Amoeblog

Composer Carl Stone's Personal Record Collection For Sale at Amoeba Hollywood

Posted by Rick Frystak, October 3, 2014 01:01am | Post a Comment

Carl Stone LP Collection

Amoeba Hollywood has purchased one of the finest record collections that I have ever set eyes upon in my record store days (and that's about 13,870 days)!! Here we have obscure gems aplenty, many I've only seen perhaps once in my life, but here they are, side by side with records I've never ever seen before, and ones previously only legendary. In other words, a wonderful, rare collection!!!

Yes friends, I have negotiated a mutually satisfactory agreement that has allowed Amoeba to obtain the personal record collection of Mr. Carl Stone himself. Yes, THAT Carl Stone, composer and electronic sound artist extraordinaire, 21st-Century cultural icon, and truly a connoisseur of recorded sound in the left-of-center areas of many genres, and they are all here in the collection for sale in Amoeba's Hollywood store beginning the weekend of October 11 & 12: Avant Garde, Electronic, Musique Concrete, Experimental, Renaissance, Baroque, Medieval, Classical, New Music, World music, Jazz, No Wave, New Wave, Power Pop, Punk rock, Post-Punk, Industrial, and various "roots" musics.  All are original 1st pressings of mostly small, independent labels with loads of private pressings and imports.

Just, like, two words: mind blowing!!

This array of breathtaking LPs reflect Carl's usual pattern of being dead-center, ground zero, really at the apex of "what's happening" in music, never more true than in the pre-CD days of  this collection...a forward-thinking and quite wide-minded person's...one that doesn't come along very often. Don't think for a second that Professor Stone hasn't been feeding a constant, perhaps life-sustaining hunger to hear for himself the latest, most creatively interesting and challenging music (and in his case, even the sound of a big-piped sports car or machinery), from all over the world and across all genres. I presume he always has, and this collection of vinyl reveals that fact in every liner note and cover spine. Collectors like this are searchers, never quite satisfied with what is, what was, or even what "shall" be, barely trusting word of mouth and the writing on the walls. We collectors shake down anything that could offer that special chord combination, the emotional rush, the personal spirituality button pushed, or a memory bubbling over God-knows-how and why. Often these elusive platters make just a brief appearance in our airspace, only to become a faded memory, "Yeah, I saw that once at Amoeba…", or more likely, a 3 a.m.-tossing-and-turning-I'm-going-back-first-thing-in-the-morning-I-hope-it's-still-there angst-filled moment. Carl looked high, low, in, out and around for significant records. Carl got beaucoup promos sent to him. Carl had people hold things for him. Artists sent Carl their records out of the blue. Carl impulse-bought. Good record labels covered Carl. Carl special ordered records. Carl travelled the world and bought records as meals for his soul.

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(In which we... Wait... Did you hear that? Hold on and AAAAAAAAHHHHHH!!!)

Posted by Job O Brother, October 30, 2012 01:10pm | Post a Comment

witch black cat halloween
"What you should be scared of is Romney's plan for those of us in the working class!"


It’s been just long enough since last year’s Reese’s Peanut Butter Cup hangover to allow me to look forward to another Halloween. Assuming I will have learned nothing from previous celebrations, I’ll undoubtedly be purchasing an extra big bag of candy under the pretence of preparing for trick-or-treaters, knowing full well that, in the five years I’ve lived here, I’ve gotten exactly one caller.

Let me tell you though – that one trick-or-treater made me so excited I gave him three huge handfuls of candy; enough that both he and his mother looked a little concerned; there was almost certainly an after-hours comb-through to search for pins and poison in the hoard I’d bestowed.

I’m digressing here, but why hasn’t anyone invented candy pins? Am I alone in thinking that would be neat?

poison labels
Still better than Necco Wafers!

Every year I assemble folks to watch horror films and eat candy. I don’t yet know what we’ll be watching (last year it was Susperia) but I am ready with a playlist of atmospheric Halloween music, some of which I’ll share with you…

First, nothing fills out a Halloween playlist better than a hearty dose of organ music by the baddest mutterficker of baroque: Johann Sebastian Bach.

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(In which we celebrate the birth of Georg Philipp Telemann.)

Posted by Job O Brother, March 14, 2011 01:55pm | Post a Comment
georg philipp telemann
I'm... too sexy for my justacorps

Today would have been the 330th birthday of one of my favorite composers, Georg Philipp Telemann, if he hadn’t tragically passed away in 1767. What follows here is a brief history of his life which isn’t entirely a made-up lie.

