Amoeblog

2009 BEST OF THE EAST BAY PARTY WAS A HUGE SUCCESS

Posted by Billyjam, August 11, 2009 02:20pm | Post a Comment
Goapele
Addressing the clearly appreciative audience that packed the outdoor area of the Oakland Museum of California on Friday night (August 7th) for the East Bay Express' (EBX) mega 2009 Best Of The East Bay Party (BOEB), Goapele perfectly summed up the positive vibe of the entire evening.

"It's so good to be in Oakland and to have something positive like this going on," sincerely spoke the hometown soul singer between songs from the Amoeba Music Main Stage, articulating what many people must have been thinking at this huge, culturally diverse and uplifting event.

Accurately subtitled Subcultures and only in its second year, the Oakland Museum staged happening has fast become an important local cultural event, this year attracting 20,000 people -- more than double the expected number, according to Jody Colley, the publisher of the independently owned and operated alternative weekly.

After making her observation, Goapele, along with her tight four piece band, launched into the artist's new song "Milk + Honey" -- a song that incidentally appeared on the 15 track Best Of The East Bay Party 2009 CD Sampler, the free CD that was being handed out at the event that free to the public.

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Dais Records Unearths COUM Transmissions

Posted by Aaron Detroit, August 11, 2009 04:00am | Post a Comment

Bicoastal boutique label Dais Records --founded in 2007 by Gibby Miller in L.A. and Ryan Martin in Brooklyn -- has, in its brief history, quickly amassed (with no signs of stopping) an impressive back-catalog of instantly classic releases by artists on the obscure and dark end of the spectrum. The label’s roster of quality limited vinyl pressings includes albums by Cult of Youth and Tor Lundvall as well as the sought-after Cold Cave 12”, The Trees Grew Emotions and Died.  The label has also developed a trusted working relationship with Genesis Breyer P-Orridge which has resulted in the vinyl release of Psychic TV’s recent full-length, Mr. Alien Brain vs. The Skinwalkers, and a haunting, previously unreleased 1968(!) archival recording from P-Orridge entitled Early Worm (now out of print).  

A third upcoming team-up between P-Orridge and Dais is another archival release, entitled The Sound of Porridge Bubbling by the infamous COUM Transmissions. Its release will mark the first time most will hear COUM Transmissions, a transgressive performance art collective and band founded, in part, by P-Orridge in 1967 (whose detailed story can be read in a 1999 illustrated biiography entitled Wreckers of Civilisation by Simon Ford). By the time Sound was recorded in 1971 its members also included Cosey Fanni-Tutti and, by 1976, eventually evolved into the seminal and forever holy/unholy Throbbing Gristle.
 
The recordings went unreleased until now due to the rapid activity of the collective pushing them off as a priority.  However, now that the seal on the vault has been cracked, further COUM archive releases via Dais are also in the works .

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(In which we mix up something good.)

Posted by Job O Brother, August 10, 2009 08:28pm | Post a Comment
music
Yum!

Today I’ve been doing one of my favorite things: making a mix-tape. Of course, I’m not using any tape in this process, but somehow saying “mix cd” feels awkward. Much like saying “dump Coke” and “poop shoulder” – those are also awkward to say.

Anyway, crafting a playlist for a pal is one of my great joys. I don’t have much free time these days, what with my stupid ol’ grown-up lifestyle, but I used to make mix-tapes for people at the drop of a hat. The most casual of relationships could be an excuse.

“What are you doing, Job?”

“Making a mix-tape.”

“For who?”

“A guy from the bakery.”

“What guy?”

“…The baker.”

“Oh. You’re friends with the baker? The old dude? Isn’t he, like, half deaf?”

“Is he? I dunno. I only just met him yesterday. Well, I mean, I saw him. Baking... things. I didn’t really talk to him. But there was music playing in his bakery – some Sarah Vaughn – so I thought I’d make him a mix of cool jazz and vocalists and maybe even throw in some early French cabaret…”

And so it goes.
tapes

A good mix-tape isn’t just an assortment of rad songs, though they’re the meat of it. I’m of the opinion that truly neat-o mixes are bound together by little, sonic amuse-bouches; snippets of odd, silly, or even spooky clips. A line from a movie, an excerpted musical flourish, an individual sound effect even – all these things work.

