Amoeblog

Haunted by the Brutal Splendor of old 45's

Posted by Whitmore, February 22, 2008 08:28am | Post a Comment
Convinced myself, I seek not to convince. But … a lone voice hesitated, yawned and, resonating a bit like Johnny Cash’s sonorous tone, drew closer to my ear. It geared down again to yet a lower, darker pitch, whispering something vague and unclear, a perfect combination of ambiguity and prophecy. The words eased the whiskey, my drunkenness. Entranced, my brain re-gathered just enough focus. Then, like a balmy zephyr blowing from a high desert squall, the voice crawled across my face, into my ear, into my head, breathing heat and sighing, little by little reminding me of the brutal splendor there is in … 7 inch 45’s. “You listen to a record for just a couple of minutes” the voice murmured, “and then you have to get back up, flip the son of a bitch over. Two and a half, three minutes vanish so quickly these days … It’s just wicked and brutal, don’t you think, don’t you know?” And then the voice added, wistfully, one more thing, almost as an afterthought, “Nevermore.”
That’s all. The voice also said something about pandemics, government corruption and fear, but I pretty much ignored the serious stuff. Since it’s been a while, I think it’s time to write about the little record with the big hole! So let’s start with some record company sleeves from around the world.



































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Crime + The City Solution -and- Simon Bonney -- Criminally underrated bands part 1

Posted by Eric Brightwell, February 21, 2008 10:51pm | Post a Comment
CRIME & THE CITY SOLUTION

Crime & the City Solution 31 December, 1977
Crime & the City Solution 31 December, 1977 (image source: Phil Turnbull)

It seems that almost from their inception the band Crime & The City Solution they were cursed to never be spoken of without a mention of famous Australian Nick Cave. It's really no one's fault. They were part of a incestuous web of musicians with frequent Nick Cave collaborator Mick Harvey at the center, a man who though a talented multi-instrumentalist, can only play one one band at a time, resulting in other pursuits being put on hold whilst he focused on his main gig.

Crime & The City Solution formed in Sydney, Australia in 1977. Their original line-up included vocalist Simon Bonney (the band's only permanent member, fresh from a brief stint with The Particles), Don McLennan on drums, Harry Zanteni on guitar, Phil Kitchener on bass and Dave MacKinnon on soprano and tenor saxophones. Simon Bonney, whilst born in Australia proper, had grown up on a remote farm in Tasmania where his family grew wheat, barley and opium poppies before he moved to Sydney.

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if i stop getting starbucks for the rest of the year....

Posted by Amoebite, February 21, 2008 05:58pm | Post a Comment

Gerhard Richter
Kerze (Candle)
1983
.... possibly I could afford to get this.

The Painting that adorned Sonic Youth's sixth double LP "Daydream Nation" is going to the auction block.

With a catalog price of £2.5m, I doubt many Sonic Youth completionists will be bidding.

I will happy to take it off your hands though if you realize it doesn't match your curtains. It will look great above my Ikea couch that I found in the street.
 
Read More About It Here!

O-TYPE CONTINUE TO INNOVATE

Posted by Billyjam, February 21, 2008 05:00pm | Post a Comment

Longtime self-described "experimental/psychedelic/freestyle" Bay Area group O-Type, featuring Bruce Anderson, Dale Sophiea, Jim Hrabetin, and Marc Weinstein (of Amoeba Music) are playing a very special and recommended mixed-media show titled "The Curse of the Fine Arts" this Sunday evening, Feb 24th @ 8PM at the Berkeley Arts Festival.  Additionally, tonight, Thursday Feb 21st, their music will be featured as the soundtrack to the short film High Heels (directed by founding member Sophiea) which will be screened at the Roxie Theater in San Francisco as a selection of the SF Indie Fest as part of the "Bay Area Shorts" segment at 7:15PM.

O-Type was born out of legendary band MX-80, which Sophiea and Anderson formed back in the mid seventies in Indiana before they moved west to Cali. MX-80, who defied categorization except maybe as "outsider" music, released several revered records on such labels as Island and Ralph (the Residents' label). Being hard to define doesn't sit well with labels, so Anderson and Sophiea started their own label, Quadruped, and busily cranked-out several diverse types of music under a slew of names, including O-Type, The Gizzards, Brutality, Half-Life, and of course MX-80. Marc Weinstein and Jim Hrabetin joined the fold in 1984 and have been part of the experimental musical family ever since.

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Commando - This Saturday At Midnight !

Posted by phil blankenship, February 21, 2008 03:42pm | Post a Comment

Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!


Saturday Feb. 23

Somewhere...
somehow...
someone's going to pay!

Commando

New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
(323) 938-4038
Midnight, $7


Upcoming:
Mar 1 Harley Davidson And The Marlboro Man
Mar 8 Streets Of Fire
Mar 15 Can't Hardly Wait (10th Anniversary!)
Mar 29 The Funhouse
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