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Rest in Peace to Iconic 70's Photographer Leee Black Childers (Drag Queens, Rent Boys, Pick Pockets, Junkies, Rock Stars, & Punks)

Posted by Billyjam, April 7, 2014 08:15am | Post a Comment

Legendary New York underground photographer Leee Black Childers, whose iconic 1970's photos were captured in his 2012 published book Drag Queens, Rent Boys, Pick Pockets, Junkies, Rock Stars, and Punks, has died in LA. The folks from Lethal Amounts in Downtown LA had recently flown Childers out to Los Angeles for a showing of the photo exhibition of the book photos, that opened on March 22nd and is scheduled to run through April 19th, which Amoeba Music was one of the sponsors of.  In conjunction with that photo exhibit Amoeba Hollywood obtained two of signed Childers’ prints (one of David Bowie and another of Patti Smith) to have for sale in the LA store.

The Kentucky born Childers, who worked for Andy Warhol in both NY and London was among the earliest photographers to capture the burgeoning glam scene and the early NYC underground punk scene, was also at one time involved in the business management of both Johnny Thunders (New York Dolls) and David Bowie (he was the tour manager for the Ziggy Stardust tour). Childers' photography was featured in the cover art of Bowie's Diamond Dogs album and Thunders' Born Too Loose - among others. Childers' Factory era photos of Warhol, his countless pics of the Hotel Chelsea denizens including lots of drag queens, and his photos from the Stonewall era NYC had made made him  a milestone historic chronicler of both gay and rock cultures.

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New "What's In My Bag?" Episode With Danny Tamberelli

Posted by Amoebite, March 5, 2014 06:15pm | Post a Comment
Danny T

Danny Tamberelli is one of the few child actors to successfully make the transition from pre-teen stardom to adjusted adult. In the '90s, Tamberelli starred on Nickelodeon's hit TV series, The Adventures of Pete & Pete, which dipicted two brothers, both named Pete, who found themselves in unpredictable situations. Tamberelli played "Little Pete," the rebellious younger brother who often insulted people and made brash decisions. The show and character were a hit, turning Tamberelli into a child celebrity who rubbed elbows with future A-listers in the making. 

Tamberelli recently visited Amoeba Hollywood for some record digging. These days, in addition to hosting The Adventures of Danny & Mike podcast Tamberelli is also the bass player and singer in the band Jounce. In our latest "What's In My Bag?" episode, Tamberelli finds some great albums, including classic So Cal punk, soul and rock albums. First off, he digs up a copy of the Angry Samoans' The Unboxed Set. He follows that up with What Makes A Man Start Fires? by the Minutemen. Tamberelli was happy to find a rare vinyl pressing of Brian Eno & David Byrne's My Life In The Bush Of Ghosts to which he says, "I go into a lot of record stores and I ask them if they have this copy and I should have just come here all along."

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Dido's New "Girl Who Got Away" Available from Amoeba on March 26th in Regular and Deluxe Versions

Posted by Billyjam, March 25, 2013 02:10pm | Post a Comment

Dido "Girl Who Got Away" (acoustic version of the title track of the UK singer/
songwriter's new album Girl Who Got Away available from Amoeba March 26th)

Dido returns to the shelves of Amoeba Music tomorrow (March 26th) with her brand new album Girl Who Got Away on RCA Records. Available in both regular and Deluxe CD versions, Girl Who Got Away is the UK artist's fourth album to date and her first since 2008's Safe Trip Home. With production courtesy of her brother/frequent collaborator Rollo Armstrong - in addition to Brian Eno, Jeff Bhasker, Rick Nowels, and Greg Kurstin - the 11 track (17 on the DeLuxe version) new album of self-penned songs spans folk, ambient, dance, electro infused pop, and hip hop. In addition to such tracks as the lead single "No Freedom" (see video below) critics have been lauding praise upon the new album track "Let Us Move On" that features an engaging guest feature from hip-hopper of the moment Kendrick Lamar.

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Albums out Nov. 13: Crystal Castles, The Weeknd, Lust For Youth and More

Posted by Billy Gil, November 12, 2012 05:40pm | Post a Comment

Album Picks:

Crystal Castles III

Crystal Castles IIICD $12.98

LP $17.98

Early interviews about Crystal Castles' stunning third album have seen frontwoman Alice Glass discussing oppression at length with Bono-ish fervor — not something typically associated with an image-conscious electronic duo known more for its antagonistic records and brawling live shows than its politics. But Glass and synth stud Ethan Kath can have it both ways, as III is another visceral attack of a record from Crystal Castles that ups the meaning behind their furor, both explicitly and implied, without losing any of their hedonistic attitude. In fact, III, while lacking some of the shock value of the first two records, is Crystal Castles’ most consistent statement to date. Tracks like “Plague” and “Wrath of God” still pack walloping beats, but they are more of mood pieces than, say, something like II’s “Baptism,” full of moody, heaving passages that draw you in and keep you rapt across the record. III is also smartly paced, keeping some of its more crowd-pleasing moments for later in the record, whereas previous albums were front-loaded. The fourth song in, “Affection,” shares a chord-scheme with MGMT’s “Kids,” though its warped vocals sound like they’re echoing from an abyss — not exactly radio-friendly material. Glass quits whispering and unleashes her trademark echoed yelps on the spare “Pale Flesh,” sure to be a live favorite, while “Sad Eyes” charges forth with unabashed club glee and hard-hitting beatwork. The album’s final quarter features some of its most remarkable moments, full of seedy club bangers, while its last song, “Child I Will Hurt You,” is a typically gorgeous closer from the band, layering Goblin-style keyboards over Glass’ haunting vocals, which often sing of pain inflicted upon the vulnerable, echoing the statement of that album cover, calling to mind suffering and comfort in equal doses. That concept isn’t as overt as it could have been, but when it does come through, as when Glass sings “I’ll protect you from all the things I’ve seen” on “Kerosene,” Crystal Castles create the aural equivalent of gunfire and a helping hand.

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Brian Eno Unleashes Another Sonic Soundscape Masterpiece: Drums Between the Bells - his collaboration with Rick Holland

Posted by Billyjam, July 5, 2011 02:14pm | Post a Comment
        
Brian Eno & Rick Holland "Glitch" from Drums Between the Bells (Warp, 2011) - released today

There are very few artists who four full decades into their careers are still consistently making riveting relevant music that still matters to fans old and new alike. Brian Eno is one of those rarities. Eno, who got his introduction to the music world at the start of the 70's as the keyboardist for Roxy Music before soon after going solo, has consistently evolved as an artist (and music theorist) singularly crafting new production styles and musical sounds (creating the genre of ambient music), as a producer (U2, Devo, Talking Heads, Coldplay), and selectively collaborating alongside with such notable artists over the years as Harold Budd, Robert Fripp, David Bowie, John Cale, and David Byrne. Even 30 years after its release Eno and Byrne's landmark My Life in the Bush of Ghosts sounds as fresh as the day it was released in 1981.

Not surprisingly Eno's artistic output and his approach to music continues to influence generation after generation of new electronic artists. So it makes sense that for Eno's latest release, Drums Between the Bells, that the electronic music innovator should again join forces with Warp Records - a label, since its formation 22 years ago has become known for always finding and advocating adventurous new electronic music. Last year Warp released Small Craft on a Milk Sea, Eno's excellent collaborative composition with Jon Hopkins and Leo Abrahams.

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