Chelsea Wolfe released my favorite album of late with Unknown Rooms: A Collection of Acoustic Songs. True to its name, it’s a spare set of darkly beautiful tunes with little more than Wolfe’s voice, acoustic guitar and strings, offering a sound that’s at once hollow and spilling over with emotion. Wolfe spoke with me a bit about her latest album before her performance at Amoeba Hollywood Sunday Oct. 21 at 5 p.m.
PST: Why give the album a subtitle like “A Collection of Acoustic Songs”? Did you want to be honest about what to expect from the album, and did you worry that that would set up assumption about what the album would sound like?
Wolfe: I added that because the songs span a period of years; some were written five years ago, and some I wrote very recently for the album. I had planned on releasing a collection of recordings from the past, orphaned songs that I never released on an album, but I found myself writing new acoustic songs, so I decided to do new recordings of the older songs as well and approached them in a new way. I chose the songs I felt would live well together in this home of an album.
PST: I should say I think it’s your best album yet! Was part of the reason in stripping down the music to allow the quality of the songwriting and performances to come through clearly?
Wolfe: Thank you. I don't think about things like that, to be honest. I wanted to get back to my roots a little bit maybe. I love rock ’n’ roll, but I also have this folk side to me, to my music, and it was really a good time getting back into it. I look forward to touring with these songs, it will be a very different energy than how I've been playing the past couple of years.