As you may have heard, vinyl is in the midst of a major comeback and is threatening to become more than just a niche phenomenon. VinylBeat.com took a virtual field trip to a pressing plant. We found that manufacturing records is a labor intensive, antiquated process that reached its zenith forty years ago. However, since vinyl is still the best medium to hear music, the pressing plant lives on.
Also known as the founders of “Rock Gospel,” the Chambers Brothers always went for feeling and excitement in their songs. It didn’t hurt that Lester Chambers has one of the most soulful voices ever. While Sly is rightly lauded for combining funk and psychedelic sounds, it was still soul music, not rock. The unheralded Chambers Brothers put gospel soul into their unique brand of rock music.
The Brothers had been kicking around L.A. for ten years before they finally landed a slot at the Newport Folk Festival. They brought the house down, landed a deal with Columbia, went electric, and eventually had a top 10 album with The Time Has Come!
"Time Has Come Today"
Early "People Get Ready" on Shindig with washtub bass!
"Time Has Come Today" covered by The Ramones
It looks like the Spotnicks must have influenced DEVO! This wacky early ‘60s Swedish band was the number two instrumental band in Europe behind the Shadows.
The Shadows were originally Cliff Richards’ backing band. John Lennon said, “before Cliff and the Shadows, there had been nothing worth listening to in British music.” Their instrumental career began with “Apache.”
Since we’re playing “Apache,” here are some other famous versions. Below is the 1961 hit version in the U.S. by Jorgen Ingmann, a Danish guitar player.
“When some yahoo says his album is V++, what the hell does that mean?”
Grading is a record collector’s biggest pet peeve, as it’s rarely accurate or biased in our favor. There are two types of grading -- aural and visual -- and since probably 90% of all used purchases are made without listening to the record, collectors have come to rely on the seller’s visual grading, which leads to many problems. Nobody uses the same lighting system for inspection, there’s no standardization as to what that condition translates to in written grades, and then there’s absolutely no guarantee that an album that looks to be in a certain condition will actually sound that way. Aural grading is a much more accurate barometer of a record’s condition, but there’s still variation between stereo systems, the quality of the styli, and how different ears tolerate varying degrees of ambient noise. It’s unrealistic to expect sellers to play grade their vinyl, because it takes a lot of time. And then, even if a record sounds good but looks awful, like some ‘50s albums I’ve encountered, most people don’t want them because there’s very little resale value.
I do some shopping on eBay, and the worst problem is that half the sellers don’t even define their grading criteria. So when some yahoo says his album is V++, what the hell does that mean? For some sellers, that’s their second highest grade and only befits a near perfect album, but for others, it’s only the fourth highest grade behind M, NM, and E. I would lobby for some kind of standardization, but how would you define the gradations? I like a 10 point system (with 10 being the highest), but the reality is that only the top five numbers matter; nobody lists an album as a 4. So, maybe a 5 point system… Speaking of grading, Neil Umphred, who curated the early Goldmine price guides, used to define the VG (Very Good) grade as Very God Awful! The point is that if sellers don’t include their grading criteria in their listings, their grades are meaningless.