Amoeblog

Spotlite on Paul Anderson

Posted by Eric Brightwell, June 27, 2008 09:04pm | Post a Comment

Background

Paul Anderson is a prolific Generation X filmmaker with a trademark style and five Academy Awards under his belt. He's also made music videos for everyone who's performed at Largo. In addition to his film-making, he's dated models turned singers, singers turned models, daughters of singers and models who only sing in the shower.

Style

Paul Anderson's films are notable for their flashy style and complicated, interweaving story lines. As one of the video store generation of filmmakers, he employs a large bag of cinematic tricks, including quick cuts, constant camera movement, stunning scenery, dutch tilts, low angles, high angles and revolving pullback shots-- tricks gleaned from growing up with a VCR rather than film school learning. He frequently employs female-led ensemble casts drawn from a stock of trusted actors. Making up that group are such players as Julianne Moore, Sean Pertwee, John C. Reilly, Colin Salmon, Phillip Seymour Hoffman, Jeremy Bolt, Melora Walters, Jason Isaacs, and Luiz Guzman, to name a few.

Themes

Anderson's ostentatious style is frequently used to elevate the seemingly mundane to epic proportions. Sometimes the point of this ostentatious streak seems merely like showing-off, perhaps an effect of Anderson's high level of film exposure but probable lack of theory. He frequently revels in the seedy underside of outwardly blissful environs. Other frequently recurring themes include constructions and examinations of makeshift families, the role of media, divine acts, secret governmental organizations and the unintended consequences of technology run amok.

Films

He made his first film while still in High School. It was The Dirk Diggler Story. It was a short mockumentary inspired by the teenage Anderson's voracious appetite for porn.

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20th Anniversay of the Second Summer of Love -- Madchester and the Baggy Explosion

Posted by Eric Brightwell, June 12, 2008 09:00pm | Post a Comment

The Second Summer of Love

It was 20 years ago today (well, this coming summer, which is just around the corner) that what was known as The Second Summer of Love occurred. England's youth fell in love with Ecstasy, which they combined with a taste for Chicago House Music and the results made history. As is often the case, the fashions of 20 years ago (in this case, the 1960s) became fashionable again. Tye dye and peace symbols abounded on teens around the world. Thousands of people started attending massive Acid House raves. A feeling of pacifistic and environmental optimism swept much of the planet (or maybe that was just my teenage outlook). The Factory label's Hacienda nightclub featured DJs and bands which mixed disco, house, hip-hop, electro and indie rock. Soon, other northern clubs followed their lead, such as Boardwalk, Devilles, Isadora's, Konspiracy, House, Soundgardens, Man Alive, The International, Bugsy's and The Osbourne Club. And the hooliganish Casuals tuned in and begat Acid Casuals.

Madchester, So Much to Answer For

Half a world away in Columbia MO, I used to listen to KCOU, which would play lots of Acid House and Belgian New Beat. It was the first contemporary music that I was into as it was happening. My parents only played soul, bluegrass, jazz and classical records. Then I discovered the Doors, T Rex and the Beatles through the radio. And after discovering College Radio, a new world opened up. I would dance (in private) on the hearth in the living room to these strange, new sounds and hope that my mother wouldn't ask what the hell that stuff was all about because I couldn't really explain its hold on me, although it's debt to my beloved Kraftwerk was evident. Our exchange student, Alexis Poul, found an Acid House button at JFK which was, of course, a smiley face with the words "acid" and "house" printed on them. Alexis told me that all anyone listened to in France was house music. And when I went there, in '89, it was true. Even the buses played house.

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Grebo -- Spotlight on the spotty

Posted by Eric Brightwell, March 28, 2008 11:57am | Post a Comment
Grebo was the name given to a short-lived music scene/subculture in the late 1980s/early 1990s which was centered in England's Midlands region. Key bands in the scene were Pop Will Eat Itself, Ned's Atomic Dustbin, Carter USM and The Wonderstuff. Other bands associated with Grebo to varying extents include The Levellers, Zodiac Mindwarp, Crazyhead, The Bomb Party, The Hunters Club, Scum Pups, Gaye Bikers on Acid, The Senseless Things, Mega City Four and New Model Army. These musically diverse bands on the surface had little in common with one another but were united in their incorporation of (to varying degrees, given the band in question) musical influences taken from many of the more marginal scenes of the day such as heavy metal, alternative, dance, glam, hip-hop, punk and industrial. Though rarely, if ever, termed Grebo; Jesus Jones and EMF applied a strong pop sensibility to an undeniably Grebo-esque formula which carried them to considerable, though short-lived, heights.