New 12" Electronic Releases at Amoeba Hollywood 08/14/09

Posted by Oliver / Matt / Jordan, August 10, 2009 03:32pm | Post a Comment
 

New Electro/Techno 12"s Coming This Weekend:

Cinderella Ltd
EPHEMERIS EP 12"
ARPIAR006

Fresh off the label headed by RARESH and RHADOO comes this techno chugger EP. The first track hits like a techno track, but is mellowed by an almost lullaby in the background. On the flip is a loopy house cut, begging to be toyed with and layered...a groover!    


Kenny Larkin

SKETCHES EP-SHLOMI ABER 12"
BAO018

KENNY & SHLOMI ABER both drop a mix of "SKETCHES." KENNY's is pure techno, with amazing drum progressions and a hypnotic lead that spans 10 minutes of funk. ABER's version is tougher with a phat bassline, a jazzy rhythm, and a snare infused shuffle.
    

Fort Knox Five RADIO FREE DC RMX #8 12" FKX021

Le Professeur Inlassable AKILEUS 7" IN101  

Lorett Fleur YOUR BEST FRIEND 7" FVR030

Time & Space Machine CHILDREN 7" TIRK047   

Justice THE CROSS DLP BEC5772110

Justice D.A.N.C.E. 12" BEC5772071

Justice D.A.N.C.E. REMIXES 12" BEC5772130

Justice DVNO REMIXES 12" BEC5772317

Justice PHANTOM II 12" BEC5772169

Justice vs Simian WE ARE YOUR REMIX 12" TENTDJ505

New House/Disco 12"s Coming This Weekend:

A Mountain Of One

BONES EP 12"
AMR06

The first single to be lifted from their album INSITUTE OF JOY, this is a groovy indie meets leftfield dance EP with a strong vocal from ZEBEN and two remixes (in addition to the original) from NY's HOUSE OF HOUSE and WAY OF ANCIENTS (aka THOMAS BULLOCK of MAP OF AFRICA, RUB-N-TUG).

The Second Weekend in August, 1969 ... Part One

Posted by Whitmore, August 10, 2009 11:38am | Post a Comment
I wonder if anything significant about this past weekend will be remembered in 40 years time, other then Sonia Sotomayor being sworn in as a U.S. Supreme Court Justice and maybe Tiger Woods’ unbelievable play at the WGC-Bridgestone Invitational. This weekend back in 1969 is definitely remembered for a variety of odd and groovy and trivial and horrifying reasons.
zager and evans 
In the summer of 1969 I was living carefree at 4200 Franklin Avenue in Los Angeles near Griffith Park, with my parents, grandmother, two sisters, and of course our Siamese cat Pandora and a Great Dane named Dijo who would eventually, later in the year, attack me without provocation. She was a nutty and twisted beast. And typical of August in LA, it was annoyingly hot and smoggy. If you didn’t live here back then you just don’t know smog-- lung scorching air under a sky colored golden toasty brown to the apex. Now that’s pollution! This was also the first summer I really started noticing music. I culled some change from my mom’s purse to buy my first single, which also happened to be #1 on the Billboard charts this weekend in 1969, and would be for six consecutive weeks -- "In the Year 2525 (Exordium and Terminus)" by Zager and Evans. In the UK the #1 song was "Honky Tonk Women" by the Rolling Stones, which has noticeably survived the tastes of time better then “2525.” The #1 album in the US was the self-titled second album by Blood, Sweat & Tears. Earlier in the year in March it was briefly at the top of the charts, but with three successive Top 5 singles, it returned once again to the number one position. In 1970 it would win the Grammy Award for Album of the Year.  
 
Also this weekend 40 years ago, the Beatles posed for one of their most iconic images-- the Abbey Road album cover shot of the George, Paul, Ringo and John at the zebra crossing on Abbey Road. They were mostly done working on their newest album and, having applied the last overdubs that morning to the longest track, "I Want You (She's So Heavy)," photographer Iain Macmillan was given ten minutes to get the cover photo done. At 11:35 am on Friday, August 8, 1969, the image was shot. Of course, when the album was released in September, the cover art only fueled the rumors and speculation that Paul McCartney had indeed died in a car crash in 1966 and all the symbolic references only confirmed the sad fact.

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