|Photo: Aida Daneshvar Photography|
The new album by byrdsol (aka Burgess Tomlinson) takes the artist’s electronic sound and infuses with a healthy dose of folk heart, giving pierreponte an intriguing duality. On one hand, the music is put together by digital means, beats are introduced halfway through songs and acoustic strums are cut up and mended, yet Tomlinson’s breathy croon and bedroom composition style keeps the music grounded and connected.
The album is currently available as a download exclusively on Amoeba.com, while Tomlinson has started an indiegogo campaign for a physical release. I took a minute to catch up with Tomlinson, who currently works at Amoeba Hollywood, about his latest release.
How long have you been making music?
Most of my life. I guess I got serious in 9th grade. The music director at my high school put the budget to good use. He built a complete midi studio with an Ensoniq sampling, sequencing, keyboard workstation, and a few now vintage drum machines. You were allowed to sign up for time blocks on your breaks or lunch, as long as you were involved in at least one music class, which I was for four years. I was also taking piano lessons at home and playing a few Casio-type keyboards my dad got me way into the nights. In 10th grade my friends and I started a band called Swirl, in a music-friendly basement. We recorded thtree songs in a local studio and played some extremely high profile arcade gigs at the local mall.