Amoeblog

(In which history repeats itself.)

Posted by Job O Brother, November 24, 2008 06:10pm | Post a Comment
Jack Ruby Lee Harvey Oswald

It seems like only a year ago that it was November 24. How time flies. Time flies less often than it did, it seems. Probably due to all the crazy “safety” precautions that airports employ now.

You know, they can make sure I don’t carry-on my switchblade, my flame-thrower, or my collection of vintage anthrax samples onto my flight, but they can’t confiscate my NINJA ABILITIES. Think about that one, my friends. My lightening moves don’t fit in no Ziploc baggie.

It was on this day, in 1963, that Lee Harvey Oswald was gunned down by man-about-town Jack Ruby, which brings to mind a song I quite like by Camper Van Beethoven, which brings to mind an album I rather fancy by Camper Van Beethoven.

The album is called Key Lime Pie and it takes me back to my high school days; though not actually my high school itself, because I never listened to rad tunes on campus. Only the Peanuts-like drone of adults as they lovelessly forced us to recite Shakespeare’s Romeo & Juliet.
Romeo & Juliet
From the scene in which Juliet drinks Romeo's blood while clutching her highly-prized, ball-point pen

It’s a wonder I love The Bard as much as I do considering that nothing was more painful than listening to a classroom full of barely literate teenagers haltingly fumble their way through iambic pentameter. It didn’t help matters that these same teenagers called me faggot to my face and probably f**ked with my locker. (Joke was on them, I never once figured out where my locker was.)

The Swimming Pool

Posted by phil blankenship, November 24, 2008 03:39pm | Post a Comment
The Swimming Pool starring Alain Delon  Swimming Pool starring Romy Schneider

Charter Entertainment 90155

Favorite Home Recordings

Posted by Gomez Comes Alive!, November 24, 2008 10:20am | Post a Comment

An album made entirely in one’s bedroom is no longer a foreign concept. In fact, it has become the norm. Digital sampling and recording programs such as Pro-Tools, Reason, Cubase and Digital Performer have all become the norm for most musicians. Why pay studio costs and mixing engineers for what you can do on your own your own computer?

The unfortunate result has been that as the need to record in a pricey recording studio has become a thing of the past, so has analog home recording. There is something a bit different from home recording made from analog forms (cassette or reel to reel recorders) rather than digital. Most arguments made on digital versus analog have to do with sound. My argument has to do with creativity. Although you still have the ability to overdub parts in analog recording, there are no quick fixes. You cannot instantly quantize bad timing, edit mistakes, cut out background noise or automatically tune vocals that are off key; all which you can do on the most basic digital recording programs. Instantly the mediocre can sound like the professionals. But what if some mediocrity is part of the charm? Honesty captured onto tape, with background noise, slightly off key vocals and poor recording techniques that captures a song in its purest form. It's no wonder fans of Bob Dylan and Jimi Hendrix used to pay top dollar for bootlegs of their home demos. There is purity to their songs that got lost once they made their way into a professional recording studio. The same thing sometimes happens with digital recording. The options are limitless, so much so that the end results sounds nothing like the beginning.

The Lo-Fi movement of the late eighties/early nineties exemplified this. Artists such as Daniel Johnston, Sebadoh, and The Mountain Goats didn’t just record onto four track for the sake of purity, it was also about economics. A Tascam 4 track recorder was affordable. Many studios were selling their outdated eight and four track reel-to-reel recorders dirt-cheap as well. In a bedroom, garage or in a practice space, you were left to your imagination to create without the restraints of paying a studio an hourly rate.

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The Accolade break barriers in Saudi Arabia

Posted by Mike Battaglia, November 23, 2008 10:50pm | Post a Comment

Thanks to user Navelgazer at community blog Metafilter, I was turned on to this interesting story recently published by the New York Times about an all-female Saudi rock band called The Accolade, most probably the first one of its kind ever. There are no photos of The Accolade because they are forbidden from posing for them. They have a MySpace page though, where you can listen to their first single, "Pinocchio." It is the sound of cultural awakening.

Eye Of The Demon

Posted by phil blankenship, November 23, 2008 01:21pm | Post a Comment
Eye of the Demon aka Bay Cove starring Tim Matheson & Pamela Sue Martin  Eye of the Demon aka Bay Cove starring Tim Matheson & Pamela Sue Martin

Eye of the Demon reviewed by Jeff Jarvis People Magazine

Eye of the Demon aka Bay Cove plot synopsis

Vidmark Entertainment VM 5305
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