Amoeblog

(In which Job gets into a screening and a fight.)

Posted by Job O Brother, May 15, 2007 10:51am | Post a Comment
I have some good news!

My and I sweetheart had our first fight.

(That’s not the good news. Note the paragraph break, indicating a different point; though their coupling is relevant. Therefore, don’t mistake the above sentences as a non-sequitur, per se; except in instances where they may be removed from this paragraph and, as a result, rendered sans context, in which case, y’all can get freaky freaky with your bad self.)

My sweetheart and I went to a media screening of “The Ten”, the new comic, moving picture (or “movie” for short) directed by David Wain and written by David Wain and Ken Marino (both known and loved for their participation of that miracle of radness known as “The State”.)

“The State” was a sketch show that ran for three seasons and launched the careers of many familiar faces that went on to create other hella sweet things: STELLA, Wet Hot American Summer, Reno 911, to name some of the better known.

The film was almost completely entertaining, and even when it wasn’t making me laugh outright, I was never bored. The film, unlike the first two paragraphs in this blog entry (when taken with this, the following elucidation, as before explained) is chock full of non-sequiturs and basic silliness, which I like a lot.

I like that kind of humor a lot.

Like, more than just friends.

Anyway, sometimes there’s a lull in the pace or mood as a means of creating a sudden tension or bring everything to a heightened sense of surreal anxiety, which I appreciate, but will strike most people as just… not funny, which I also love. It’s interesting to note, too, that the cast is large and has many hotties in it. It is a very sexy cast, and you will have more than one face to crush on.

My only actual complaint is one of the actors. I won’t say who, because I’m about to have brunch with them before we go to our Kabalaties Class (that’s combination Kabala study and Pilates work-out for those who aren’t insane), and I don’t want to spend the whole time we’re enjoying our #4 Special (wheat-grass colonics with lychee-scented oxygen tanks, served with a Thetan-cleansing aura douche and sweet potato fries) with me defending my blog. The actor in question is very famous, loved by many and, in my opinion, a terrible actor. Another good reason not to say who it is: because you may not share my disfavor and therefore have no problem with them, and you don’t need me making you feel all self-conscious because you have no taste.

Shameless Self-Promotion - ¡de volada! @ 2nd Street Jazz 5/17

Posted by Gomez Comes Alive!, May 14, 2007 11:05pm | Post a Comment
For those of you who enjoying kickin' it in a club, listening to DJ's spin good music while you get your DRANK on, have we got a club for you!

May 17th is the first ¡de volada! night at 2nd Street Jazz in beautiful Little Tokyo with three impulsive DJ's playing whatever they feel.

DJ La Luz (Lucas Brause) spins some great jazz, all types of Brazilian music, Boogaloo and Funk. He has a great show on 88.7 KSPC called Bright Moments. La Luz is starting to add Salsa and Cumbia to his repertoire, so as they say, Watchale!
                                                                        DJ Pan Dulce is Pati Garcia, who also has a show on 88.7 KSPC called Panaderia. Pan Dulce plays a mixture of Hip-Hop and Reggae En Español, Sonidero and Funk Carioca. Then she hits you with some of the old school Debbie Deb and Joe Bataan jams. You can take the girl out of Baldwin Park, but you can't take the Baldwin Park out of the girl.

As for Gomez Comes Alive??? hmmm... I like my Salsa and Cumbia, but I never mix them together. I keep them separated like two rabid pit bulls waiting to attack each other. I also like my Reggae and I love me some Old School Chicano jams, especially if it involves a Hammond Organ.

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coming out today...5/15...rufus wainwright...

Posted by Brad Schelden, May 14, 2007 09:29pm | Post a Comment
Today is the release day of the new album "Release the Stars" by Rufus Wainwright. This is his fifth album. Rufus comes from one of those crazy music families just full of crazy talent. It kind of makes me a little jealous. His dad is the great Loudon Wainwright III and his mom is Kate McGarrical. His sister, Martha, is also a musician. His first self titled album came out in 1998. I have to admit that I first got into Rufus when I found out that he was gay. Even today, very few musicians actually admit to being gay. Especially when starting out in the music business. It took Elton John like 50 years to come out. I felt it was my duty to support him and I was intrigued. But I actually ended up liking his debut album "Rufus Wainwright" quite a bit. Some might find him a bit dramatic but he really does have  a stunning voice.




Although you will have a hard time noticing it, Neil Tennant from the Pet Shop Boys is the executive producer. When I first heard about Neil being involved, I was expecting a very different album. I was sort of expecting a mix of Erasure and Liberace. However, nothing could be farther away from what the album actually turned out to be. It is still a very Rufus album. The album also features Richard Thompson. The Thompson and Wainwright families are often intertwined.  Teddy Thompson, the son of Richard and Linda Thompson, is a good friend and often plays live with Rufus. His new album is brilliant. He really is a great songwriter. He manages to capture a tragic feeling in all his songs even if they seem to be at first happy little ballads. His signature voice carries you through the album and brings you into his little Rufus world. Its hard not to notice his love of the showtunes and the opera. He for sure likes the drama. However, its not done in a mocking way or even a kitschy way. Rufus plays his own piano on most of the songs. Sometimes you might even feel you are at a piano bar listening to your favorite song. But a really good piano bar that you would keep coming back to. He has his own unique style but also manages to create an album that even your grandma might like. Just as long as she doesn't look to deep into the lyrics.

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Thou Shalt Always Kill

Posted by Mike Battaglia, May 14, 2007 10:03am | Post a Comment


While it's quite obviously inspired by LCD Soundsystem, this gem of a single from Dan Le Sac vs Scroobius Pip has wormed its way into my brain and continues to make me chuckle upon repeated listenings/viewings. "Thou Shalt Always Kill" is the best kind of rant: one that is intended ultimately to be beneficial for the listener. Sac and Pip are (presumably) both English, and there are a few references in the tune that non-Britishes might not get, like Stephen Fry, but the rest of this list of commandments applies everywhere - and definitely in San Francisco. Check out the video:




Love that video, especially how it gets more visually clever as the song progresses. While it starts with a couple of cute and slightly cheesy puns like the pedestal, the bit about using music to get into girls' heads then appearing in the woman's thought bubble to tell her "thou shalt not watch Holyoaks", it gets better with the animated map of global inequity and the photocopier running off  "repetitive generic music".

These two seem to be part of the loosely-grouped scene of message-board mashup DJ's, IDM-influenced laptop glitch producers and booty-music afficionados that's been rumbling about since the early days of the century. The single has been quite hard to find but is blowing up iPods virally via the 'net, which is a good place to keep up with these two.  Also of note is that this single is put out by the venerable Lex Records, a Warp-affiliated label that puts out lots of other great music from the likes of Boom Bip and Amoeba's Own Subtle. Lex has been around for a few years now and is worth your time and money, so check them out.

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War Bus Commando

Posted by phil blankenship, May 14, 2007 01:40am | Post a Comment
 





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