Amoeblog

Hip-Hop Rap-Up: Logic, DJ Quik, Blu, YG, Diabolic

Posted by Billyjam, November 14, 2014 05:04am | Post a Comment
Top Five Hip-Hop Chart for Week Ending 11:14:14


1) DJ Quik The Midnight Life (Mad Science)

2) Logic  Under Pressure (Def Jam) also avail as LP

3) Diabolic Fightin' Words (WarHorse Records) - also avail as LP

4) YG My Krazy Life (Def Jam)

5) Blu Good To Be Home (Universal) also avail as LP

The above top five chart from the Hollywood Amoeba Music store reflects the top sellers of the past week which are not always necessarily new releases. Case in point are both YG's My Krazy Life from March of this year, and (to a degree) the Blu album Good To Be Home featuring production by Bombay and not by Exile this time - with whom their previously released collaborative Below The Heavens LP continues to sell well. The Blu chart entry originally came out six months ago via the indie Nature Sounds (who along with Fat Beats issued the LP version of the full-length) but has now been re-released by Universal. Have not heard the Universal version but hopefully the major label remastered the original which most agree was "shitty" sounding - and I quote countless fans of the artist himself as stating this. And the super gifted LA emcee has lots of fans - especially in his hometown where he always gets a lot of love.

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Prolific Producer L'Orange Unleashes His Finest Work To Date: "The Orchid Days"

Posted by Billyjam, May 14, 2014 06:40am | Post a Comment

L'Orange "The End (feat. Billy Woods)" from The Orchid Days (2014)


Hot on the heels of his collaborative album with Stik Figa (The City Under The City) talented prolific producer L'Orange now returns just six months later with more of his refreshingly unique sound: the highly recommended The Orchid Days that was released last month and that, like City, comes via the high caliber indie label Mello Music Group. "Two and a half years ago I got out a piece of paper and wrote down every single thing I wanted to do in the next year and at the very bottom of it I wrote Mello Music Group," the artist told me of finding his ideal label home after self-releasing some free albums digitally. "This is where I have seen myself for a long time and it is definitely an honor to be counted among the roster." His brand new Mello Music release The Orchid Days features carefully selected guest vocalists, (including Blu, Homeboy Sandman, and Billy Woods) on just 7 of its 19 tracks allowing the Nashville based producer to fully stretch and flex his trademark, hypnotically dreamy production style - while interweaving just the right amount of vocal guests to perfectly compliment his (and their) styles - all the while subtly moving the album's storyline along. The Orchid Days storyline is the story of love - finding love, falling in love, and then losing it and missing it - a story told via random soundbites expertly assembled - to the backdrop of an old world mood crafted by building layer upon layer of dreamy jazzy  grooves from digging deep into really old jazz records with flutters of dramatically engaging soundbites/samples (handpicked over time by  L'Orange) from old black and white movies, along with, often static sounding, classic old radio broadcasts. These samples along with the mood created by the musical backdrop tell a story that strongly hint that there was some specific romantic figure in L'Orange's life that inspired The Orchid Days. So I asked the artist was there a specific girl in mind as he recorded the album? "Of course there's a girl. I'm a poet," he replied adding. "Since that's not a satisfying answer I'll tell you something I haven't told anyone yet- she's on the album cover." [above left]

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Hip-Hop Rap-Up, Week End 02.07.14: Step Brothers, Dag Savage, Dilla Day, Hip Hop, Chess and The Psychology of The Battle

Posted by Billyjam, February 7, 2014 08:08am | Post a Comment
       

Amoeba Music Hollywood Hip-Hop Top Five for Week Ending February 7th 2014


1)
The Step Brothers Lord Steppington (Rhymesayers  Entertainment)

2) Dag Savage E&J (Dirty Science)

3)
Blu & Exile Below The Heavens  (Sound In Color)

4) Kendrick Lamar good kid, m.A.A.d city (Aftermath)

5) Kayne West Yeezus (Def Jam)

Hip-Hop Rap-Up, Week End 03.29.13: Blu, Uptown XO, Eric Lau, Lil Wayne, Paid Dues, Dead Prez, Kyle Rapps, Planet Asia

Posted by Billyjam, March 29, 2013 05:59am | Post a Comment
Amoeba Berkeley Hip Hop Top Five Week Ending March 29: 2013


1)   Blu No York! (New World Colour/Greenstreets)

This long lost experimental album from Blu finally gets an official
release.  The album No York! was originally supposed to be released by Warner Bros Records, but a change of staff got it lost in the woodwork and the project was eventually shelved.  The album has been floating around as a bootleg for some time now, but this is an official fully mastered version of it that’s sure to satisfy Blu fans worldwide. Features production from Exile, Flying Lotus, Samiyam, Daedelus, Dibia$e and more.  Get it!




2)        Eric Lau Makin’ Sound (Octave)

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Albums Out March 26: Wavves, The Strokes, The Cyclist, and More

Posted by Billy Gil, March 26, 2013 11:07am | Post a Comment

Album Picks:

 

Wavves - Afraid Of Heights

Wavves Afraid of HeightsCD $13.98

LP $22.98

Wavves’ latest album album mostly ditches the “King of the Beach” surf-punk notions of previous releases for a big, warm, alt-rock embrace that does wonders to highlight the quality of Nathan Williams’ songwriting. “Sail to the Sun” starts out with sparkling synths and moves into a thumping, surging rocker. “Demon to Lean On” is built for rock radio, with a catchy, two-note riff leading into its soaring chorus. It’s reminiscent of mid-’90s radio gems from the likes of Weezer and their brethren, but it’s also smartly built, with watery guitars and castanets seeping beneath the surface of its Pixies-inspired, quiet-to-loud dynamics and Nathan Williams’ paranoid lyrics. After starting out boldly, the album takes dark turns that should please fans of Wavves previous work, including the lo-fi attack of “Mystic,” which buries Williams under stacks of distorted sound before engaging with a singular synth riff. But he always brings it back to some of his hookiest songs yet, like the soaring title track, which makes use of backup vocals by Jenny Lewis and delivers another instantly recognizable, could-be radio hit from 1996. If only all pop-punk, surf-alt or what have you was this catchy, smartly written and unafraid of hooks! Afraid of Heights succeeds as Williams’ clearest bid yet for crossover success, yet it doesn’t sacrifice his essential slackery appeal. File it next to your Dookie, Blue Album and Doolittle records and embrace the fuzzy pop of Afraid of Heights.

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