Amoeblog

Lucien Levy-Dhurmer -- Artist, explorer, and autumn son

Posted by Eric Brightwell, September 30, 2013 02:52pm | Post a Comment
Lucien Lévy-Dhurmer was a Symbolist and Art Nouveau artist who was born on this day in 1865. In France, he is still celebrated in some quarters for his work -- which includes paintings, drawings,Lucien Lévy-Dhurmer ceramics, furniture and interior design -- but he remains obscure, especially outside the Francosphere. Even though there aren't any films about him that I know of -- or even any books that I've found -- I'm hopefully wrong. In that case, let me know so that I can add them to this entry and tell fans to seek them out. In any case, he's also a great artist to look at because he was born in autumn, died in autumn, and most of his most recognizable work has a great, autumnal, crepuscular quality which is perfect for viewing as the nights grow longer and summer fades.


CHILDHOOD AND EDUCATION

Lévy was born 30 September, 1865 in Algiers (then part of occupied French Algeria) to Salomon Lévy and Pauline-Amélie Goldhurmer. In 1879, when he was fourteen years old, Lévy began studying drawing and sculpture at École communale supérieure de Dessin et Sculpture in Paris. He first exhibited in 1882 at the Salon de Paris, where he showed a ceramic piece, La Naissance de Vénus, d'après Cabanel -- a reference to painter Alexandre Cabanel). 
A Iridescent and Lustre Earthenware Vase by Lucien Levy, circa 1887
EARLY CAREER 


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Kay Nielsen - Artists in Film

Posted by Eric Brightwell, January 16, 2010 04:00pm | Post a Comment
Kay Nielsen
Kay Nielsen
was a Danish illustrator and key figure of the golden age of illustration. His art evinces the influence of ukiyo-e heavy Utagawa Hiroshige as well as Art Nouveau master Aubrey Beardsley. However, his synthesis was his own-- an instantly recognizable, highly ornate, fantastical world of pastels and light.
East of The Sun West of The Moon, old tales from the North
Nielsen was born March 12th, 1886, in Copenhagen, Denmark. His father was the director of the Royal Danish Theatre. From 1904 till 1916, he studied art in Paris and London. His first professional work was providing the illustrations for In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch, first published in 1913. He returned to Denmark in 1917 where he collaborated with Johannes Kay Nielsen Twelve Dancing PrincessesPoulsen in painting stage scenery at the Royal Danish Theatre. After his theater work, he returned to illustrations, providing them for several collections of fairy tales.
In 1936, Nielsen was commissioned to provide stage art for a performance of Max Reinhardt's Everyman at the Hollywood Bowl. In 1938, Poulsen died, and the following year, Nielsen and his wife, Ulla, moved to California, where he found employment at Walt Disney. There he served as art director for the “Night on Bald Mountain” and “Ave Maria” segments of Fantasia. East of the Sun West of the Moon

Folies Art Nouveau

Posted by Whitmore, March 26, 2009 07:19pm | Post a Comment


Well, let the looting, pilfering and ransacking begin at Metro stations across the ville de Paris.
 
At Christies this week a cast-iron entrance rail to a Paris Metro stop from the early 1900’s sold for $27,500 at auction. The Art Nouveau remnant of the Paris subway system was originally expected to bring in only about $9,000.
 
Standing more than 4 feet high and almost 5 feet wide, more than 140 of these Metro guard rails were built around 1900. Though most have not survived, a few reside here and there and in museums around the world, including New York's Museum of Modern Art. There is actually only one complete surviving Art Nouveau edicule in the Paris Métro located at The Porte Dauphine station. All these entrance signs and railings and stations were created and designed by the architect Hector Guimard (1867 - 1942), who was also renowned for his design of the Pavilion of Electricity at the 1889 World's Fair in Paris and his 1913 design of the Synagogue de la rue Pavée à Paris.

Today Guimard is considered by many as the most prominent representative of the French Art Nouveau, but during his lifetime his fame and critical appreciation was short lived. By the onset of World War One his reputation and commissions had already started to fall by the wayside. By the time of his death in 1942 in New York, he had been forgotten. 
 
Christie's did not release the name of the winning bidder.