Amoeblog

Music History Monday: February 23

Posted by Jeff Harris, February 23, 2015 10:14am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: February 23, 1968The Dock Of The Bay, the sixth album by Otis Redding, is released. Produced by Steve Cropper, it is recorded at Stax Studios in Memphis from July 11, 1965 - December 8, 1967. The first posthumous release from the legendary R&B vocalist features tracks from his final recording sessions cut just two days before his death, combined with unreleased material that dates as far back as 1965. The album also includes the hugely successful title track "(Sittin' On) The Dock Of The Bay," which will become a posthumous number one single on the pop and R&B singles chart in March of 1968. The Dock Of The Bay will spend three weeks (non-consecutive) at number one on the Billboard R&B album chart, peaking at number four on the Top 200, and is certified Gold in the US by the RIAA.
 


On this day in music history: February 23, 1980 - "Crazy Little Thing Called Love" by Queen hits #1 on the Billboard Hot 100 for four weeks. Written by Freddie Mercury, it is the first US chart-topper for the British rock band. The song will come to Mercury while taking a bath in his room at the Munich Hilton. Quickly getting out of the bath, he'll run to the piano and begins playing the chords, writing them down before he forgets them. The song will be recorded at Musicland Studios in Munich, Germany during sessions for The Game. Initially, the band's US label Elektra Records, who do not think that the Elvis Presley-inspired rocker will be a hit and don't want to release a single with no album accompany it immediately, will refuse to release it. But they will be forced to when US radio stations begin playing imported copies of the 45 and listener demand for the record becomes too great to ignore. Issued as a single more than seven months ahead of the album, it will become an immediate smash. Entering the Hot 100 at #58 on December 22, 1979, it will climb to the top of the chart nine weeks later. "Crazy Little Thing Called Love" is certified Gold in the US by the RIAA.
 

Continue reading...

My Own Personal Oscar: 11 Best Films of 2014

Posted by Charles Reece, February 23, 2015 02:18am | Post a Comment
Hohum, the Academy Awards are over for the mostly lackluster year of 2014. Here are a few gems, very few of which were celebrated or probably even noticed by those deciding on nominees. In no particular order ...

wild tales poster jesus sotes
Wild Tales - Damián Szifrón

Six short short stories of vegeance that evince a Coen brothers level of comedic tension (recall the classic bag drop off scene from The Big Lebowski, for example). Pure cinematic bliss.


dawn of the planet of the apes che
Dawn of the Planet of the Apes - Matt Reeves

Aside from getting to see apes double-fisting arms on horseback, I loved the atypically depressing political message of this film. No matter how much a few individual apes and humans might strive to get over interpersonal problems, that doesn't mean shit in the overall scheme of things. For once, a Hollywood film portrays the problem of structural difference (the unbridgeable otherness of ape culture to what's left of humanity) instead of pasting some subjectivized problem over the gap that allows for a pat narrative resolution (more often than not in the form of a loving relation or the superhero's coup de grâce to the face).

goodnight mommy poster
Goodnight Mommy - Severin Fiala, Veronika Franz

This film has the most agonized scream I've encountered since the beginning of Cries & Whispers. A parable for contemporary times that asks how much plastic surgery can a person have before she becomes someone else. Twin sons spend the duration of the film brutally experimenting on their mother to answer that question. Obviously, this one cuts too deep for the aging Academy. Skip the overhyped Babadook, Goodnight Mommy is the only dyadic familial horror film that matters.

Continue reading...

Today KPOO Set Up Their Signal To Broadcast Live From Amoeba San Francisco

Posted by Billyjam, February 21, 2015 02:00pm | Post a Comment
Today at Amoeba San Francisco will be three of KPOO FM radio's DJs doing live sets as part of a unique remote broadcast of the beloved longtime independent, community San Francisco radio station out of the Haight Street store. These DJs, each presenting totally different musical styles, will be DJ X1DJ Jose Ruiz, and DJ McSchmormac - the latter whose show is described as one in which he explores the "origins of recorded music with recordings from 1900 to 1950."  It's just one example of the non-stop schedule of excellent programming on KPOO. I caught up with one of the three KPOO DJs at Amoeba today's in-store remote broadcast DJ McSchmormac (host of popular weekly radio show Gramaphoney Baloney that airs Monday 4pm to 6pm)  as to what we can expect from today's Amoeba in-store? "An unpredictable intercontinental multi-genre  mix of recordings dating from 1950 or earlier," is what the DJ of pre-digital/pre-vinyl older formats said we can expect during his unique set today.


