Amoeblog

New 12"s @ Amoeba Hollywood 3/1 - Conforce, RVDS, Perseus Traxx, Benjamin Damage, Freeform Five and more!

Posted by Oliver / Matt / Jordan, March 1, 2013 05:26pm | Post a Comment

Conforce - Time DilationConforce
Time Dilation 
Delsin

Boris Bunnik switches over from the dystopic electro of his Versalife project to the Conforce alias by which he's better known. Classic Delsin material here. "Nomad" sets the tone with ominous techno drones, an odd kick meter, elastic bass and big-room creepiness. "Receiver" veers closer to classic Detroit techno tropes, with insistent bells providing the atmosphere over a telltale tom. The patient and precise production of the ep’s opener is still intact, but here it's bolstered by subtle hi-hat drops that feel momentous in context. B-side "Last Anthem’s" rugged kick drum signals this 12”s diversity, ringing in the most floor-friendly track on the record. Closer "Embrace" is a deep, dub techno track with just a sliver of melody, achieving Chain Reaction-worthy hypnosis.

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RVDS
Arabian Moon
It’s

Laid back, eastern-tinged acid from the German producer, whose huge “Moon Oddity” (sensing a theme?) on Dial deep-house imprint Laid placed the producer alongside Tin Man in his ability to coax new, emotional sound out of classic equipment. The title track uses a busy 303 bassline against a deep Juno progression, the overall effect not unlike a more narcotic version of Max D’s Cassette Arabic (L.I.E.S.)

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New 12"s @ Amoeba Hollywood 2/8 - Michael Whitehead, Pharoahs, 214, Versalife, Jeremy Greenspan, Daddub, Eddie C, and more

Posted by Oliver / Matt / Jordan, February 14, 2013 12:24pm | Post a Comment

Michael Whitehead

Danse Club 

Why release Jersey-inspired house when you can reissue the real thing? The “Meat Mixx” and “NYC Dub” of this Whitehead/Murk collaboration are compiled here, along with present-day remixes. The original NYC Dub is a transcendent example of American garage house - all vocal cutups, pristine piano, swung drums and organ steps.The Meat Mixx makes full-use of Whitehead’s powerhouse ( vocals. A1, the remix by Willie Graff and Tucillo provides an airier interpretation of the NYC Dub’s organ stabs and Whitehead’s soaring vocals, and adds a subtle acidic squelch. The Florian Kruse mix has a classic Strictly Rhythm vibe while Max Jacobson takes a deeper approach - looping a wordless sample of Whitehead’s vocal, but buoying the track with live-sounding bongos. Great release!

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Pharoahs
Island Time
ESP Institute

Their status as LA’s premier live dance/balaeric/kraut/? band cemented, the group of talented producers and music nerds (Pharoahs’ core consists of former Amoeba employee Sam Cooper, Dublab dude Ale Cooper and rising producer Suzanne Kraft) make the move to fellow diviner Lovefingers’ label for their most realized effort yet. “Ahumba” is named after surfer Cooper’s dream beach in Zanzibar - and the song reworks windswept digital beauty of the Innovative Communications label for the dancefloor. Sublime guitar arpeggiations color the tropical tracks. “If It Ever Feels Right” is a live staple that never comes out quite the same - a testament to the massive amount of improv that makes Pharaohs such an exciting group. The basis of the track is a descending Juno 60 arpeggio - delayed uptown sax, a far-off pad and varied percussion fill this out into perhaps the most floor-friendly track on the record. The insistent bassline eventually ends up scoring some light jacking and zonked sax-work worthy of Roland P. Young. Island Time successfully focuses on rhythm rather than the synth acrobats of the other tracks, bringing the tide back out for this great EP.

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What Sight & Sound (Mostly) Missed: My Personal Top 20 Films of All Time

Posted by Charles Reece, August 3, 2012 06:49pm | Post a Comment
Sight & Sound has released its "Top 50 Greatest Films of All Time" list for the decade. The good news is that Hitchcock took over the number 1 position from Welles and Eisenstein was kicked out of the top 10. About time. The top 20 from the list are: (1) Vertigo (2) Citizen Kane (3) Tokyo Story (4) The Rules of the Game (5) Sunrise (6) 2001 (7) The Searchers (8) Man with a Movie Camera (9) The Passion of Joan of Arc (10)  (11) Battleship Potemkin (12) L'Atalante (13) Breathless (14) Apocalypse Now (15) Late Spring (16) Au hasard Balthazar (17/18) Seven Samurai and Persona (tie) (19) Mirror (20) Singin' in the Rain. This got me to wondering: which films do I always feel like watching, regardless of what I'm reading, thinking about or feeling? After about an hour (which is more time spent than these kind of lists are probably worth), the following is what I came up with as the films that have and will likely continue to provide me with the most enjoyment, discarding any historical concern for the aesthetic enrichment of the cinematic commonweal. In no particular order, my 20 list:

bladerunner poster
Blade Runner - Ridley Scott

sweet smell of success criterion cover
Sweet Smell of Success - Alexander Mackendrick

high and low criterion cover
High and Low - Akira Kurosawa