1681–1701: Childhood and early youth

Telemann was born in Magdeburg, the capital of the wild and swinging Duchy of Magdeburg, Brandenburg-Prussia, into an upper-right middle of center just-under-the-yellow-bit class family. His parents were Heinrich “The Tickler” Telemann, deacon at the Church of the Holy Spirit & Wafflehouse in Magdeburg, and Maria Haltmeier, daughter of a clergyman-turned-female impersonator (most famous for his rollicking version of O, Thar’s a Terryble Byrn in Mye Nawty Place which he’d perform while re-enacting the signing of the Treaty of Bakhchisarai in a particularly saucy fashion involving a few busty courtesans, a trained parrot and some offensively-molded birdseed sculptures).

Telemann's father died in 1685, leaving Maria to raise the children, protect them from their grandfather and his birds, and oversee their education. Telemann studied at the Altst├Ądtisches Gymnasium and at the Domschule, where he was taught the catechism, Latin and Greek, and American History (then a very short and easy class). At age 10 he took singing lessons, studied keyboard playing, and learned some tips on how to make perfect pancakes for two weeks with a local gourmet organist. This was enough to inspire the boy to teach himself other instruments (recorder, violin and zither), start composing, and dabble in making his own syrups. His first music pieces were arias, motets, some freestyle rap and instrumental works, and at age twelve he composed his first opera, Sigismundus, a drama which told the story of a young man who was eager to see a woman naked but was thwarted by having acne and a reputation at school that he was a “total fag.” The opera was not a success.

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The Radio Geek's Guide to American Public Radio

Posted by Eric Brightwell, July 9, 2010 05:00pm | Post a Comment
I recently saw a petition to get the US government to fully fund PBS and NPR. Now, I'm sure the writers of this petition have nothing against other public radio producers, NPR's competitors Pacifica, PRI and APM. All compete for airtime against each other and locally produced material, as well as foreign public radio producers BBC and CBC. What they have in common is that they rely primarily on listener support rather than commercials.


Commercial radio station WYNX's Bill McNeal on behalf of Rocket Fuel Malt Liquor™

I tend to hate metonyms. To the displeasure of many, I don't call all soda Coke, nor do I call facial tissues "Kleenex," all brands of gelatin "Jello," nor all adhesive bandages "Band-aids." If that makes me a bit like that annoying guy from "The Velveteen Touch of the Dandy Fop," then so be it. I also hate that that sketch's title incorrectly synonymizes "dandies" and "fops" but I'll save that rant for another blog.

Pacifica's Amy Goodman  Car Talk
                  Pacifica's Amy Goodman                                            NPR's Tom and Ray Magliozzi

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"What I like to hear blow," Job says.

Posted by Job O Brother, January 25, 2010 04:58pm | Post a Comment
fleetwood mac
Stevie Nicks, one of many people not mentioned in the following blog post

Gee whiz, I sure do like sackbuts.

Now there’s a sentence you weren’t expecting! In fact, I’m willing to bet you never once considered whether or not someone would one day write that sentence. As far as that goes, it’s a sentence right up there with, “That’s a lovely cancer you’ve got growing on your blouse,” or “Honey, would you mind moving to Atlantis yesterday?” or even, “That George Bush sure was a fine President.”

Come to think of it, there’s millions of sentences we never expect to read or hear.

But who cares? Not me. So moving on...

I like sackbuts.

I know some of you readers are assuming that “sackbut” is a word that I made up for the express purpose of being silly, which goes to show how little you understand my blog which is NOTHING BUT ABSOLUTELY FACTUAL ALL THE TIME.
Renaissance music

A sackbut is an earlier form of trombone, dating from the Renaissance to Baroque era in popularity. In sound it is similar to trombones, but is more delicate and etheric, though only by comparison.

It was invented by Albern Heißen. Legend has it that Heißen was so vexed at having to hear his neighbor, Ärgerlich Nachbarn (formost cymbal player of Saxony) practice his craft, that he invented an instrument that could rival the cymbal in terms of sleep-ruining. What Heißen didn’t realize was that his neighbor was quite deaf, having lost his hearing after dying from Plague. No matter how often or how loud Heißen would blow his sackbut, Nachbarn continued with his cymbal crashing.