Amoeblog

(In which it's all about Eve.)

Posted by Job O Brother, March 11, 2013 04:04pm | Post a Comment
vintage radio ad
All the cool kids are doing it.

Proving once and for all that I have my finger on the pulse of what youth today really want, I’m continuing my list of favorites from the so-called Golden Age of Radio. You older, out-of-touch squares can stop reading now and go listen to punk rock or trip-hop or whatever it is seniors are into these days.

Now that the fogeys are out of the (metaphorical) room, read and listen on...

Let’s consider a comedy, namely, Our Miss Brooks.

our miss brooks

Premiering in 1948, Our Miss Brooks was an immediate success, garnering awards and a loyal fan base for its lead actress, Eve Arden.

People don’t speak of Eve Arden as much as her talent warrants. She had fantastic comic timing, capable of evoking laugh-out-loud moments with a single, monosyllabic word.

eve arden

Our Miss Brooks has flimsy, unimaginative plot-lines, and you’ll never listen to it because you “can’t wait to find out what happens next.” The show is great because the cast is great, and Eve Arden delivers punch-lines with such wry deftness, it’s as if Touchstone from As You Like It has been reincarnated as a public high school teacher.

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Herman Stein - Architect of the Sound of Science-Fiction

Posted by Eric Brightwell, August 19, 2012 07:45am | Post a Comment
Composer Herman SteinThough his name isn’t widely recognized, Herman Stein was a very influential American composer. Though he composed hundreds of film scores, he was most influential in for his work within the genres of horror and science-fiction. Some of his most recognized scores were created for Creature from the black lagoon, The incredible shrinking man, It came from outer space, Love slaves of the Amazons, The Mole People, The Monolith MonstersRevenge of the Creature, and This island EarthTarantula.



Herman Stein was born 19 August, 1915 in Philadelphia, Pennsylvania. He began playing piano at the age of three and made his concert debut when he was six. Reportedly he was almost entirely self-taught, having spent many hours studying scores at his local public library.
He became a professional arranger when he was 15. In the 1930 and ‘40s he arranged for bands, including those of Blanche Calloway, Bob CrosbyCount Basie, David Rubinoff, Don RedmanFred WaringGus Haenschen, and Red Norvo. He also composed for radio programs, cartoons and commercials, as well as absolute music like 1967’s A sour suite.


For Ozoners Only -- On this day, in 1933, the first drive-in theater opened

Posted by Eric Brightwell, June 6, 2012 11:22am | Post a Comment
THE FIRST DRIVE-IN

Ad for Hollingshead Drive-In's opening night
An advertisement for the first Drive-In 

The first drive-in theater opened on 6 June, 1933 at 2901 Admiral Wilson Boulevard in Camden, New Jersey. It was the invention of Richard M. Hollingshead Jr, who'd began screening films outdoors at his home with a 1928 Kodak projector sat on the roof of his car. He applied for a patent for his "invention" on 16 May, 1933. The feature film shown at his theater was the British comedy, Wives Beware.

Hollingshead's Drive-In Theatre Camden, New Jersey
The world's first Drive-In Theater

Before long, drive-ins, or automobile movie theaters, were opening in other states. California's first drive-in was the Pico Drive-In at 10850 W. Pico Boulevard, which opened  West Los Angeles in September, 1934. It was demolished in 1947 and was replaced by the Picwood Theatre in 1948. The Picwood closed in 1985, was demolished and replaced with the Westside Pavilion -- which includes the Landmark Theatre.

Happy Birthday, The Whistler! - rated by independent research the most popular West Coast Program in radio history

Posted by Eric Brightwell, May 16, 2012 12:25pm | Post a Comment
Adventures of the Lone RangerMy introduction to old time radio was listening to a 1957 Decca 12” The Adventures of the Lone Ranger that my dad presumably procured as a child. As a kid growing up in the 1980s, I don’t think I ever made the connection that the album’s tracks were old radio episodes… I don’t think I even knew about radio dramas until I think I became vaguely aware of – but not interested in -- The Shadow sometime later.

It must’ve been around 2000 when I was hanging out with my friend Josh Beckman one night and he excitedly turned his radio on and dialed in to AM 1260 KNX to catch The Whistler. I’d never heard ofThe Whistler before but Josh was obviously a fan and whistled the Whistler’s theme as the program began. I listened and was entertained and surprised at how much more mature the story was – having previously assumed that all old time radio consisted of nothing but adolescent serials.

*****
Signal Gasoline

The Whistler debuted on CBS on 16 May, 1942. For most its run it was sponsored by Signal Oil Company, an oil company founded in The Harbor’s Signal Hill community. Regular fans from any era feel their ears prick up when they hear the sound of clicking shoes, the haunting, whistled theme and the announcement, "That whistle is your signal for the Signal Oil program, The Whistler.”

San Francisco's "Russian Embassy" is a House of Legends

Posted by The Bay Area Crew, April 30, 2012 02:45pm | Post a Comment
house of legends russian embassy fulton street alamo square Some know San Francisco’s Westerfeld Mansion as the “Russian Embassy,” the site of an infamous brothel run by Czarist Russians in the 1920s. Some know it as a ramshackle boarding house for Fillmore district jazz performers of the 1950s. Most remember it as the magical crash pad of 1960’s counterculture luminaries that inspired Tom Wolfe, Janis Joplin, Ken Kesey, Anton LaVey, Bobby Beausoleil, and Kenneth Anger alike to fly their freak flag from the turrets of this Victorian palace.

For all of us who have wanted to know what mysteries Invocation of my demon brother kenneth anger house of legendsare contained within the walls of this Alamo Square manion, F for Fake Pictures brings you House of Legends, a feature-length documentary that explores the making of a legend by investigating the history and the myths behind San Francisco's Historical Landmark #135. 123 years in the making, the Westerfeld Mansion has a brilliant story to tell through many of its famous, infamous, and colorful inhabitants and visitors over the past 12 generations.

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