(In which Job educates you and also lies here and there.)

Posted by Job O Brother, July 17, 2007 12:06pm | Post a Comment
I’m looking around my apartment (it’s a bachelor, so this doesn’t take much time) at my collections of who’s-its and what’s-its (you want thing-a-ma-bobs? I got plenty) to find something I want to tell you about, in hopes that it will inspire or delight you, as it has me.

Which is awfully presumptuous. I mean, there’s a small chance that you and I don’t have the exact same tastes in everything, right? Maybe you don’t think that “Love & Rockets” is one of the finest works of literature in the history of mankind; perhaps you’d disagree that beholding a Rothko in person can be an emotional experience; mayhap, though this seems ridiculously far-fetched, you might even balk at my pronouncement that both Isaac Albéniz’s operas and “SCTV” are under-appreciated.

My idea of a chick-flick. No. 14, 1960, by Mark Rothko

But I digress. Life is confusing and challenging enough without entertaining the idea that you and I might be different. The best course of action is to assume we’re on the same page, and that the only real difference between us is that you don’t know about some of the stuff I do, and my job is to tell you about these things, so you can rush out and discover them. D’accord?

I’ve been employed by Amoeba Music Hollywood for nigh three years. For the first year, I worked full time in the classical music section. This was a valuable opportunity to further develop both my collection and knowledge of the genre. (For instance, I learned that the piano is actually played with hands, and that Mozart wrote most of his music during his lifetime!)

My tastes in classical music are broad. I’m particularly fond of British music of the Victorian era, modern Scandinavian composers, German lieder, and most Baroque music, especially if it involves woodwinds. I’m not a fan of Mozart, except for his operas which are some of my favorites; I detest Chopin and die a little inside when a customer asks me for advice on which recordings of his music to buy; Russian romantics leave me wanting and Anne Sofie Von Otter’s 1993 recording of songs by Edvard Grieg makes me rock out with my cock out.


Posted by Billyjam, July 17, 2007 11:35am | Post a Comment
It's a long time since her last big hit. Six weeks or even more -- a long time in this digital age -- when Obama Girl arrived via YouTube with her sexy video "I've Got A Crush On Obama" that, while not endorsed by Sentor Barack Obama's office, it wasn't unappreciated by any means. The pro-Obama video got 2.3 million YouTube hits. That's way more than any Billboard hit single sells these days! It's also some of the cheapest publicity a presidential candidate can get. The new video, which debuted on YouTube just yesterday has, as of noon today (7/17), received about 160,000 hits, and looks well set to gain as many viewers as its predecessor -- or likely even more. Especially since the new vid ups the ante both in content and controversy: this time taking on rival Rudy Giuliani. The new video, seen below, is entitled "Debate '08: Obama Girl vs. Giuliani Girl" and features model Adelna Kristina playing  Giuliani Girl part opposite Amber Lee Ettinger and her crew representing Obama.

coming out today 7/17...editors...the knife...

Posted by Brad Schelden, July 17, 2007 12:50am | Post a Comment
Out today is the new album from the Editors. It was nice of them to wait until the week after the release of the new Interpol. It is easy to compare the two and I could imagine many getting them confused with each other. Just like when people were looking for the new Interpol album after they heard "She Wants Revenge" for the first time. However, I think "She Wants Revenge" were just cashing in on a current trend in music. After all, they were a hip-hop band right before becoming another post-punk rip off band. The Editors seem a bit more sincere and more of a real band to me. So although the similarities to Interpol are definitely there, the Editors are just about good enough to stand on their own.

"The Back Room," the first album from this Birmingham, England band came out in July of 2005. It was not until almost a year later that the album came out in the U.S. The label decided to make the transition a bit quicker this time. There were only a couple weeks between the U.K. import and the domestic release of the new album "An End Has a Start." I have to admit that I am a big fan of bands putting their entire new album up on their myspace page. I always feel like bands have something to hide when they don't let their fans hear their new album. Fans these days are not like they used to be. I would always just go buy albums before I even heard them. But the internet has made it so much easier to check out the albums before you buy them. And of course, you can listen to the albums at those listening stations in record stores as well.

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Horror House On Highway 5

Posted by phil blankenship, July 17, 2007 12:19am | Post a Comment

Simitar Entertainment 7369


Posted by Billyjam, July 16, 2007 02:30pm | Post a Comment

For a long time the New York Times has cost one dollar-- just a dollar, whether purchased in New York City or a newsstand in California. But the price of today's (7/16) edition of the New York Times, which coincidentally seemed slimmer than usual, went up in price by a quarter to $1.25 -- which is still good value because it's a great newspaper (despite some faults) that does a thorough job and covers topics that others do not, and has been doing so since 1851 -- winning more Pulitzer Prizes (95) along the way than any other American news journal.

But regardless of its historic legacy, like all newspapers across the US today, the New York Times is also feeling the economic fallout of the new digital age in which advertisers are increasingly taking their dollars elsewhere, and news and information seekers are going online in increasing numbers.  Simply put: people don't read newspapers quite like they used to. In a recently published study entitled "Young People and News," reported coincidentally in today's New York Times, findings showed that only 9% of teenagers surveyed read a newspaper every day. Meanwhile 18 to 30 year olds rated higher, with 16% of those surveyed daily newspaper readers.

Recently both the San Jose Mercury News (long considered among the country's finest newspapers) and the San Francisco Chronicle laid off a chunk of staff. They had no choice: the economy ruled, and journalists lost jobs. But the tragedy is that with these investigative reporters gone, or going, so too is good journalism. The idea of the traditional city newspaper office, filled with reporters who go out with a pad and pen to dig deep in investigative stories has pretty much become a thing of the past -- and that sucks. While there are now more and more news and information sources than ever before, with everyone and their mama blogging, it often seems in this new digital age that we've traded in quality for quantity.

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