Amoeblog

FCCLA tribute concert this thursday afternoon

Posted by Mr. Chadwick, July 20, 2009 11:45am | Post a Comment
Last month I posted about the First Congregation Church of Los Angeles and their enormous organs.  A few weeks have passed and I've not found the time to make it out there again, but I'll try this Thursday, July 23rd, as they're having a 10 player tribute to a long attending devotee. I believe that I had the pleasure of speaking to the man a while back; he had been coming for 50+ years and was a player himself. He explained to me and my Pal Joey a little about the layout of the organs and how they worked.  Anyhow, it should be a great concert and I think it's the last one for a few weeks, as the oragans are going to go through their annual tune-up for a while. Below I've included a blow-by-blow account of the behind the scenes action of the FCCLA Great Organs.

FCCLA
540 South Commonwealth Ave. (6th Street)
Los Angeles, CA
90020


BEASTIE BOYS POSTPONE TOUR & ALBUM DUE TO MCA'S CANCER

Posted by Billyjam, July 20, 2009 11:18am | Post a Comment

As officially (and good-humoredly) announced in the above YouTube clip via the group's website posting from earlier this morning, the Beastie Boys' Adam Yauch has been diagnosed with gland cancer and will soon have to undergo treatment. Consequently, the Beastie Boys have had to cancel and postpone upcoming concert dates and also move back their next album, Hot Sauce's, release date. Joining Adam "MCA" Yauch in the surprise video announcement today was fellow Beastie Boy Adam "Ad-Rock" Horovitz. Upcoming Beastie Boys scheduled dates had included playing Outside Lands, August 30th in the Bay Area and the Hollywood Bowl on September 24th. If you had already bought tix for these or other shows, contact the place of purchase to determine officially whether or not the band is no longer playing.

Watering (Down) the Avant-Garden: Pierre Henry and Sampling

Posted by Charles Reece, July 20, 2009 10:35am | Post a Comment
Unpredictable, Opening Concert 25.1.2008, Volksbühne am Rosa-Luxemburg-Platz, Berlin.

The recent issue of The Wire caught up with one of the fathers of sampling, musique concrète maestro Pierre Henry. He's been down on the contemporary state of electronic music for awhile. The article begins with a quote from a 1997 interview:

"Today I feel less inspired[.] We're living at a time where everything is controlled, planned and codified and even popular music isn't popular any more, it's imposed upon us."

And he's not any more positive now:

"I think it's a big mistake to call today's music electronic music[.] People do things with computers and samples but it's not the same approach as the way I work, or how Karlheinz Stockhausen worked in his electronic pieces. There is not the same craft, and it's not progress."

Suggesting by implication that the sound collages of El-P, the world creation of Tod Dockstader, Matmos' technological music, or even Björk's omnivorous use of the sounds she finds do not involve a high level of craft just seems wrong-headed to me. The "problem" was better stated in the older interview: codification. When a revolution takes place, there will then follow a prolonged period in which people work under the new order. Not everyone can be Chairman Mao (nothing's more ironic and true in this regard than Maoism -- the revolutionary figure par excellence was used as the ultimate criterion by which the subsequent potential equality of all others was to be judged). Thanks to the revolution of Mssrs. Henry, Stockhausen, Varese and Schaeffer, electronic music has now become a genre, whether Henry likes it or not. Why? Consider Thomas Kuhn's distinction between normal and revolutionary science as they pertain to working within what he called a paradigm:

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RIP: A REMIX MANIFESTO'S BRETT GAYLOR AMOEBLOG INTERVIEW

Posted by Billyjam, July 20, 2009 08:00am | Post a Comment

Brett Gaylor
's most engaging documentary, RiP: A Remix Manifesto, screens at the Mezzanine (444 Jessie Street at Mint) in San Francisco at 7pm this Thursday (July 23) as part of the San Francisco Film Society's (SFFS)  SF360 Film+Club series. It will be a fun evening that will also include a live video mashup by London's notorious audio visual remix masters Eclectic Method, plus a DJ set by Adrian and Mysterious D from the popular locally based mashup party Bootie SF. Tickets are $12/SFFS year-round members, and $17/general, available here.

In the new documentary, filmmaker/web-activist Gaylor, who will also be present at Thursday's Mezzanine screening, examines the ever-evolving subject of copyright in this digital age; a hot button topic if ever there were one, and one that has been at the center of many recent high profile lawsuits. For RIP: A Remix Manifesto, which was six years in the making, Gaylor interivews many informed sources from near and far who are all affected somehow by the film's subject matter. Included are Creative Commons founder Lawrence Lessig, Brazil's Minister of Culture Gilberto Gil, and pop culture critic Cory Doctorow. But he turns his cameras' main focus to reigning mash-up and sample-king Girl Talk (or Greg Gillis, as they call him at home) to help get to the heart of the issue of sampling without permission, and the changing status of copyright law in this digital/information age.

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Space Is The Place

Posted by Gomez Comes Alive!, July 20, 2009 02:00am | Post a Comment
Sun Ra-"Space Is The Place"


The Grateful Dead
- "Space/Morning Dew"



David Bowie- "Space Oddity" (OG Version)


Hawkwind-"Space Is Deep"


Helios Creed
- "Your Spaceman"


Deep Purple
-"Space Truckin'"


A Flock Of Seagulls
- "Space Age Love Song"


8 Ball & MJG -"Space Age Pimpin"

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