APA GROWTH IN THE '80S
APA THEATER IN THE '80S
On the stage, David Henry Hwang's play M. Butterfly was the first Asian-American play to appear on Broadway. Other successful Asian playwrights followed, including Philip Kan Gotanda and Velina Hasu Houston. New APA theaters were founded too, including Cold Tofu Arts and Entertainment/Theatre inLos Angeles, New York's Ma-Yi Theater Company and National Asian American Theatre Company, and the Asian Story Theater in San Diego.
ASIAN HOLLYWOOD IN THE '80S
Whilst in Hollywood most Asian males were invariably cast as fortune-cookie mystics and ninjas, a new stereotype emerged for younger Asian males; the studious, awkward and almost always heavily-accented Asian nerd (e.g. Long Duck Dong, Data Wang, Toshiro Takashi, Vinh Kelly, &c). One notable exception to the young Asian nerd stereotype in Hollywood is Dustin Nguyen as Harry Truman Ioki on 21 Jump Street. In 1987, Pat Morita stars on the TV show Ohara, the third series with an Asian lead.
APA CINEMA IN THE '80S
Asian American media arts organizations including Los Angeles' Visual Communications and New York's Asian CineVision began producing Asian American works.
Wayne Wang Steve Okazaki
After short-lived attempts in the silent era to establish an Asian-American Cinema, for most of the in the first and second halves of the studio era, Hollywood single-handedly created and controlled almost all celluloid images of Asian-Americans. With the beginnings of Asian-American theater in the 1960s and its growth in the 1970s coinciding with the decline of the Hollywood studio system, all that began to change with the rebirth of Asia-American Cinema, albeit slowly at first. Only in the 1990s and 2000s has a large and diverse Asian-American cinema, Asian-American theater and Asian-American comedy scene truly flourished -- offering a viable alternative to Hollywood's continued stereotypes and ongoing homogeneity.
New Electro/Techno 12"s Coming this Weekend:
BIKININI DJ FUNK RMX 12"
DISKOKAINE (produced by SALLY SHAPIRO) rips out this club- focused, high energy electro tech record chock full of ear piercing synths & big room fuzz. Includes a ghetto-tech remix by DJ FUNK and two other storming remixes from TELONIUS and CHRISTOPHER JUST.
Beatfanatic - BERLIN NIGHTS & P.O.D. 12" SCR017
Nick Thayer - PARTY PEOPLE-VS.W.STYLES 12" BOMB015T
Warp Records - official release date tomorrow but available today at Amoeba Music
The buzz surrounding Brooklyn's Grizzly Bear and the anticipation for their new album Veckatimest on Warp Records is well justified. The record will be officially released tomorrow (May 26th), but is available exclusively today at Amoeba! Grizzly Bear is the sort of muscial group that comes along way too rarely: one that is truly original yet somehow familiar sounding, and also extremely talented. Their music draws you in with timeless melodies and harmonies so beautiful that they might make you weep, but will definitely remind you of snatches of a myriad of other (mostly bygone) great rock/pop/folk acts including the Beach Boys, Simon & Garfunkel, and even a bit of Radiohead (who they opened for on part of their North American tour last summer).
Comprised of guitarists/songwriters Ed Droste and Daniel Rossen, along with drummer/vocalist Christopher Bear and multi-instrumentalist Chris Taylor (bass/electronics/woodwinds/vocals), Grizzly Bear released their first record as a quartet in 2006. Yellow House came out on Warp and included their infectious song "Knife" (see video below). Although released under the name Grizzly Bear, 2004's Horn Of Plenty on Kanine Records was really an Ed Droste solo release. Most recently, in late 2007, they released the EP Friend.