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HIP-HOP IS ALIVE AND WELL: BILLY JAM'S WEEKLY HIP-HOP ROUND UP

Posted by Billyjam, May 8, 2008 06:00pm | Post a Comment

As proven by the entries on the new Top Five Hip-Hop Charts from each of the three Amoeba Music locations (Berkeley, SF, Hollywood -- charts below by Tunde, Jason Chavez, & Marques Newson) hip-hop is very much alive and well. 

Not only that, but hip-hop, a genre known for its high turnover and tendency for chewing up and spitting out artists after a short shelf life, is instead demonstrating love for several longtime hip-hoppers with new releases. 

These include Prodigy, who started out rapping with Mobb Deep potna Havoc two long decades ago, The Roots, who've just dropped their ninth album, and E40 who is celebrating twenty years as a rap recording artist and just released the new Sick Wid It Umbrella: The Complete Second Season rap compilation with its appropriate Sopranos styled cover.

The Roots, who just get better and better as time evolves, have just released their ninth album Rising    Down. It's their eight studio album and second for Def Jam, and it's in big demand with music fans. The  Philadelphia based hip-hop band, who tore shit up September '06 at their Amoeba Hollywood instore, is the number one seller at both the LA Amoeba and at Berkeley, while in SF it is a close second to Atmosphere (another longtime hip-hop artist).  Following The Roots' Game Theory album in 2006, the new album culls its title, presumably, from the William T. Vollmann's book Rising Up and Rising Down: Some Thoughts on Violence, Freedom and Urgent Means, published in 2004. Rising Down features numerous cameos and guest shots ,including Mos Def, Styles P, Talib Kweli, and Common.

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The Cros: I'd Swear There Was Somebody Here...

Posted by Miss Ess, May 8, 2008 12:04pm | Post a Comment
David Crosby has a well-earned reputation for being an angelic-faced bad boy, a drug addicted ego david crosby mug shotfreak. His work throughout the 60s and early 70s was mostly within the confines of The Byrds or Crosby, Stills, Nash and Young. There is one record though, that to me is the standout among all the work of both of those bands, and it technically belongs to Crosby alone.
 
Crosby's first solo record, If I Could Only Remember My Name, as far as I am concerned, is one of the best albums ever created in the first place. It's an oddity for sure, and it seems miraculous that it was ever made. The album was recorded in San Francisco's Tenderloin in 1970/71. Sonically it's pure Cros-- heavy on the mystical harmonies, musically meandering all over the place-- but it also has guest appearances by Neil Young, Joni Mitchell, Jedavid crosby solo if i could only remember my namerry Garcia, and Jorma Kaukonen, among many others. One of the best parts about the record is laying back, letting the sound float around you and then hearing intermittent vocals from Joni and Neil washing in and out of different songs. Though this is a solo album, the feeling of the record is often one of hazy collaboration, of seamless blending toward a greater vision. Someone needs to write a book about these recording sessions, if anyone can remember them!

The title just seems so fittingly Crosby! It always kind of cracks me up. The early 70s were a particularly drug-addled period for him. I recently read that he was referring to reincarnation with the title, not general confusion...but if you listen closely to the lyrics they seem to often reference being overwhelmed by city life, distrust and paranoia. All of this is presented in gorgeous, hooky tracks, so you could easily miss some of the more heavy themes. On the positive side of the lyrics, there are tracks like the beautiful and hippy-ish "Music Is Love." Check out this awesome performance of "Traction in the Rain" by Crosby and Graham Nash. This was on the BBC before the record was even recorded.

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Gruesome Twosome

Posted by Mr. Chadwick, May 8, 2008 11:25am | Post a Comment



                                                          







                                                           
                                                              
                                                                      

Smokey And The Bandit

Posted by phil blankenship, May 8, 2008 12:00am | Post a Comment

Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!


Saturday May 10

Burt Reynolds
& Jackie Gleason in

Smokey And
The Bandit

1977, 96 min.

New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
(323) 938-4038
Midnight, $7

 


May - New Beverly's 30th Anniversary!
May 3 Burnt Offerings
May 10 Smokey And The Bandit
May 24 Creature From Black Lake
May 31 Zardoz

June
June 7 Heavenly Bodies
June 21 John Carpenter's Prince of Darkness
June 28 Van Damme in Sudden Death

 

MEAT BEAT MANIFESTO'S JACK DANGERS LOOKS BACK AT 20+ YEARS

Posted by Billyjam, May 7, 2008 10:06am | Post a Comment

Twenty-two years later Jack Dangers, the UK born/ Bay Area based musician best known as front person for the group Meat Beat Manifesto, is still recording and releasing relevant music.  In addition to the recently released tenth studio Meat Beat Manifesto (MBM) album Autoimmune on Metropolis, Dangers has also just released a new solo project titled Music For Planetarium -- a limited edition release on Brainwashed. To help spread the word on both releases, Dangers and MBM (including Ben Stokes with whom he also collaborates under the name Tino Corp) just wrapped up their current US tour in the past couple of days. I caught up with them when they played the Highline Ballroom in New York about a week ago. The current MBM lineup includes Dangers, Ben Stokes, Mark Pistel and Lynn Farmer (on live drum kit set up).

Considering it is now 21 years since MBM's debut and 22 years since his original band, Perennial Divide, released their debut, and also considering that most other industrial or techno or ambient acts (all genres that Dangers' music has been labeled over the years) are no longer still making music, I asked Dangers what was the secret to MBM's and his longevity as an artist?  "The main thing is not to conform, not to follow what looks like the thing to do," he said. "It is important not to follow trends but just to be yourself. That is the main ingredient."

I asked Dangers about early in his career and his relationship to Andy Partridge and how it was exactly that the XTC member had helped him get started in his music career. Dangers replied that he first met Partridge back in 1981 in the small South Western English town of Swindon they both hail from. "I got an intern job at the Uni recording studio (in Swindon) and got to see XTC rehearse for their English Settlement tour," he recalled, adding that the XTC tour got cut short after just nine dates. "Andy pretty much knocked it on the head and didn't want to do any live performances after that." But several years later, in 1986, Andy Partridge would work with Dangers and his first band Perennial Divide when he produced their Beehead EP -- released in 1987 on Sweat Box.

Dangers first visited the US in 1989 and ended up moving Stateside, settling in the Bay Area's Mill Valley in 1994. I asked him how relocating from Swindon to Marin County came about. "I was doing a lot of work with (Bay Area groups) Consolidated and Disposable Heroes of Hipocrisy in the early nineties," he recalled, adding that during that time period he, "Later met my future wife at SF Civic Center at a benefit for In Defense of Animals. And that was the main reason I moved over." He had also crossed paths with Ben Stokes, with whom he would forge a long-standing creative relationship. In concert, Stokes works his magic on the video sampling technology and when he is not on tour with Dangers, he is doing video production for DJ Shadow's tours (solo and with Cut Chemist).

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