Amoeblog

Talent Show: The Creepy Podcast

Posted by The Bay Area Crew, February 17, 2016 06:32pm | Post a Comment

For the Amoeblog's third installment of Talent Show, a place to show off new projects and acts that will The Creepy Podcastundoubtedly change life as you know it, we bring you The Creepy Podcast. If you love to hate and hate to love the user-generated horror ramblings of Creepypasta sites, fanfiction, and the like, you need to follow DJ4AM’s prolific The Creepy Podcast, which both mercilessly skewers and pays homage to this puzzling literary phenomenon. Listen to The Creepy Podcast on Bandcamp or Youtube.

DJ4AM (aka Jason Nevermind, aka Jason Chavez) has been an active DJ and musician for over 20 years. Formerly a member of Octavius and San Francisco indy band Black Fiction, he is currently a member of Dopestyle 1231, The Beta Macs, and Opal Heights. However, for his latest project this life-long cratedigger, storyteller, sound engineer, and aficionado of the obscure sample has funneled his numerous talents into a new and heretofore uncharted format: the comedy horror podcast. DJ4AM sources amateur tales of horror from Creepypasta sites and gives them the MST3K treatment, which is to say he furnishes them with simultaneous running commentary, over his original genius soundscapes. Sometimes he adds special guest readers/commenters to the mix and it feels like you’re trying to watch a movie with your funniest friends. Don’t be surprised if you find yourself jumping in with commentary of your own.

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Hip-Hop Rap-Up, Week End 02.14.14: Top 5, Qbert Galaxxxian Review, 206 Zulu, ILLEST DJ/B-Boy Battles, Valentine's Day Rap + more

Posted by Billyjam, February 14, 2014 07:07pm | Post a Comment


The photo above (as all other pics of show by James Mak of Joysco Studio for the Amoeblog) was taken last night at the Mezzanine in San Francisco with DJ Qbert joined by emcee A-Plus (Souls of Mischief) - one of the several artists that would join the DJ/producer throughout his hour long set that featured artists who appear alongside him on his soon to drop new album Galaxxxian (the rap counterpart to his other new album the instrumental Extraterrestria).  Others included emcees  P.E.A.C.E.  (Freestyle Fellowship), Bambu, Z-Man, and Unity, producer Dan The Automator, and "scratch guitarist" The Genie who like most of the night's guests had collaborated with Qbert. The night, which kicked off at 9pm with a nice hip-hop set from DJ Hard Rich from Thud Rumble, also featured individual sets from P.E.A.C.E. and Bambu (whose 20 minute solo set featured Jus Jones as his DJ), two incredible sets from Qbert's longtime friend collaborator and fellow Invisibl Skratch Piklz (ISP) member DJ Shortkut  who killed it with richly diverse sets that ranged from electro fueled new hip-hop to golden era classics, reggae and new UK garage, plus some nice beat juggling and scratching - including an impromptu quick session with Qbert.

Why We Love Those Sad Songs So Much: Because It Feels So Good To Hurt So Bad!

Posted by Billyjam, July 21, 2011 01:20pm | Post a Comment
 

The Smiths "Heaven Knows I'm Miserable Today"

Why do we love those sad songs so much? What is It with songs that help us wallow in our misery? Those post break up anthems, or songs about loss and depression that just seep of sadness yet draw us like a moth to a flame. Why do people love Morrissey and the Smiths' sad songs about been miserable? Because - like hot tea on a hot day that fights fire with fire - so too do sad songs quell the sadness in our collective hearts. Some say that we like sad songs of others' tales of despair because we can indulge in their suffering from a safe distance. Like in the comic strip above we love/hate those sad songs so much we have to hit replay. "Please Mr Please" don't play B 17. I don't ever want to hear that song again," sang Olivia Newton John on the weepy Bruce Welch & John Rostill penned 1975 international hit - but you know she secretly indulged in hearing B17 again despite the sadness it aroused in her tortured soul.  Of all the pop hits over the past several decades Elton John's Bernie Taupin penned hit "Sad Songs (Say So Much)" sums up our need for sad songs: "It's times like these when we all need to hear the radio.`Cause from the lips of some old singer we can share the troubles we already know. Turn them on, turn them on. Turn on those sad songs when all hope is gone!" and the song's clincher line, "it feels so good to hurt so bad"

AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP 09:19:08

Posted by Billyjam, September 19, 2008 04:20pm | Post a Comment
                                        Ameoba Music Berkeley  Hip-Hop Top Five  09:19:08
Spearhead
1)  Michael Franti & Spearhead All Rebel Rockers   
     (Amer-I Can/Unity One/Anti)

2)  Diplo Top Ranking Santogold (Mad Decent)

3)  The Game LAX (Geffen/Interscope)

4) Young Jeezy The Recession (Def Jam)

5)  eLZhi The Preface (Fat Beats)

The number one selling album at the Berkeley store this week is from the Bay Area's very own veteran political musician Michael Franti and his group Spearhead. Recorded in Kingston, Jamaica and produced by Sly and Robbie, this brand new full length titled All Rebel Rockers is the anticipated follow-up to the acclaimed Yell Fire!, released two years ago on Anti. This new album may not possess that same sense of urgency as its predecessor and hence, takes a little longer to get into, but All Rebel Rockers is still a very good album. (Yell Fire! is a hard one to top because it was so powerful a release.) Naturally, with Sly & Robbie at the controls, it has more of a reggae feel than the other genres it incorporates (mainly hip-hop and soul). 

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BILLY JAM'S WEEKLY HIP-HOP ROUND UP: 6-6-08

Posted by Billyjam, June 6, 2008 08:30am | Post a Comment

Sadness struck both Amoeba and the local Bay Area hip-hop community this week with the tragic passing of the much-loved Anthony Marin (aka Big Ant) who, at the young age of 37, died of heart failure last weekend. 

A DJ/producer and multi-instrumentalist, not to mention an incredibly knowledgeable musicologist, Big Ant had been a fixture on the local hip-hop scene for many years -- ever since he moved north from LA in the nineties. Before working at Amoeba SF he had worked at Tower Records in the South Bay and Cue's in Daly City.

If you were into the local DJ or hip-hop scene you would have seen Big Ant over the years at countless events. A large framed man with a warm hug and a winning smile, plus an unbridled knowledge of all types of music (far beyond hip-hop), he had DJ'ed all over, played damn near every instrument it seemed (including guitar/drums/keyboards in Black Fiction - the experimental rock band he was a member of along with fellow Amoebites Jason Chavez and Tim Cohen), and was a ham at Karaoke.  This evening, Friday June 6th, from 5PM to 9PM, those who knew this great man will gather in his honor at Milk, which is directly across the street from Amoeba on Haight St.

For more in depth tributes to Big Ant, visit 4AM/Jason Chavez's MySpace or the text/photo dedication to him on the homepage of the Amoeba website, where Jason Chavez, his best friend, wrote so poignantly: "The best lesson he taught me is the lesson that every loved one that passes teaches us, that we are all still alive and we need to live, love and find our purpose and passions for ourselves and our passed loved ones who are watching us and guiding us towards our destinies. Everyone stay up, he'd want us to."   R.I.P. BIG ANT.

AMOEBA MUSIC SAN FRANCISCO HIP-HOP TOP FIVE (6.6.08)

1) J-Live Then What Happened? (BBE)
2) TOPR The Marathon of Shame (Gurp City)
3) Giant Panda Electric Laser (Tres Records)
4) Subtle Exiting Arm (Lex)
5) The Cool Kids The Bake Sale (Chocolate Industries/A&M)

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