Amoeblog

Latin Rock & Pop Releases For October & November

Posted by Gomez Comes Alive!, November 10, 2008 01:45am | Post a Comment

As the days get closer to Christmas, record labels start pushing all their potential moneymakers to the forefront. Sometimes quality releases go unnoticed in the avalanche of greatest hits and blockbuster releases. Here is a reminder of some releases that you can find in our Latin Rock & Pop section for yourself and for future gifts for Christmas.

Aterciopelados'
newest release, Rio, is their most focused release since 2001's classic, Gozo Poderoso. Filled with melodic vocals and soft Latin electronica beats, Aterciopelados explores their Colombian hippie side without sounding contrived. Life and the environment are the central themes of this album that link each song with the sound of a river flowing, rio/river...get it? Click here to watch a song from their Amoeba instore.

Rodrigo Y Gabriela, the surprise Flamenco hit of 2006, return with Live In Tokyo. Fans of the brother/sister duo claim that their strength comes from their live performances, including many Amoebites who witnessed their in store performance at Amoeba Hollywood two years ago. The release includes a DVD and a few new tunes for you to play air guitar to.

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Ultimate Desires

Posted by phil blankenship, November 9, 2008 02:23pm | Post a Comment
Ultimate Desires erotic thriller video starring Tracy Scoggins  Ultimate Desires erotic thriller starring Marc Singer

All She Wanted Was A Taste... And She Gave As Good As She Got.

Ultimate Desires plot synopsis

Prism Entertainment 8251

Price Tag Gallery 12

Posted by Mr. Chadwick, November 8, 2008 11:50pm | Post a Comment
Out Of Time Records Price TagGreen Dragon Records price tag Woodstock, N.Y.Arcadian Music & Books price tagBullock's price tagCheap Thrills Records price tag
Music Exchange price tagIndependent Records price tagBudget diecount records price tag
Balcony Lights records price tagDeja Vu record store out of print tagDownstairs Records price tagRockit Scientist Records price tagTeacher Supplie Buena Park, CA price tag
Joske's Houston Price TagMusicland price tagKatz record price tagNewburys record price tag
Campus Record Shop price tagLove Records price tagVogue Books And Records price tag
Music City Record Racks Inc. price tagCentral de Abastos del MagisterioShopKO price tag Singin' Dog Records Buy Sell Trade price tagthe Record Hut price tagUsed Kids Records price tagthe Music Tree Benson Record and Tape Club 1 Free For 4 price tag

Mimes in music and film

Posted by Eric Brightwell, November 8, 2008 09:12pm | Post a Comment
mimes

Last year for Halloween I was Bip the Clown, a famous creation of the then recently passed master of mime, Marcel Marceau. I thought it would be good to go an entire day without talking, yet it seemed to arouse violent annoyance in as many people as liked it.


 
I think it made me realize that I like mime, especially when it's darker and scarier... as in the mimetic acting of German Expressionist silent film... as well as comedians like Buster Keaton, Harry Langdon, Harold Lloyd and Charlie Chaplin, who were all essentially mimes. And, come to think of it, so was Cesar the somnambulist in Das Cabinet des Dr. Caligari... whom I was for Halloween a while ago, come to think of it.


Mime has its roots in ancient Greece but most conventions of modern mime were developed by the Bohemian mime, Jean-Gaspard Deburau, who adapted aspects of the commedia dell'arte for nineteenth century French actors. His most famous character was Pierrot, the moonstruck, dumb romantic in white face and poofy threads. He was portrayed in Marcel Carné's Les Enfants du Paradis.

Etienne Decroux

In the 1920s, Étienne Decroux created a highly original take on mime, focusing on statuary poses, a technique known as corporeal mime.

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Ch-ch-changes: thoughts on music, election Day '08

Posted by Kelly S. Osato, November 8, 2008 01:19pm | Post a Comment
Virginia's state bird the cardinal
Tuesday was tough. I woke up early, voted without having to wait in line (my polling place has always been quiet) and spent the bulk of the day thereafter feeling like I had been physically rendered into ragged shreds of mixed emotions that mainly resembled a patchwork of grief. Being confined to the registers at work, restless, while polls across the country closed at their designated times, the ague that wracked my body and mind increased as the day sank heavily into night. On my dinner break things started looking up; I spent the hour with a politically like-minded coworker (and dear friend) at a local sports bar so decorated with festive balloons, streamers and flat-screen televisions that the effort needed to focus on what might really constitute "news" distracted my mind away from any results I didn't want to see, but nevertheless felt somewhat prepared to receive. When it was projected that my home state of Virginia was going to "go red," as red as a Virginia cardinal, my nerves slackened into an uncomfortable numbness.

Given the option to leave work early, I fled and hopped a bus to meet up with some friends at a bar I'd never been to or heard of. Trying to find a place unknown on such a night was absolutely frustrating and just when I was knitting my brow in consternation, bent over my cellphone feverishly texting queries to inebriated friends, a girl at the front of the bus began to squeal like a steam leak. Suddenly strangers were hugging, kissing and high-fiving me, dancing and falling all over each other on a crowded, careening Haight street bus with a horn-happy driver at the wheel. Images alike to those photos taken during the block parties that erupted at the end of World War II flashed to life in front of me and, maybe for the first time in my life, I felt the news. Everyone here would remember this night, the night the streets of San Francisco went wild for Barack Obama's victory and the end of eight years of  George W. Bush.

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