Amoeblog

Reissue Report: Bjork, Broadcast, Led Zeppelin, Nick Cave & The Bad Seeds

Posted by Billy Gil, February 3, 2015 03:42pm | Post a Comment

bjorkLots of exciting vinyl reissues have been announced for early 2015, starting off with Bjork, whose major studio albums all will be reissued by One Little Indian March 9.

The first 5,000 copies of the reissue will each come in “the hue that personifies that album character,” One Little Indian says. After that, the imprint will issue the LPs on black vinyl.

So just which hue is Debut? What cula’ is Medulla? Check out the descriptions below for each album, which you can preorder now (I didn’t write these, assuming Bjork did):

 

bjork post lp reissue

Debut (1993) [Beige]

shy beginner humility virgin beige silver mohair the messenger

Post (1995) [Pink]

greedy euphoric absorb promiscuity urban pink

Homogenic (1997) [Green]

Album Picks: Nite Fields, Title Fight, Ty Segall Band

Posted by Billy Gil, February 3, 2015 09:14am | Post a Comment

Nite Fields – Depersonalisation

nite fields depersonalisationThese nocturnally minded Australians set themselves apart from post-punk pack with creeping, atmospheric songs that seem to exist in a netherworld between sleep, dreaming and waking life. Songs like “You I Never Knew” lurch forward with jangling guitars and pounding beats before resting back into woozy, cloudy textures, on tracks like “Pay for Strangers.” Definitely a band to watch for 2015.

 

Title Fight - Hyperview

title fight hyperview lpI had never checked out Title Fight before, but they go lighter on the emo and heavier on the shoegaze on their new album, coming up with a surprisingly winning combination. Tracks like “Chlorine” find sweet melodies doing battle with Sonic Youth-style mangled chords, while moody basslines on songs like “Hypernight” and power-pop arrangements on tracks like “Mhrac” call to mind elements of The Pixies. The band’s watery, textured guitar playing makes for pleasant listening on the plaintive “Your Pain Is Mine Now,” but the band can still deliver a dose of the good ol’ screamo-style singing on “Rose of Sharon,” placing them in the same boat as bands who’ve similarly paired picturesque guitarwork with corrosive singing and driving beats, like Fucked Up and Deafheaven. Fans may have to get used to the more impressionistic style they use here, employing Chapterhouse and Swervedriver as influences as much as Jawbreaker or Rites of Spring. But those who are willing to evolve with the band will be rewarded with a perfect marriage of pulse and shimmer, on songs like standout “Liar’s Love.” And those of us new to Title Fight have a much-needed dose of gorgeously loud music on our hands with Hyperview.

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Essential Records: The Jesus & Mary Chain 'Psychocandy'

Posted by Billy Gil, January 30, 2015 05:00pm | Post a Comment

essential albums jesus and mary chain psychocandy

Like many records whose reputations precede them, Psychocandy, the debut album by Scottish troublemakers The Jesus & Mary Chain, should be approached with caution and when you’re ready, not because someone told you to listen to it.

I picked up Psychocandy sometime in 2002 from Amoeba Hollywood, shortly after the store opened. I was going to school in San Diego at the time, and my friends and I would make trips up to Lou’s Records in Encinitas and Amoeba to binge buy used CDs. No one told me to get Psychocandy like Barry from High Fidelity, but I knew I probably should, judging by my growing obsessions with Sonic Youth, The Velvet Underground and My Bloody Valentine.

The first time I put it on, on my shitty car stereo, I couldn’t really hear what was going on. A car full of people talking didn’t help. It just sounded like static to me, but I was intrigued. I listened later on and, of course, became full-on obsessed.

“Just Like Honey” is the obvious entry point and still a hauntingly beautiful song that is universal in a Nirvana sorta way. But the album’s next few tracks are its best. “The Living End” isn’t just a song title that Gregg Araki would nick for his great movie of the same name; its overall vibe is so underground and elusive that listening always makes you feel a lot cooler than you really are. It doesn’t matter that I’m way too chicken shit to ever ride a motorcycle. Both “The Living End” and “Taste the Floor” introduce a sonic trick that other great bands would mimic, like the aforementioned Nirvana, their inspirations in The Pixies (who themselves would cover J&MC’s “Head On”) and shoegaze followers like Lush and Swervedriver, piling added distortion on what already felt like too much to begin with, like pouring chocolate syrup all over a chocolate cake. It’s overwhelming and awesome.

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Weekly Roundup: Mikal Cronin, Bouquet, Tennis System, OOFJ, Deerhoof

Posted by Billy Gil, January 30, 2015 08:54am | Post a Comment

Mikal Cronin – “Made Up My Mind”

mikal croninPower-pop master Mikal Cronin has announced his third album, the aptly titled MCIII, which will be out May 5 on Merge. And he’s shared the first song from it. “Made Up My Mind” has one of those great rocketship riffs Cronin does so well, along with some playful piano and Cronin’s weary earnest voice offering bittersweet melodies and lyrics. Cronin played every instrument on the new album, which includes a six-song suite. He’ll be at S.F.’s The Independent April 22 and the Center for the Arts, Eagle Rock May 1.

 

Bouquet – “Stacks on Stacks”

bouquetSometimes you hear just a couple of notes of a song and you know you love it. Such is the case with Bouquet’s “Stacks on Stacks,” which touches on early electronic music with breathy, romantic female vocals akin to Stereolab, Beach House or our dearly departed Broadcast. The L.A.-based duo is composed of guitarist/vocalist Carolyn Pennypacker Riggs, formerly of folk-poppers The Finches, and keyboardist Max Foreman of the experimental trio Tenebre. If you’re as curious as I am about Bouquet, check out their In a Dream EP, due March 10 via Ulrike/Folktale, and/or check them out with Zola Jesus Feb. 8 at Santa Ana’s Observatory.

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So Many Wizards' Nima Kazerouni Talks Being in Four Bands Before Performance Jan. 29 at Amoeba Hollywood

Posted by Billy Gil, January 28, 2015 03:17pm | Post a Comment

so many wizards amoebaSo Many Wizards frontman Nima Kazerouni is easily one of the hardest working guys in the L.A. music scene. Other than SMW, his long-running indie-pop project, he has another full-time band, Crown Plaza, and two more new ones. I asked Kazerouni about how he keeps it all straight before So Many Wizards’ show at Amoeba Hollywood Jan. 29 at 6 p.m. They’re handing out a split 7” at the show with Tennis System, as part of Converse Rubber Tracks’ free recording sessions for up-and-coming artists. They’ll also be signing their previous 7”, Night Chills, at the show.

So I heard you started a new band, Nectarine, and now you have GNTLMN, too, bringing the total to four (I think). Is that just to try out different directions, play with different people or something else?

Yeah, totally. Nectarine is a super fun new band that started with homegirl Allie Bumsted. We would just jam together and write songs on the fly in her Long Beach garage while drinking beers and coffee. It turned into a thing pretty naturally. GNTLMN, which is now officially called Others, is a two-piece electronic dream-pop project created with S.F. transplant and homegirl Natalia Rogovin. The two are totally different sounds, and I play different roles in each band. It’s a lot to juggle four bands, yes, but whatever, I love them all.

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