled by Jackie Lam. Radio Free Silver Lake is a website focused on Indie music in Los Angeles.
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Map of the Eastside Map of Silver Lake Map of HiFi Map of Echo Park Map of the Mideast Side
Pendersleigh maps

Note: The “East LA” of the subtitle could be construed as a bit misleading.. East Los (whose vibrant music community produced performers like Black Eyed Peas, Cannibal & the Headhunters, Hope Sandoval, J-vibe, Kid Frost, Lalo Guerrero, Los Lobos, Los IllegalsLouie Perez, Luis Villegas, Quetzal, Suzanna Guzman, Taboo, The Bags, The Blazers, Thee Midniters and Tierra and  supported live venues like Club 469Eastside Nightclub, El Club BaionKennedy Hall, The Lamp Lighter, The M ClubRudy's Past House and Vex) is not represented here. The bands and venues depicted in this show are, if I’m not mistaken, all from Echo Park, P-Town and Silver Lake -- three neighborhoods in the eastern portion of Central LA that belong to a region that no one has named with a widely-accepted term.) Enough quibbling about geography and nomenclature from me… let's start the show.
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Your Tuesday night planned... Echo Park or Little Saigon -- what's it going to be?!

Posted by Eric Brightwell, May 11, 2012 07:43pm | Post a Comment
So I'm slated to DJ at the Short Stop in Echo Park on 15 May, 2012 (this coming Tuesday unless you're pulling this from the archives). I'll be splitting the music slanging chores with Joe Skyward (Sky Cries Mary, The Posies, Sunny Day Real Estate, Jean Jacket Shotgun), Jimmy James and Greene Candy Machine

DJ Flier


Of my comrades I only know Joe but I don't even know what kind of music he's planning on DJing. As for me, he only told me "No techno!" so I'll ignore anything '80s Detroit just to be safe. I do plan on focusing on the '80s, however -- chiefly Baggy, Bass, Bounce, Electro, Eurodisco, Freestyle, Garage, Italo, Spacesynth, SynthpopVietnamese New Wave -- that sort of thing. 

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