Still, where there is little recognizable commonality to the musicologist, there is an undeniable vibe evident in their attitude, sartorial sense and Chaz's Grebo dance, which the subcultural anthropologist can recognize easily. The Grebo look often involved dreadlocks, topknots, crimped hair or otherwise unflattering, grubby coifs. The clothing often saw long-sleeved lumberjack shirts or Ts combined with shorts and heavy boots.  Skate brands and surplus were often topped off with odd hats which were popular in the early 1990s and will prove an essential, if unflattering, ingredient in any upcoming 90s revival. The result was deliberately ugly, comical and political, in keeping with most of the music.

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Crime & The City Solution and Simon Bonney -- Criminally Underrated

Posted by Eric Brightwell, February 21, 2008 10:51pm | Post a Comment
CRIME & THE CITY SOLUTION

Crime & the City Solution 31 December, 1977
Crime & the City Solution 31 December, 1977 (image source: Phil Turnbull)

It seems that almost from their inception the band Crime & The City Solution they were cursed to never be spoken of without a mention of famous Australian Nick Cave. It's really no one's fault. They were part of a incestuous web of musicians with frequent Nick Cave collaborator Mick Harvey at the center, a man who though a talented multi-instrumentalist, can only play one one band at a time, resulting in other pursuits being put on hold whilst he focused on his main gig.

Crime & The City Solution formed in Sydney, Australia in 1977. Their original line-up included vocalist Simon Bonney (the band's only permanent member, fresh from a brief stint with The Particles), Don McLennan on drums, Harry Zanteni on guitar, Phil Kitchener on bass and Dave MacKinnon on soprano and tenor saxophones. Simon Bonney, whilst born in Sydney, had spent some time on his family's remote farm in Tasmania where his they grew wheat, barley and opium poppies.

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Happy Australia Day

Posted by Eric Brightwell, January 26, 2008 09:23am | Post a Comment
  
The Flag of Australia                                             The Australian Aboriginal Flag        The Flag of Torres Strait Islanders


Australia was discovered about 45,000 years ago when they either walked or made short sea-crossings from Papua to the north in what is now the Torres Strait. In Australia they grew into diverse cultures with around 250 languages spoken by nations such as the Koori, Murri, Noongar, Yamatji, Wangkai, Nunga, Anagu, Yapa, Yolngu and Palawah, who together may've numbered around 3 quarters of a million.  43,830 years later (give or take a few thousand) it was claimed, like a quarter of the planet, by the tiny, faraway island of Great Britain.


   
Initially, it served as a penal colony set up at Port Jackson on January 26, 1788, which is why it's Australia Day today. 50% of the indigenous population died from smallpox within the following years. Massacres and land seizures reduced the indigenous population another 30%. Often the convicts sent to Australia were charged with minor offenses. In the 1850s, the Gold Rush began and with it, an Americanization of the language. For example, "bonanza" (borrowed from Spanish) became "bonzer." By 1827, Australian English was already diverging significantly from British English. Author Peter Cunningham noted a distinct vocabulary and a non-rhotic accent that owed heavily to Cockney. It is typically divided into three accents which owe less to region than UK English or US English.

      Broad: Exemplified by larrikins Paul “g’day mate” Hogan, Steve “crikey” Irwin.
      General: The typical Australian of Cate Blanchett, Russell Crowe and Nicole Kidman.
      Cultivated: The British-sounding manner of Geoffrey Rush or Judy Davis.

None of the examples above probably say "shrimp on the barbie" since "shrimp" are called "prawns" in Australia.
     
Most of the wildlife and plant life is endemic. It's the flattest country on Earth, mostly desert and covered with the least fertile soil. It seems like wherever you go in the world, you run into loads of Australians. Luckily, they all have multizone DVD players.

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