I'm hearing that the premiere will be Oct. 28th at the Castro Theater! I just may have to swing by...
Congratulations to the new DMC DJ champion of the USA DJ Slyce who took the title hands down (once again) last Saturday night at the Knitting Factory in New York and consequently will travel to the UK later this month for the 2008 DMC World Championship finals September 26th/27th. It was a kind of deja vu for DJ Slyce who also won the US DMC title eleven years ago (see video clip of that legendary 1997 DMC routine below). "Anyone who said hip hop was dead has not been to a recent hip-hop DJ battle and with the return of DMC to the Mecca I can assure you the DJ element of our culture is alive and kicking some serious ass! An historical night to say the least and not because DMC was back in New York, not because it was the first time a father and son competed-- it was having such a variety of past and future legends share the stage and tear the decks up," said Washington DC (formerly of the SF Bay Area) DJ Dust One, who drove the four plus hours to NYC just to attend the event last weekend.
Dust One stressed to me how blown away he was by both seeing Grand Wizzard Theodore (creator of the scratch) and to getting to talk to him. "I asked him if it must feel great to watch what he created develop into such an art form. He smiled and proudly answered, 'I created monsters,'" related Dust One, adding that, "DJ Slyce stole the show and will represent the United States with the utmost showmanship and [it] would not surprise me if he took the world title back home. His set was flawless and the creativity took it to another level.Competition was definitely tough, but DJ Slyce showed us he is the best! Much respect to all the competitors, the judges and to Christie Z for coordinating such a great show!"
DMC Events Coordinator Christie Z Pabon is a the tireless ambassador of turntablism as well as the other elements of hip-hop. She had not organized a DMC battle for several years, instead focusing more on her own hip-hop dedicated organization, Tools of War. Pabon was perhaps the single reason why this year's US DMC battles seemed to bring the battle back on track after years of people complaining of it slipping. I talked with Christie Z, who organized the DMC battles from 1998 to 2000 and who likely will stay on board for upcoming years' DMCs, about how she felt about last weekend's event in NYC:
Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!
Saturday September 6
1999, 90 min
New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
With special guest Seth Green & others TBA in attendance, schedules permitting!
London's Victoria and Albert Museum has announced that it has bought perhaps the most recognizable logo in all of music at an auction in the U.S. -- the original artwork for The Rolling Stones famous "lips" logo, inspired by the Mick Jagger’s pouty mouth. The museum bought the work for $92,500.
The lips-and-tongue logo was designed by London art student John Pasche in 1970, and first appeared on the inside sleeve of the Sticky Fingers album released the following year. Pasche would go on to design posters for several Rolling Stones tours of the 1970’s, and the promotional sticker for Goats Head Soup plus a couple of single sleeves for the Stones.
According to an article in The Guardian, the idea for the logo came when Pasche, a graduate of the Royal College of Art in London, first met Jagger in the Rolling Stones' offices. “Face to face with him, the first thing you were aware of was the size of his lips and his mouth,” Pasche was quoted as saying.
Pasche added that he would use the money from the auction to send his 11-year-old son to private school. Initially paid just £50 for the logo, later when the Stones copyrighted the design Pasche received a share of the royalties’ rights; eventually he sold his share for a lump sum.
Since his early ‘masterpiece’ Pasche has done considerable design work for the record industry including albums, single sleeves and posters for artists such as Paul McCartney, The Stranglers, The Vapors, David Bowie, Judas Priest, The Who, the Bay City Rollers, the Art of Noise and Jethro Tull.