Amoeblog

Angels & Incest: When Is Your Sister Not Your Sister? When She's Only Acting!

Posted by Charles Reece, February 19, 2008 01:06am | Post a Comment
The "love that dare not speak its name," which Oscar Wilde shared with Lord Alfred Douglas was cited at the former's trial for gross indecency.  Accepting homosexuality as morally permissible has often been cited by conservative moralists as providing a slippery slope to Gomorrah, setting precedent for even lewder acts, such as bestiality or incest.  However, regarding incest (but I'm betting bestiality, as well), its lure seems to have been with us as long as homosexuality.  If not always accepted in practice, incest is a longstanding part of mankind's fantasies as a seedy imaginative otherworld, suggesting what's always possible if man-made laws didn't get in the way.

clash of the titans laurence olivier zeus

Greek deities and demigods, for example, were a saucy bunch: Zeus, the longest running head of the Gods, was the son of brother and sister Titans, Chronos and Rhea.  Following in the family tradition, Zeus's second wife was also his aunt Themis, goddess of law.  After things went south with that, he hewed even closer to his father's matrimonial views and married his sister Hera, who gave birth to Hephaestus, buttfugly God of blacksmithing.  Hera, being the Goddess of chain-smoking trailer trash with a thing for two-timin' goodfernothins, had little need or love for such a ghastly son and kicked the poor fuck out of Olympus.  Despite this treatment, according to some versions of the myth, Hepahestus sided with his Ma's henpecking his Pa, resulting in Zeus beating the tar out of him, giving him an eternally permanent limp.  Those kind of mommy issues point towards meth addiction and a life of petty larceny, if these had been mere mortals.  But they weren't, so Hephaestus managed to marry the most beautiful of all the Olympians, Aphrodite, Goddess of love, who was also his half-sister by way of Zeus's tryst with Dione.

OSCARS VS. THE GROUCH

Posted by Charles Reece, February 17, 2008 01:54pm | Post a Comment
             


I'm sick as all hell, grumpy, and my mind ain't much good for nothing but thinking about the Oscars.  So here are my choices (at least, who I think will win in terms of my model Academy voter).  And, in case you're wondering, here's how the nominees are chosen and then voted for.  My selections are in red, with my reasoning in italics.

Performance by an actor in a leading role:

George Clooney in "Michael Clayton" (Warner Bros.)
Daniel Day-Lewis in "There Will Be Blood" (Paramount Vantage and Miramax)
Johnny Depp in "Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Tommy Lee Jones in "In the Valley of Elah" (Warner Independent)
Viggo Mortensen in "Eastern Promises" (Focus Features)

There's no competition here: the juiciest part being played by the juiciest actor and in a film that's anti-capitalist and anti-fundamentalist.

Performance by an actor in a supporting role:

Casey Affleck in "The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.)
Javier Bardem in "No Country for Old Men" (Miramax and Paramount Vantage)
Philip Seymour Hoffman in "Charlie Wilson's War" (Universal)
Hal Holbrook in "Into the Wild" (Paramount Vantage and River Road Entertainment)
Tom Wilkinson in "Michael Clayton" (Warner Bros.)

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Paranoia, They Destroy Ya: Death Sentence vs. The Brave One, or Jodie Foster's Continuing Relevance to the Presidency

Posted by Charles Reece, February 8, 2008 12:50pm | Post a Comment
Given Hillary Clinton’s history of backing neo-liberal economic policies and war-making by the United States and its allies, her advocacy of women’s rights overseas within what is widely seen outside this country as an imperialist context could actually set back indigenous feminist movements in the same a way that the Bush administration’s “democracy-promotion” agenda has been a serious setback to popular struggles for freedom and democracy.  -- Stephen Zunes, Sexism, the Women’s Vote and Hillary Clinton’s Foreign Policy
These promises of morality, protection, and recognition of harm are false promises. The criminal justice apparatus is about order and its reproduction, and about maintaining the existing hierarchy of status and privilege, and only incidentally about crime or morality or the safety of individual citizens and their communities. It operates most effectively at
the level of the symbolic, by naming individual offenders as morally defective, and using them as scapegoats, and only incidentally as a useful tool for community security, although at times it is the only and the most appropriate social institution available. -- Diane L. Martin, Retributivism Revisited: A Reconsideration of Feminist Criminal Law Reform Strategies

At a time when Spider-Man still had some aesthetic worth, being drawn by the great Steve Ditko, New York was on its way to becoming a dangerous city, giving the super-powered vigilante something to do, presumedly on a daily basis.  However, looking at the crime stats for NYC in 1965, one finds that only 3% of its inhabitants experienced any sort of crime for that year.  With a population of 18 million, it's no wonder that there was rarely a cop around as the Vulture was flying off with his ill-gotten loot.  Now, if you're one lone webslinger, even with the aid of your trusty spider-sense, it ain't very likely that you'll be fortunate enough to come across a crime as it's occurring even on a monthly basis, much less a daily one.  Thus, we have one of the central absurd conceits of the vigilante sub-genre (with radiated powers or merely a stock of ammo): always being in the right place at the right time.

