Amoeblog

Game Over - Eric Gagne and The Mitchell Report

Posted by Gomez Comes Alive!, December 14, 2007 04:21am | Post a Comment

It was the only time I ever liked hearing Guns & Roses. It was the ninth inning in the spring of 2003 and Dodger Stadium was alive. The Dodgers were winning by one run with the two men on and one out over our hated rivals, The San Francisco Giants. Two of the Giants' best hitters were coming up; one was Jeff Kent, the good ol’boy from Texas, sporting his trademark porn stash under his nose. He looked, as it was said in the movie, Serpico, like “an asshole with dentures.” After him, the most feared hitter in baseball, Barry Bonds, was up. Bonds was all “juiced up” and ready to break fifty thousand screaming Dodgers fans' hearts with one swing of the bat.

“Welcome To The Jungle” blasted through the Dodger P.A. The bullpen doors swung open and out came our hero. Last year, Eric Gagne was an average pitcher at best. He would be lights out for about three innings and then it looked liked he either became tired, bored or both. At that point, Gagne's concentration would collapse and it became batting practice for the opposing team until they pulled Gagne out of the game. Anytime I checked the newspaper to see who would be the probable pitchers that night and Gagne was listed, I knew the Dodgers were in for a long night. Not anymore. Over the off-season Gagne morphed into a hulk-like relief pitcher with absolutely no fear. As Axel Rose started to scream, the video screen flashed a cartoon of Gagne’s face with the words flashing underneath: “GAME OVER.” Then the crowd went bananas! Gagne jogged slowly to the mound, almost intentionally, to start his warm-up tosses. He was the cleaner; he was the assassin that would be sent to clean up the mess when everything went awry. I sat in the cheap seats on the top of the stadium with my fellow Mexicanos, mixed in with the Koreans and Ronnie Barnett, laughing to myself. This couldn’t have been more Hollywood.

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Grindhouse Fest Holiday Event - Tuesday, Dec.18th

Posted by phil blankenship, December 14, 2007 12:46am | Post a Comment
From: Grindhouse Film Festival

Don't miss our Holiday Edition of the Grindhouse Film Festival this Tuesday, December 18th, at the New Beverly Cinema in Los Angeles. This event will feature screenings of a beautiful brand new 35mm print of Bob Clark's classic BLACK CHRISTMAS (1974) along with fan favorite SILENT NIGHT, DEADLY NIGHT (1984), and we'll have John Saxon and other guests to introduce the films. This is always our most popular event of the year and a night that shouldn't be missed. Get in the holiday mood, Grindhouse style!

Click Here To View Event Page & RSVP

BLACK CHRISTMAS director Bob Clark is well known for his holiday perennial A CHRISTMAS STORY, but years before that he crafted a very different holiday film. BLACK CHRISTMAS is one of the earliest and best of what later devolved into the 'slasher film' genre and is not to be missed. This is our third annual holiday screening of the film, which we intend to continue as an ongoing tribute to Bob Clark. The film will be introduced by star John Saxon.

Director Charles E. Sellier's SILENT NIGHT, DEADLY NIGHT was faced with nationwide protests over it's "killer Santa" premise upon release in 1984, becoming one of the most controversial films of all time. While we don't expect angry parents picketing outside the theater this time around, we do expect that everyone will have a great time with this entertaining film from the man previously best known as the creator of the Grizzly Adams franchise.

The event starts at 7:30pm, and admission for the double feature plus a reel of rare exploitation trailers and a free raffle is only $8.00.

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Peepers

Posted by Mr. Chadwick, December 13, 2007 11:03pm | Post a Comment
Alice turned me on to this amazing collection of peeping tom themed covers...


Although he's not really hiding, the idea of looking out your window on a rainy night and seeing Glen Campbell looking at you like this is very scary...



a couple of attempts at paradise that kinda of give me the creeps...





I know your every movement say Joe Walsh...



and finally...



Now look, I'm no Raffi hater.  I know from experience that kids love his music and he's a really great guy- it's just that guy Ken back there peering at you from behind the bushes has to go...

AMOEBITE PROFILE: KELLY WATSON

Posted by Billyjam, December 13, 2007 07:15pm | Post a Comment
Kelly Watson,
Amoeba Music, Hollywood

Kelly Watson
works in the New & Used Rock CDs department of the Hollywood Amoeba Music store and, laughing, says that she is the "only person who only works at Amoeba," meaning that, unlike everyone else at the store (or so it seems) she is not a musician or artist in addition to being an Amoebite. Something else that distinguishes her is that she hails from down under, from Australia. Amoeblog recently pulled Kelly away from her work for a few minutes to ask her some questions about music, her life, and working at Amoeba.

AMOEBLOG: How did you end up working at Amoeba Music and how long have you worked at the store?

KELLY: I used to work at Tower Records and that, as you know, came to an end, so I got a job here at Amoeba Music where I started this April, 2007.
benecio del toro
AMOEBLOG: What makes working at Amoeba unique compared to other jobs you've had?
 
KELLY: It's much more family here and much more fun here too. For the last fourteen years I've consistently done music retail and this is the best gig by far.  Also the people that you run into here...you never know who it will be.  Like Bjork was here last Tuesday and Johnny Marr was in here last Saturday. Oh and Benecio Del Toro was here the same day that Bjork was here, last Tuesday.

AMOEBLOG: What is one of the places nearby Amoeba Music Hollywood you would recommended to grab a bite to eat?

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Return Of The Living Dead Part II

Posted by phil blankenship, December 13, 2007 12:20am | Post a Comment
 





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