Catalonian teen quartet Mourn makes a passionate racket on their debut album. Singer Jazz Rodriguez Bueno channels PJ Harvey with her raspy delivery and more cutting lyrics on tracks like “Dark Issues,” or a young Siouxsie, on the way she can play with emotions but still bring a smile to your face, on songs like galloping opener “Your Brain is Made of Candy.” Her band keeps things terse, inspired by the likes of Nirvana and The Ramones, yet their clean guitars and neat grooves on standouts like “Philliphius” and “Otitis” suggest wisdom beyond their years. A handful of tracks read as more juvenile alt-rock exercises, yet Mourn also never loses momentum, bashed out with a live-tracked, Steve Albini feel and the animated precision of off-the-cuff ideas rehearsed and captured in one raw take—Bueno’s wail at the end of bonus track “Boys Are Cunts” feels both visceral and well-timed. It’s an incredibly promising debut that puts our faith back in so-called wasted youth.
Out Feb. 17
A Place to Bury Strangers are known for their high-volume shoegaze played with custom-built guitar pedals, but new album Transfixation is said to be more experimental. The first single, “Straight,” sounds a little like Spacemen 3 jamming with Battles, with a frantic beat and strange noises rounded out by Oliver Ackermann’s cool delivery. We’re so down.
Inspired by the reunion of shoegaze greats Slowdive, Amoeblogger Brad Schelden and I have compiled our list of favorite shoegaze albums.
For any who don’t know, shoegaze is a style of music rooted in the noise pop of The Jesus & Mary Chain and dream pop of Cocteau Twins from the early ’80s. In the late ’80s and early ’90s, bands took elements put forth by those bands—loud, distorted guitars, heavily reverbed vocals and emphasis on atmosphere over discernable lyrics—and came up with a new sound, first truly realized by My Bloody Valentine on their classic 1988 album, Isn’t Anything. Shoegaze (or shoegazing) was a term NME and Melody Maker in the U.K. used to describe the visual representation of the sound from bands who rose in My Bloody Valentine’s wake, depicting bands’ apparent lack of movement onstage and propensity to stare down at their numerous effects pedals. The genre hit its heyday in the early ’90s but persists today, with bands like My Bloody Valentine and Swervedriver reuniting and artists like M83 and Diiv using elements of their sound (so-called nu-gaze, but I’ll avoid that terrible term). So with that lengthy explanation, here we go.
Amoeba.com’s growing free downloads section had a ton of great stuff this year. Here are some highlights.
Sufjan Stevens – “Justice Delivers Its Death”
This delicate ballad comes from Sufjan Stevens’ latest Christmas opus, Silver & Gold, Songs for Christmas, though its delicate beauty would fit on any of Stevens’ early, more acoustic releases.
Pissed Jeans – “Bathroom Laughter”
Pennsylvania punks Pissed Jeans’ latest album, Honeys, is due Feb. 12 on Sub Pop. The first taste from the album is a ferocious blast, with singer Matt Korvette scream-talking lyrics quickly as the band bashes out two-and-a-half minutes of hardcore bliss.