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When Critics Attack! Cloverfield as the Battleground for the Horror Genre

Posted by Charles Reece, January 26, 2008 01:51pm | Post a Comment
As to those in the World Trade Center . . .
 
Well, really. Let's get a grip here, shall we? True enough, they were civilians of a sort. But innocent? Gimme a break. They formed a technocratic corps at the very heart of America's global financial empire – the "mighty engine of profit" to which the military dimension of U.S. policy has always been enslaved – and they did so both willingly and knowingly. Recourse to "ignorance" – a derivative, after all, of the word "ignore" – counts as less than an excuse among this relatively well-educated elite. To the extent that any of them were unaware of the costs and consequences to others of what they were involved in – and in many cases excelling at – it was because of their absolute refusal to see. More likely, it was because they were too busy braying, incessantly and self-importantly, into their cell phones, arranging power lunches and stock transactions, each of which translated, conveniently out of sight, mind and smelling distance, into the starved and rotting flesh of infants. If there was a better, more effective, or in fact any other way of visiting some penalty befitting their participation upon the little Eichmanns inhabiting the sterile sanctuary of the twin towers, I'd really be interested in hearing about it. 
--  Ward Churchill, Some People Push Back

Cloverfield is fantasy. The movie is meant to be entertainment — to give people the sort of thrill I had as a kid watching monster movies. I hadn't seen anything that felt that way for many years. I felt like there had to be a way to do a monster movie that's updated and fresh. So we came up with the YouTube-ification of things, the ubiquity of video cameras, cell phones with cameras. The age of self-documentation felt like a wonderful prism through which to look at the monster movie. Our take is what if the absolutely preposterous would happen? How terrifying would that be? The video camera, we all have access to; there's a certain odd and eerie intimacy that goes along with those videos. Our take is a classic B monster movie done in a way that makes it feel very real and relevant, allowing it to be simultaneously spectacular and incredibly intimate.
  -- J. J. Abrams


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A Great American Next-Door Neighbor: Mr. Conservative, Goldwater on Goldwater (2006)

Posted by Charles Reece, January 16, 2008 02:57pm | Post a Comment
Now, I'm liberal, but to a degree
I want ev'rybody to be free
But if you think that I'll let Barry Goldwater
Move in next door and marry my daughter
You must think I'm crazy!
I wouldn't let him do it for all the farms in Cuba.
-- Bob Dylan, I Shall Be Free, No. 10
Back when I was living in Detroit, I had a philosopher friend who was as smart as they come, but as bugfuck crazy a right-winger as they come (well, the right-wing can get pretty goddamn insane, so maybe I exaggerate a bit for rhetorical effect, but he was a good deal nutty, regardless).  He was an atheist with a militant libertarian streak whose silver tongue could convince you of the rational basis for just about any right-wing position if you didn't have every 't' crossed and 'i' dotted in your own arguments.  Over drinks, we'd see who could one-up each other in our beliefs of how many freedoms a person should be permited.  I'll save our conclusions for the faint/pc of heart, but suffice it to say that his ideas for what should be socially permissible (at least, by law) might make the most ardent ACLU attorney blush.  On social issues, having his view in ascendancy in the political world would only make for what I would consider a much better society.  But, then again, he'd also proclaim his admiration for dipshits like Jesse Helms. 

To this day, I find it odd that such libertarians tend to side with right-wing extremists while holding civil views much more in line with my own.  I suppose it comes down to some radical belief in states' rights -- as if a state is any less bureaucratically unfair to its citizens than the federal government -- and seeing businesses as individuals possessing the same rights as, well, actual individuals.  That last belief tends to ignore the long history of businesses being prime real estate where those in power freely piss on the rights of those not in power.  The former tends to tie the more radicalized libertarians, at least, with certain egregious unreconstructed Southern apolegetics regarding the Civil War (as the recent brouhaha over Republican candidate, Ron Paul, demonstrates [1]).

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