Amoeblog

New "What's In My Bag?" Episode with Sharon Jones & the Dap-Kings

Posted by Amoebite, July 1, 2014 02:07pm | Post a Comment

Sharon Jones at Amoeba

Sharon Jones & the Dap-Kings make the kind of ebullient, impassioned soul music that often gets labeled as "retro"--when, in reality, "timeless" is a much more appropriate description. These days, Jones and co. are one of the most fruitful branches on the soul/funk family tree, churning out album after album of soon-to-be-classic grooves that branch out pleasantly from the genre's Aretha/Etta/Mavis roots. After a delayed release due to Jones' triumphant battle with pancreatic cancer, the group's latest album, Give the People What They Want, came out earlier this year and the irrepressible Ms. Jones and her Dap-Kings have been on the road ever since.

The band took some time from their busy schedule to sit down with the "What's In My Bag?" crew and talk music. Jones kicks the segment off with disco icon Sylvester's live album, Living Proof. Next, drummer Homer Steinweiss talks about Norman Greenbaum's psych/gospel hybrid album, Spirit in the Sky. "Everyone should have this record," says Neal Sugarman about his pick, Bobby "Blue" Bland's classic Two Steps from the Blues. As they pull out LP after LP, Sharon Jones & the Dap-Kings' passion for music reveals itself in the depth and breadth of their picks. Check out the full episode below and get a crash course in the history of soul, funk, and disco.

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New "What's In My Bag?" Episode With Charles Bradley

Posted by Amoebite, October 23, 2013 05:40pm | Post a Comment

Charles Bradley

Many artists spend years paying their dues, honing their craft, grinding out tour after tour chasing the ultimate dream of being discovered and landing a record deal. For most, the dream never happens. That is, unless you are Charles Bradley. The ultimate "rags to riches" story, Bradley went from obscurity to international fame almost overnight, but that's not what's amazing about his story. The amazing part is Charles Bradley got his break at 62 years old and his newfound fame is relatively fresh.

Charles' life has been nothing short of burdensome. You can say he graduated top of his class from the school of hard knocks and was last in line when it came to catching a break in life. From growing up poor to contemplating suicide to the murder of his brother, his story is documented in the film Charles Bradley: Soul of AmericaBradley spent two decades criss-crossing the United States working odd jobs and singing in small dives. Struggling to keep his head above water, Bradley took to performing as a James Brown impersonator named "Black Velvet." His luck changed one night when he was discovered by Daptone Records co-founder Gabriel Roth.

Two full-length albums and a handful of singles later, Charles Bradley is a powerhouse in the current "retro soul" movement that has gained audiences all over the world. The James Brown influence in Bradley is clear and some critics have also compared him to the late great Otis Redding. Bradley is like a living time capsule. He's a window into an era that many generations of music lovers were not able to see. Charles Bradley is the modern day James Brown. Check out his debut album, No Time For Dreaming, and the newly released follow-up, Victim of Love, to hear for yourself.

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Small Worlds, Globe Style

Posted by Mr. Chadwick, September 5, 2008 12:02am | Post a Comment
Johnny Otis Back To Jazz Jazz World Records LabelConcert Hall Reocrds Label Tchaikovsky Aurora's WeddingConversa-Phone Records Label
Godfathers I Want Everything I'm Unsatisfied 12" LabelLois Walden Walden Lp Earth Records LabelNini Rosso Godfather Lp Globe Records Label
Yothu Yindi Treat LP Hollywood Records LabelGeorge Jones LP Internation Award Series Records LabelEddie Noak Remembering Jimmie Rodgers LP Wide World Records Label Psycho
Jimmy Reed Sing The Best Of The Blues LP VJ International LabelKenny Loggins High Adventure LP Columbia Records LabelSugarman Three Pure Cane Sugar LP Daptone Records Label
Albert Hay Malotte International Sacred Recordings Christian Artists Recording Corporation Record LabelDissidenten & Lem Chaheb Sahara Electric LP Globe Style Records LabelMarvelettes Please Mr. Postman LP Tamla Records Label Original White Globe
Ray Martin & His Orchestra German Dance Party LP Universe Records LabelT.S.O.L. True Sounds Of Liberty Change Today LP Enigma Young Records Label Brazil

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woke up in an odd state of mind

Posted by Whitmore, September 12, 2007 08:50am | Post a Comment


I woke up in an odd mood and while I was grinding   coffee this morning, for some unknown reason, I  started thinking about the legendary folk musician
Woody Guthrie and that sign he often painted on his
guitar.

“This Machine Kills Fascists”

And no, I don’t mean my  Italian espresso maker …

In this frame of mind, I don’t even dare open the paper … not today.

Woody once wrote, "I took a bath this morning in six war speeches, and a sprinkle of peace.”  

Yeah, I know that mood.

I’m thinking, what could throw me even deeper into this funk?  Maybe the right song and I can revel in this shithole state of mind for a while; I do have the morning  to myself!

So I went digging though a few boxes of 45’s  for this minor keyed, slow funky version of  “This Land Is  Your Land” by Sharon Jones and The Dap-Kings originally released in 2006 as a 7-inch single with a red, white, and blue label (and a flip side of  What If We All Stopped Paying Taxes?). It’s a masterpiece, if not the modern definitive version of Woody Guthrie’s classic paean to the America he saw in his travels in the 1930’s. Guthrie originally wrote this song in 1940 in response to Irving Berlin's "God Bless America," which Guthrie considered unrealistic, self-satisfied and smug.


Sharon Jones’ version of This Land should be the one sung in grammar schools, especially since she includes the seldom sung verses about private property and government relief. She’s brought back the anger, the defiance and rebelliousness that had been lost; trashing the soft-pedaled, whitewashed, yankee-doodle dandy edition we’ve heard for decades.

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