I don't know if it was intentionally planned or not. But this week The Faint is in a battle with old label mate Conor Oberst for the number one indie album. It may not be as publicized as the album battle of Kanye West and 50 Cent, but it is no less significant...for me, at least. Conor Oberst was actually a member of the early incarnation of The Faint for about 5 minutes and they both remained on the same label up until now. Bright Eyes (Conor Oberst) has put out a couple more albums than The Faint. Saddle Creek helped to make them both household names across the world, at least in the indie rock community. I was always more of a Faint fan. I didn't give in to Conor until years after my Faint obsession began. But I became a Faint fun much like how I became a Bright Eyes fan. I was sort of forced into it-- I had resisted The Faint for a couple of years. I had heard about them and knew some of my friends were fans but just had not gotten around to listening to them yet. I was going through a big R & B phase in my life at the time, so indie rock was not as much of a priority. I was intrigued as soon as I found out that The Faint were using keyboards and sort of adopting a more synthy sound. My first Faint album was actually their third album, Danse Macabre. A friend of mine gave me the record for my birthday. It was actually just a couple of months before I made the first big move back to Los Angeles. He told me that he knew I would love it, and I fell in love with the album, as did many of us. Sort of like with the Teaches of Peaches album by Peaches, I became obsessed. The album just seemed to take over many peoples lives. I couldn't stop listening to it, it was so good. It was one of those albums that I was so glad to have discovered. I was just so glad that it existed.

I still can't believe that summer has already started. I am sure that it will be over even quicker. Soon it will be Christmas time again. The year is a little more than half over and I have been back in Los Angeles for about 6 months now. The boyfriend just moved down last week and it has been a busy couple of weeks for me, but it has been a bit slow for the new releases the last couple of months. Some big things are right around the corner for the next couple of weeks, but not so much for this week or the last. Last week was the week of the debut album for the Black Kids and the release of the second album by CSS. There was another Nine Inch Nails album and a new Dr. Dog.

This week is basically a new Neil Halstead album and a new one by Rick Springfield. Not a very big week. I am a huge fan of both Slowdive and Mojave 3, so I am a bit excited about the new Neil Halstead, but I have not yet heard it. Next week we get new albums from both The Faint and Conor Oberst from Bright Eyes. They both were on the label Saddle Creek Records up until these new albums. Bright Eyes put out a ton of albums on Saddle Creek and helped to make a name for the label, but he has made the jump to Merge Records for his new solo album. The Faint decided to go with their own new label for this new album. Conor is one of those guys you either love or hate. Most people I know have some passionate opinion about him. I know I have talked about this before. I was on the hating side for a bit, but crossed over to the fan side about 4 years ago. Conor Oberst will also be playing a free show at Amoeba in both San Francisco and Hollywood. The Hollywood instore is this coming Monday, August 4th. We will also be selling the album the day before it comes out since the actual street date is the day after the instore. He is playing at the San Francisco store 3 days before the album comes out, on Saturday August 2nd. There will be tons of people at both these instores, but I think it is worth dealing with the crowds just to see him perform live. It might convert you to a fan as well.

OK...there are some exciting new release out today for you all...


First up is the new Blonde Redhead "23" and it has nothing to do with that horrible new Jim Carrey movie that already disappeared.  It's been about 3 years since their last album "Misery is a Butterfly." This is their second album for 4AD. However, it has much more in common with the album before "Misery" which was "Melody of Certain Damaged Lemons." "Misery" was a bit forgettable. Still good, but it did not remain in my head for days later after listening to it.  I still can just think of "Melody" for just a second and conjure up all the great amazing and tragic memories all tied up with that album. I seriously listened to that album every day for months. It was just that good.


Blonde Redhead has always been good. The band is made up of Kazu Makino and the scary twins Simone and Amedeo Pace. I only say scary, because twins tend to scare me, although I am also strangely intrigued by them.  The band is usually made up of just vocals, drums, and guitar.  The vocals are amazing on their albums.  I often have to go read the lyrics to be able to follow along.  The songs alternate between male and female vocals,  kind of like a combination of Versus and Dead Can Dance. It's amazing to have an album this good, seven albums into their existence. Again, I find myself addicted to Blonde Redhead. I can't stop listening to this album. It quickly draws you in and there is really no going back.