Prolific Producer L'Orange Unleashes His Finest Work To Date: "The Orchid Days"

Posted by Billyjam, May 14, 2014 06:40am | Post a Comment

L'Orange "The End (feat. Billy Woods)" from The Orchid Days (2014)

Hot on the heels of his collaborative album with Stik Figa (The City Under The City) talented prolific producer L'Orange now returns just six months later with more of his refreshingly unique sound: the highly recommended The Orchid Days that was released last month and that, like City, comes via the high caliber indie label Mello Music Group. "Two and a half years ago I got out a piece of paper and wrote down every single thing I wanted to do in the next year and at the very bottom of it I wrote Mello Music Group," the artist told me of finding his ideal label home after self-releasing some free albums digitally. "This is where I have seen myself for a long time and it is definitely an honor to be counted among the roster." His brand new Mello Music release The Orchid Days features carefully selected guest vocalists, (including Blu, Homeboy Sandman, and Billy Woods) on just 7 of its 19 tracks allowing the Nashville based producer to fully stretch and flex his trademark, hypnotically dreamy production style - while interweaving just the right amount of vocal guests to perfectly compliment his (and their) styles - all the while subtly moving the album's storyline along. The Orchid Days storyline is the story of love - finding love, falling in love, and then losing it and missing it - a story told via random soundbites expertly assembled - to the backdrop of an old world mood crafted by building layer upon layer of dreamy jazzy  grooves from digging deep into really old jazz records with flutters of dramatically engaging soundbites/samples (handpicked over time by  L'Orange) from old black and white movies, along with, often static sounding, classic old radio broadcasts. These samples along with the mood created by the musical backdrop tell a story that strongly hint that there was some specific romantic figure in L'Orange's life that inspired The Orchid Days. So I asked the artist was there a specific girl in mind as he recorded the album? "Of course there's a girl. I'm a poet," he replied adding. "Since that's not a satisfying answer I'll tell you something I haven't told anyone yet- she's on the album cover." [above left]

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Vinyl Vaults Proudly Presents Billie Holiday

Posted by Billyjam, June 18, 2013 11:35am | Post a Comment

We have added Billie Holiday to Amoeba Music's ever expanding, much-lauded Vinyl Vaults. This Amoeba-exclusive, historic vault of American music icons, which specializes in preserving valued vinyl releases by carefully transferring them to digital files, already includes such icons as Louis Armstrong.

Our curated collection of digitized vinyl and 78s will also unveil Kenny Rogers this month, but more on his inclusion into the Vinyl Vaults in a later Amoeblog.

For now let's take a look at the jazz/blues legend that was Billie Holiday and whose Vinyl Vaults additions will include approximately 30 different tracks (most emastered and now available from Amoeba) "Lady Day's" short 44 years on this earth (1915 - 1959) was filled with the blues and her musical legacy is a part of American music history. Amoeba deserves major props for helping preserve. One of the folks responsible for the tedious task of digital transformation of Amoeba's Vinyl Vaults is Gregory Griffith. I talked with him over the past couple of days to find out more about these Billie Holiday additions to the Vinyl Vaults that are now available in three digital files: mp3, M4A (lossless), or WAV.

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Four Inch Focus- Ladies Of The Labels Pt 5

Posted by Mr. Chadwick, January 6, 2013 09:40pm | Post a Comment

Hurricane Sandy Soundtrack

Posted by Billyjam, October 29, 2012 12:45pm | Post a Comment

New York City, Monday, October 29th 3:45pm: Here in New York City and other parts of the Northeast Coast including New Jersey and Rhode Island we are already feeling the strong winds and rain but are still awaiting the brunt of Hurricane Sandy to hit sometime later today. The massive storm with such a friendly name is expected to wreak havoc here on the Northeast over the next day or more with the worst of it hitting later tonight/early tomorrow morning, according the National Weather Service. Already winds are up near 100 MPH on the Jersey Shore and here in Queens, where I am, some trees have been blown down. Hurricane Sandy, which is arriving  in conjunction with a separate severe cold weather system a couple of days shy of Halloween, has  been dubbed "Frankenstorm" by the media who are always, it appears, delighted to have some potential apocalyptic disaster to report upon. Most folks here in New York and New Jersey that I know are hoping for the best but preparing for the worst. NYC buses and subways have been out of service since last (Sunday) evening and both JFK and La Guardia airports are shut down with flights cancelled through tomorrow (Tuesday) evening. For up to the minute news on the storm YouTube is live streaming The Weather Channel,  while Weather.Com is doing live updates online that you can get on your mobile devices.

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Why We Love Those Sad Songs So Much: Because It Feels So Good To Hurt So Bad!

Posted by Billyjam, July 21, 2011 01:20pm | Post a Comment

The Smiths "Heaven Knows I'm Miserable Today"

Why do we love those sad songs so much? What is It with songs that help us wallow in our misery? Those post break up anthems, or songs about loss and depression that just seep of sadness yet draw us like a moth to a flame. Why do people love Morrissey and the Smiths' sad songs about been miserable? Because - like hot tea on a hot day that fights fire with fire - so too do sad songs quell the sadness in our collective hearts. Some say that we like sad songs of others' tales of despair because we can indulge in their suffering from a safe distance. Like in the comic strip above we love/hate those sad songs so much we have to hit replay. "Please Mr Please" don't play B 17. I don't ever want to hear that song again," sang Olivia Newton John on the weepy Bruce Welch & John Rostill penned 1975 international hit - but you know she secretly indulged in hearing B17 again despite the sadness it aroused in her tortured soul.  Of all the pop hits over the past several decades Elton John's Bernie Taupin penned hit "Sad Songs (Say So Much)" sums up our need for sad songs: "It's times like these when we all need to hear the radio.`Cause from the lips of some old singer we can share the troubles we already know. Turn them on, turn them on. Turn on those sad songs when all hope is gone!" and the song's clincher line, "it feels so good to hurt so bad"

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