DJ McSchmormac 's Top 3 Favorite Recordings of all time
  
1: Powerhouse - Raymond Scott Quintette
 
2: Dance Of The Octopus/In A Mist - Red Norvo Quartet
 
3: Dark Was The Night - Blind WIllie Johnson

Continue reading...

Hip-Hop Rap-Up: Mainstream News Continues Tradition of One-Sided Reporting + more

Posted by Billyjam, February 20, 2015 10:50am | Post a Comment

This has been one of those weeks when hip-hop news and mainstream news have repeatedly overlapped and melded together with stories on Vanilla Ice, Nicki Minaj, Afroman, and the state of hip-hop today as seen through the eyes of Geraldo Rivera all made front-page news - albeit all in a sensationalist way as per the course of mainstream news' reporting on the genre. The difference between now and say 1989 or 1992 when stereotypical "Violence At Rap Show" styled TV and newspaper headlines were the norm is that nowadays mainstream news reports tend to call it "hip-hop" rather than "rap" and that they (correctly) assume that the general public knows the names of the artists they are reporting on. Mind you, in terms of delving deep into said artist's music beyond a mere mention of their biggest pop hits, nothing has really advanced much in lazy mainstream reporting (editorializing?) on hip-hop in which the music typically is judged on negative generalizations.

Mainstream reporting and editorializing on hip-hop tends to be based on the music and behavior of the most visible pop-rap artists of the day - rather than a realistic look at the rich, varied, and incredibly diverse genre that is hip-hop in 2015. This lazy type of journalism, that paints a picture of everything about hip-hop falling under its most negative stereotype of being nothing but a soulless music filled with nothing but shallow imagery of misogyny and violence and debauchery, was most evident with Geraldo Rivera speaking to HuffPostLive this week when Rivera shared this insightful gem of his: "Hip-hop has done more damage to black and brown people than racism in the past ten years" due to, in his eyes, it been "very destructive culturally" and blaming the music of hip-hop for young fans/followers of the genre wearing "pants around their ass" and sporting "tattoos" and being ready for only "entry level jobs" when they actually go look for work. Say what! Of course coming from someone at FOX News (a place where the blame for police violence against minorities is placed on the victims) this biased, narrow-minded point of view should not be a surprise.   

Continue reading...

Weekly Roundup: Best Coast, Crocodiles, Joel Jerome, Spaceships, Male Gaze, Peach Kelli Pop

Posted by Billy Gil, February 20, 2015 10:04am | Post a Comment

Best Coast Announce ‘California Nights’

best coastBest Coast will release a new album called California Nights on May 5 via Harvest. Hard to believe this is actually their major-label debut. California Nights follows the SoCal duo’s two critically acclaimed albums, Crazy For You and The Only Place and the 2013 Fade Away EP. They played a surprise show at the Echo this week, but if you missed that, they’ll be back playing shows in their beloved California next month. Hear a snippet of a new song in the album trailer below:

 

Crocodiles – “Crybaby Demon”

crocodilesSoCal’s Crocodiles have released four solid LPs of perfectly scuzzy shoegaze pop, and they’ve now got a new one on the way called Boys, due May 12 on Zoo Music. Boys was recorded in Mexico City, and they say the area influenced them in terms of adding certain aspects of Latin rhythms to their sound. You can certainly hear that bubbling underneath the din of “Crybaby Demon,” with swinging percussion underpinning the organ-and-guitar-based drone and Byrds-ian vocals. We’re definitely excited to hear the rest of Boys. Hear it below via Stereogum.

Continue reading...
BACK  <<  11  12  13  14  15  16  17  18  19  20  21  22  >>  NEXT